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Sennheiser ew322G2 Wireless Cardioid Lavalier System Channel A : MusiciansFriend : USD879.0Includes a bodypack transmitter, ME4 cardioid Lavalier microphone, and a rackmountable receiver.When Sennheiser evolutionized the world of performance wireless microphones with the original evolution series, they introduced startling new technology and innovative design. Now, they are again pushing the limits of performance, audio quality, ruggedness and ease of use. They've redesigned the evolution series from the inside out for G2 with features such as much smaller body packs, larger backlit LCD displays, AutoScan function on all receivers, 36MHz switching bandwidth, and the most intuitive user interfaces available.For increased flexibility and power, the 300 Series is an excellent choice. It gives you eight switchable presets (reprogrammable to any of the 1440 available frequencies), peak-hold level and battery meter status indicators, and variable-level balanced XLR and unbalanced TS 1/4" connectors. In addition, an alphanumeric name can be assigned to the receiver. |
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Sennheiser ew322G2 Wireless Cardioid Lavalier System Channel B : MusiciansFriend : USD879.0Includes a bodypack transmitter, ME4 cardioid Lavalier microphone, and a rackmountable receiver.When Sennheiser evolutionized the world of performance wireless microphones with the original evolution series, they introduced startling new technology and innovative design. Now, they are again pushing the limits of performance, audio quality, ruggedness and ease of use. They've redesigned the evolution series from the inside out for G2 with features such as much smaller body packs, larger backlit LCD displays, AutoScan function on all receivers, 36MHz switching bandwidth, and the most intuitive user interfaces available.For increased flexibility and power, the 300 Series is an excellent choice. It gives you eight switchable presets (reprogrammable to any of the 1440 available frequencies), peak-hold level and battery meter status indicators, and variable-level balanced XLR and unbalanced TS 1/4" connectors. In addition, an alphanumeric name can be assigned to the receiver. |
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Sennheiser ew345G2 Supercardioid Hand-Held Wireless System Channel A : MusiciansFriend : USD949.0The Sennheiser ew345G2 wireless system combines the evolution series EM 300 G2 rackmount receiver with the SKM 300 G2 hand-held transmitter, and the MD 845 dynamic supercardioid microphone module. Includes an MZQ 1 microphone clip, GA 2 rackmount adapter, NT 2-1 power supply unit, 2 telescopic antennas, 2 AA size batteries, and operating instructions.evolution Wireless When Sennheiser "evolutionized" the world of performance wireless microphones with their original evolution series, they introduced startling new technology and innovative design. Now, they are again pushing the limits of performance, audio quality, ruggedness and ease of use. They've redesigned the evolution series from the inside out for G2. With features such as much smaller body packs, larger backlit LCD displays, AutoScan function on all receivers, 36MHz switching bandwidth, and the most intuitive user interfaces available, evolution G2 is the most advanced, best sounding, easy-to-use, roadworthy wireless microphone system available today.evolution Wireless G2 300 Series For increased flexibility and power, the 300 Series is an excellent choice. It gives you eight switchable presets (reprogrammable to any of the 1440 available frequencies), peak-hold level and battery meter status indicators, and variable-level balanced XLR and unbalanced TS 1/4" connectors. In addition, an alphanumeric name can be assigned to the receiver. |
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Sennheiser ew345G2 Supercardioid Hand-Held Wireless System Channel B : MusiciansFriend : USD949.0The Sennheiser ew345G2 wireless system combines the evolution series EM 300 G2 rackmount receiver with the SKM 300 G2 hand-held transmitter, and the MD 845 dynamic supercardioid microphone module. Includes an MZQ 1 microphone clip, GA 2 rackmount adapter, NT 2-1 power supply unit, 2 telescopic antennas, 2 AA size batteries, and operating instructions.evolution Wireless When Sennheiser "evolutionized" the world of performance wireless microphones with their original evolution series, they introduced startling new technology and innovative design. Now, they are again pushing the limits of performance, audio quality, ruggedness and ease of use. They've redesigned the evolution series from the inside out for G2. With features such as much smaller body packs, larger backlit LCD displays, AutoScan function on all receivers, 36MHz switching bandwidth, and the most intuitive user interfaces available, evolution G2 is the most advanced, best sounding, easy-to-use, roadworthy wireless microphone system available today.evolution Wireless G2 300 Series For increased flexibility and power, the 300 Series is an excellent choice. It gives you eight switchable presets (reprogrammable to any of the 1440 available frequencies), peak-hold level and battery meter status indicators, and variable-level balanced XLR and unbalanced TS 1/4" connectors. In addition, an alphanumeric name can be assigned to the receiver. |
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Sennheiser ew352G2 Wireless Headworn System Channel A : MusiciansFriend : USD879.0Includes a bodypack transmitter, ME3 headworn microphone, and a rackmountable receiver.When Sennheiser evolutionized the world of performance wireless microphones with the original evolution series, they introduced startling new technology and innovative design. Now, they are again pushing the limits of performance, audio quality, ruggedness and ease of use. They've redesigned the evolution series from the inside out for G2 with features such as much smaller body packs, larger backlit LCD displays, AutoScan function on all receivers, 36MHz switching bandwidth, and the most intuitive user interfaces available.For increased flexibility and power, the 300 Series is an excellent choice. It gives you eight switchable presets (reprogrammable to any of the 1440 available frequencies), peak-hold level and battery meter status indicators, and variable-level balanced XLR and unbalanced TS 1/4" connectors. In addition, an alphanumeric name can be assigned to the receiver. |
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Sennheiser ew352G2 Wireless Headworn System Channel B : MusiciansFriend : USD879.0Includes a bodypack transmitter, ME3 headworn microphone, and a rackmountable receiver.When Sennheiser evolutionized the world of performance wireless microphones with the original evolution series, they introduced startling new technology and innovative design. Now, they are again pushing the limits of performance, audio quality, ruggedness and ease of use. They've redesigned the evolution series from the inside out for G2 with features such as much smaller body packs, larger backlit LCD displays, AutoScan function on all receivers, 36MHz switching bandwidth, and the most intuitive user interfaces available.For increased flexibility and power, the 300 Series is an excellent choice. It gives you eight switchable presets (reprogrammable to any of the 1440 available frequencies), peak-hold level and battery meter status indicators, and variable-level balanced XLR and unbalanced TS 1/4" connectors. In addition, an alphanumeric name can be assigned to the receiver. |
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Shure ULXP124/BETA87C Dual Channel Mixed Wireless System M1 : MusiciansFriend : USD1769.0The Shure ULXP124/BETA87A Dual Channel Mixed Wireless Microphone System includes two ULXP4 Diversity Receivers, a ULX1 Bodypack Transmitter, and a ULX2 Handheld transmitter fitted with a Beta 87A microphone capsule. Shure ULX Professional systems offer advanced features and controls, including lockable settings and group scan function. Over 1400 selectable, pre-programmed frequencies are available, and Automatic Frequency Selection provides a straight shot to a clear channel. ULXP4 Wireless Diversity Receiver The expanded feature set of the ULXP4 wireless receiver, with advanced settings and controls including lockable settings and group scan, offers a direct path to full, clear audio signals. The ULXP4 offers an exceptional value in both performance and price, for both working musicians and sound installers.ULX1 Wireless Bodypack Transmitter The low-profile, highly durable body-pack ULX1 has all the characteristics to meet the demands of high performance. For use with headworn, lavalier and instrument microphones, as well as guitars and basses. Attaches to belt, waistband or guitar strap with clip for hands-free mobility.ULX2 Handheld Transmitter The ULX2 Handheld Transmitter features 3-segment battery fuel gauge, frequency and power settings, and control lockout. A backlit LCD shows group and channel.Beta 87C Vocal Microphone The Beta 87C premium vocal microphone delivers studio-grade performance and a smooth, extended high-end frequency response in a cardioid condenser design. The microphone adds warmth to the frequency response and creates an ideal environment for in ear personal monitoring. And its highly consistent cardioid pattern offers excellent rear rejection. |
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Shure ULXP124/BETA87C Dual Channel Mixed Wireless System J1 : MusiciansFriend : USD1769.0The Shure ULXP124/BETA87A Dual Channel Mixed Wireless Microphone System includes two ULXP4 Diversity Receivers, a ULX1 Bodypack Transmitter, and a ULX2 Handheld transmitter fitted with a Beta 87A microphone capsule. Shure ULX Professional systems offer advanced features and controls, including lockable settings and group scan function. Over 1400 selectable, pre-programmed frequencies are available, and Automatic Frequency Selection provides a straight shot to a clear channel. ULXP4 Wireless Diversity Receiver The expanded feature set of the ULXP4 wireless receiver, with advanced settings and controls including lockable settings and group scan, offers a direct path to full, clear audio signals. The ULXP4 offers an exceptional value in both performance and price, for both working musicians and sound installers.ULX1 Wireless Bodypack Transmitter The low-profile, highly durable body-pack ULX1 has all the characteristics to meet the demands of high performance. For use with headworn, lavalier and instrument microphones, as well as guitars and basses. Attaches to belt, waistband or guitar strap with clip for hands-free mobility.ULX2 Handheld Transmitter The ULX2 Handheld Transmitter features 3-segment battery fuel gauge, frequency and power settings, and control lockout. A backlit LCD shows group and channel.Beta 87C Vocal Microphone The Beta 87C premium vocal microphone delivers studio-grade performance and a smooth, extended high-end frequency response in a cardioid condenser design. The microphone adds warmth to the frequency response and creates an ideal environment for in ear personal monitoring. And its highly consistent cardioid pattern offers excellent rear rejection. |
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Shure UR24S/SM58 Handheld Wireless Microphone System L3 : MusiciansFriend : USD2659.0The Shure UR24S/SM58 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/SM58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless microphone systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects a |
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Shure UR24S/SM58 Handheld Wireless Microphone System H4 : MusiciansFriend : USD2659.0The Shure UR24S/SM58 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/SM58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless microphone systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects a |
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Shure UR24S/SM58 Handheld Wireless Microphone System J5 : MusiciansFriend : USD2659.0The Shure UR24S/SM58 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/SM58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless microphone systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects a |
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Shure UR24S/SM86 Handheld Wireless Microphone System L3 : MusiciansFriend : USD2659.0The Shure UR24S/SM86 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/SM86 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the SM86 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless microphone systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affec |
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Shure UR24S/SM86 Handheld Wireless Microphone System H4 : MusiciansFriend : USD2659.0The Shure UR24S/SM86 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/SM86 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the SM86 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless microphone systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affec |
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Shure UR24S/SM86 Handheld Wireless Microphone System J5 : MusiciansFriend : USD2659.0The Shure UR24S/SM86 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/SM86 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the SM86 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless microphone systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affec |
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Shure UR24S/BETA58 Handheld Wireless Microphone System L3 : MusiciansFriend : USD2899.0The Shure UR24S/BETA58 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/Beta58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 58A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects a |
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Shure UR24S/BETA58 Handheld Wireless Microphone System H4 : MusiciansFriend : USD2899.0The Shure UR24S/BETA58 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/Beta58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 58A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects a |
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Shure UR24S/BETA58 Handheld Wireless Microphone System J5 : MusiciansFriend : USD2899.0The Shure UR24S/BETA58 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/Beta58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 58A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects a |
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Shure UR24S/BETA87A Handheld Wireless Microphone System L3 : MusiciansFriend : USD3029.0The Shure UR24S/BETA87A Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/BETA87A Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 87A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The microphone system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the t |
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Shure UR24S/BETA87A Handheld Wireless Microphone System H4 : MusiciansFriend : USD3029.0The Shure UR24S/BETA87A Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/BETA87A Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 87A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The microphone system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the t |
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Shure UR24S/BETA87A Handheld Wireless Microphone System J5 : MusiciansFriend : USD3029.0The Shure UR24S/BETA87A Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/BETA87A Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 87A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The microphone system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the t |
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Shure UR24S/BETA87C Handheld Wireless Microphone System L3 : MusiciansFriend : USD3029.0The Shure UR24S/BETA87C Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/BETA87C Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 87C Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphones systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver as well as these outstanding features:Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the trans |
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Shure UR24S/BETA87C Handheld Wireless Microphone System H4 : MusiciansFriend : USD3029.0The Shure UR24S/BETA87C Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/BETA87C Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 87C Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphones systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver as well as these outstanding features:Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the trans |
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Shure UR24S/BETA87C Handheld Wireless Microphone System J5 : MusiciansFriend : USD3029.0The Shure UR24S/BETA87C Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/BETA87C Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 87C Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphones systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver as well as these outstanding features:Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the trans |
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Shure UR14S Bodypack Wireless Instrument System L3 : MusiciansFriend : USD2679.0The Shure UR14S Bodypack Wireless Instrument Microphone System features the UR4S Single Channel Diversity Receiver, the UR1 Wireless Bodypack Transmitter, and the WA302 Instrument Cable. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless microphone systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as indicated by the Aud |
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Shure UR14S Bodypack Wireless Instrument System H4 : MusiciansFriend : USD2679.0The Shure UR14S Bodypack Wireless Instrument Microphone System features the UR4S Single Channel Diversity Receiver, the UR1 Wireless Bodypack Transmitter, and the WA302 Instrument Cable. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless microphone systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as indicated by the Aud |
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Shure UR14S Bodypack Wireless Instrument System J5 : MusiciansFriend : USD2679.0The Shure UR14S Bodypack Wireless Instrument Microphone System features the UR4S Single Channel Diversity Receiver, the UR1 Wireless Bodypack Transmitter, and the WA302 Instrument Cable. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R includes infrared synchronization that allows you to configure transmitter settings from the receiver, as well as these outstanding features:Frequency Band Selection Shure offers wireless microphone systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as indicated by the Aud |
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Shure UR124S/SM58 Combo Wireless Instrument/Microphone System L3 : MusiciansFriend : USD3599.0The Shure UR124S/SM58 Wireless Microphone System features the UR4S Single Channel Diversity Receiver, the UR1 Wireless Bodypack Transmitter, and the UR2/SM58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless mic systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the Shure transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects |
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Shure UR124S/SM58 Combo Wireless Instrument/Microphone System H4 : MusiciansFriend : USD3599.0The Shure UR124S/SM58 Wireless Microphone System features the UR4S Single Channel Diversity Receiver, the UR1 Wireless Bodypack Transmitter, and the UR2/SM58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless mic systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the Shure transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects |
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Shure UR124S/SM58 Combo Wireless Instrument/Microphone System J5 : MusiciansFriend : USD3599.0The Shure UR124S/SM58 Wireless Microphone System features the UR4S Single Channel Diversity Receiver, the UR1 Wireless Bodypack Transmitter, and the UR2/SM58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless mic systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the Shure transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects |
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Shure UR124S/SM86 Combo Wireless Instrument/Microphone System L3 : MusiciansFriend : USD3719.0The Shure UR124S/SM86 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/SM86 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with SM86 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as indicated by |
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Shure UR124S/SM86 Combo Wireless Instrument/Microphone System H4 : MusiciansFriend : USD3719.0The Shure UR124S/SM86 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/SM86 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with SM86 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as indicated by |
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Shure UR124S/SM86 Combo Wireless Instrument/Microphone System J5 : MusiciansFriend : USD3719.0The Shure UR124S/SM86 Handheld Wireless System features the UR4S Single Channel Diversity Receiver and the UR2/SM86 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with SM86 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as indicated by |
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Shure UR124S/BETA58 Combo Wireless Instrument/Microphone System L3 : MusiciansFriend : USD3719.0The Shure UR124S/BETA58 Handheld Wireless System features the UR4S Single Channel Diversity Receiver, UR1 Bodypack Transmitter, and the UR2/BETA58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted the with BETA 58A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter |
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Shure UR124S/BETA58 Combo Wireless Instrument/Microphone System H4 : MusiciansFriend : USD3719.0The Shure UR124S/BETA58 Handheld Wireless System features the UR4S Single Channel Diversity Receiver, UR1 Bodypack Transmitter, and the UR2/BETA58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted the with BETA 58A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter |
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Shure UR124S/BETA58 Combo Wireless Instrument/Microphone System J5 : MusiciansFriend : USD3719.0The Shure UR124S/BETA58 Handheld Wireless System features the UR4S Single Channel Diversity Receiver, UR1 Bodypack Transmitter, and the UR2/BETA58 Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted the with BETA 58A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter |
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Shure UR124S/BETA87A Combo Wireless Instrument/Microphone System L3 : MusiciansFriend : USD3829.0The Shure UR124S/BETA87A Combo Wireless Microphone System features the UR4S Single Channel Diversity Receiver, UR1 Bodypack Transmitter, and the UR2/BETA87A Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the BETA 87A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the t |
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Shure UR124S/BETA87A Combo Wireless Instrument/Microphone System H4 : MusiciansFriend : USD3829.0The Shure UR124S/BETA87A Combo Wireless Microphone System features the UR4S Single Channel Diversity Receiver, UR1 Bodypack Transmitter, and the UR2/BETA87A Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the BETA 87A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the t |
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Shure UR124S/BETA87A Combo Wireless Instrument/Microphone System J5 : MusiciansFriend : USD3829.0The Shure UR124S/BETA87A Combo Wireless Microphone System features the UR4S Single Channel Diversity Receiver, UR1 Bodypack Transmitter, and the UR2/BETA87A Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the BETA 87A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the t |
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Shure UR124S/BETA87C Combo Wireless Instrument/Microphone System L3 : MusiciansFriend : USD3829.0The Shure UR124S/BETA87C Combo Wireless Microphone System features the UR4S Single Channel Diversity Receiver, one UR1 Bodypack Transmitter, and one UR2/BETA87C Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 87C Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Shure wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the tr |
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Shure UR124S/BETA87C Combo Wireless Instrument/Microphone System H4 : MusiciansFriend : USD3829.0The Shure UR124S/BETA87C Combo Wireless Microphone System features the UR4S Single Channel Diversity Receiver, one UR1 Bodypack Transmitter, and one UR2/BETA87C Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 87C Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Shure wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the tr |
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Shure UR124S/BETA87C Combo Wireless Instrument/Microphone System J5 : MusiciansFriend : USD3829.0The Shure UR124S/BETA87C Combo Wireless Microphone System features the UR4S Single Channel Diversity Receiver, one UR1 Bodypack Transmitter, and one UR2/BETA87C Handheld Transmitter which consists of the UR2 Wireless Handheld Transmitter fitted with the Beta 87C Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Shure wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the tr |
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Shure UR24D/SM58 Dual Handheld Wireless Microphone System L3 : MusiciansFriend : USD4659.0The Shure UR124S/SM58 Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/SM58 Handheld Transmitters which consists of the UHF-R Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as in |
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Shure UR24D/SM58 Dual Handheld Wireless Microphone System H4 : MusiciansFriend : USD4659.0The Shure UR124S/SM58 Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/SM58 Handheld Transmitters which consists of the UHF-R Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as in |
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Shure UR24D/SM58 Dual Handheld Wireless Microphone System J5 : MusiciansFriend : USD4659.0The Shure UR124S/SM58 Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/SM58 Handheld Transmitters which consists of the UHF-R Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as in |
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Shure UR24D/SM86 Dual Handheld Wireless Microphone System L3 : MusiciansFriend : USD4889.0The Shure UR124S/SM86 Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/SM86 Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with SM86 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless microphone systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audi |
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Shure UR24D/SM86 Dual Handheld Wireless Microphone System H4 : MusiciansFriend : USD4889.0The Shure UR124S/SM86 Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/SM86 Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with SM86 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless microphone systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audi |
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Shure UR24D/SM86 Dual Handheld Wireless Microphone System J5 : MusiciansFriend : USD4889.0The Shure UR124S/SM86 Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/SM86 Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with SM86 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless microphone systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audi |
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Shure UR24D/BETA58 Dual Handheld Wireless Microphone System L3 : MusiciansFriend : USD4889.0The Shure UR24D/BETA58 Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/BETA58 Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with Beta 58A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio l |
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Shure UR24D/BETA58 Dual Handheld Wireless Microphone System H4 : MusiciansFriend : USD4889.0The Shure UR24D/BETA58 Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/BETA58 Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with Beta 58A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio l |
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Shure UR24D/BETA58 Dual Handheld Wireless Microphone System J5 : MusiciansFriend : USD4889.0The Shure UR24D/BETA58 Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/BETA58 Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with Beta 58A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio l |
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Shure UR24D/BETA87A Dual Handheld Wireless Microphone System L3 : MusiciansFriend : USD5119.0The Shure UR24D/BETA87A Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/BETA87A Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with Beta 87A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphonesystems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless mic system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects au |
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Shure UR24D/BETA87A Dual Handheld Wireless Microphone System H4 : MusiciansFriend : USD5119.0The Shure UR24D/BETA87A Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/BETA87A Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with Beta 87A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphonesystems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless mic system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects au |
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Shure UR24D/BETA87A Dual Handheld Wireless Microphone System J5 : MusiciansFriend : USD5119.0The Shure UR24D/BETA87A Dual Handheld Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/BETA87A Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with Beta 87A Supercardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphonesystems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless mic system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects au |
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Shure UR24D/BETA87C Dual Handheld Wireless Microphone System L3 : MusiciansFriend : USD5119.0The Shure UR24D/BETA87C Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/BETA87C Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with Beta 87C Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the r |
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Shure UR24D/BETA87C Dual Handheld Wireless Microphone System H4 : MusiciansFriend : USD5119.0The Shure UR24D/BETA87C Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/BETA87C Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with Beta 87C Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the r |
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Shure UR24D/BETA87C Dual Handheld Wireless Microphone System J5 : MusiciansFriend : USD5119.0The Shure UR24D/BETA87C Wireless Microphone System features the UR4D Dual Channel Diversity Receiver and two UR2/BETA87C Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with Beta 87C Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the r |
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Shure UR14D Dual Bodypack Wireless Instrument System L3 : MusiciansFriend : USD4419.0The Shure UR14D Wireless Instrument System features the UR4D Dual Channel Diversity Receiver, two UR1 Bodypack Transmitters, and two WA302 instrument cables. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as indicated by the Audio LEDS.) •Output Level. 32 dB of attenuation at the |
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Shure UR14D Dual Bodypack Wireless Instrument System H4 : MusiciansFriend : USD4419.0The Shure UR14D Wireless Instrument System features the UR4D Dual Channel Diversity Receiver, two UR1 Bodypack Transmitters, and two WA302 instrument cables. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as indicated by the Audio LEDS.) •Output Level. 32 dB of attenuation at the |
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Shure UR14D Dual Bodypack Wireless Instrument System J5 : MusiciansFriend : USD4419.0The Shure UR14D Wireless Instrument System features the UR4D Dual Channel Diversity Receiver, two UR1 Bodypack Transmitters, and two WA302 instrument cables. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless microphone systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless mic systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at the receiver, as indicated by the Audio LEDS.) •Output Level. 32 dB of attenuation at the |
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Shure UR124D/SM58 Dual Wireless Instrument/Microphone System L3 : MusiciansFriend : USD6269.0The Shure UR124D/SM58 Wireless System features the UR4D Dual Channel Diversity Receiver, two UR1 Bodypack Transmitters, and two UR2/SM58 Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the wireless system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at |
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Shure UR124D/SM58 Dual Wireless Instrument/Microphone System H4 : MusiciansFriend : USD6269.0The Shure UR124D/SM58 Wireless System features the UR4D Dual Channel Diversity Receiver, two UR1 Bodypack Transmitters, and two UR2/SM58 Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the wireless system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at |
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Shure UR124D/SM58 Dual Wireless Instrument/Microphone System J5 : MusiciansFriend : USD6269.0The Shure UR124D/SM58 Wireless System features the UR4D Dual Channel Diversity Receiver, two UR1 Bodypack Transmitters, and two UR2/SM58 Handheld Transmitters which consists of the UR2 Wireless Handheld Transmitter fitted with SM58 Cardioid Microphone capsule. The UHF-R is a professional, wireless technology engineered for the most demanding touring environments and installations. UHF-R wireless systems offer unprecedented flexibility and versatility. Using multiple frequency bands, over 108 compatible systems can be used simultaneously. Individual frequency bands deliver up to 60 compatible systems per band. The UHF-R also includes infrared synchronization that allows you to configure transmitter settings from the receiver.Frequency Band Selection Shure offers wireless systems in a selection of bands that conform to the different government regulations of specific nations or geographic regions. These regulations help limit radio frequency (RF) interference among different wireless devices and prevent interference with local public communications channels, such as television and emergency broadcasts. The system's band and frequency range are identified on the face of the receiver and transmitter. Groups and Channels To transmit audio through a wireless system, the transmitter and receiver must be set to the same radio frequency, or channel. A wide selection of channels allows more microphones to be used at the same time, since each microphone must operate on a different channel. It also provides a greater choice of open channels-those that are free from interference from television broadcasts, electronic devices, or other wireless systems. A group is a selection of compatible channels. Wireless Shure microphones work better together when set to channels in the same group. Automatic Frequency Selection The following features scan the RF environment to find the best group and channel settings for a particular installation. •Group Scan-finds the group with the most open channels, then sets all networked receivers to channels in that group •Channel Scan-finds the first open channel in the currently selected group and sets the receiver to that channelAutomatic Transmitter Sync This feature automatically transfers the group and channel settings from a receiver to a transmitter. You can also program other transmitter settings on a receiver and transfer those settings too. Interface Lock This feature locks the receiver and transmitters so that users cannot change settings. The transmitter power switch can also be disabled so that the transmitter remains on if the power switch is accidentally toggled during a performance. Audio Gain Structure The following settings allow you to adjust audio gain throughout the wireless system: • Sensitivity (bodypack only). A 25 dB range of gain adjustment at the bodypack transmitter input •Transmitter Gain. A 30dB range of audio gain adjustment within the transmitter (affects audio level at |
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Shure SM63 Handheld Dynamic Omnidirectional Microphone : MusiciansFriend : USD119.99The high output Shure SM63 dynamic omnidirectional microphone is designed for professional applications where performance and appearance are critical. The SM63 is designed for handheld use on stage and in broadcast, recording, and television studios. It features a smooth, wide frequency response that is tailored for optimum speech intelligibility, and has a patented mechanical isolation system for low handling noise. The SM63 dynamic mic includes a controlled low-frequency rolloff for reduced pick-up of stand and wind noise. A built-in humbucking coil makes the Shure microphone virtually immune to strong hum fields, such as those produced by studio lighting. |
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Shure Beta 53 Headworn Microphone : MusiciansFriend : USD349.0The Shure Beta 53 is a fully adjustable omnidirectional subminiature condenser headworn vocal microphone, designed for applications where discreet appearance and excellent audio quality are required. Its lightweight, adjustable, modular headband, flexible wireframe and soft earpieces provide a comfortable fit while still allowing the Beta 53 to be positioned as close to the left or right corner of the mouth as possible, assuring maximum voice pickup. The Beta 53 microphone features an extended frequency response and high SPL handling ability. Despite its small size the Beta 53 handsfree mic delivers full, clear, and natural reproduction of speech and vocals. It is designed for environments such as professional theater, event production, trade shows and seminars. A plastic carrying case protects the Shure microphone and its accessories. |
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Shure MX690 Microflex Wireless Boundary Microphone Ch J3 : MusiciansFriend : USD499.99The Shure MX690 Microflex Wireless Boundary Microphone offers total freedom of placement with no holes to drill or cables to run for installation. The MX690 plate mic is a both a microphone and a wireless transmitter and is the perfect solution for conference and meeting spaces where users demand flexibility and high performance. Compatible with Shure SLX wireless systems, including the SLX4L receiver with logic output for applications requiring logic functionality. |
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Shure MX690 Microflex Wireless Boundary Microphone Ch Jb : MusiciansFriend : USD499.99The Shure MX690 Microflex Wireless Boundary Microphone offers total freedom of placement with no holes to drill or cables to run for installation. The MX690 plate mic is a both a microphone and a wireless transmitter and is the perfect solution for conference and meeting spaces where users demand flexibility and high performance. Compatible with Shure SLX wireless systems, including the SLX4L receiver with logic output for applications requiring logic functionality. |
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Shure MX690 Microflex Wireless Boundary Microphone Ch P4 : MusiciansFriend : USD499.99The Shure MX690 Microflex Wireless Boundary Microphone offers total freedom of placement with no holes to drill or cables to run for installation. The MX690 plate mic is a both a microphone and a wireless transmitter and is the perfect solution for conference and meeting spaces where users demand flexibility and high performance. Compatible with Shure SLX wireless systems, including the SLX4L receiver with logic output for applications requiring logic functionality. |
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Shure MX690 Microflex Wireless Boundary Microphone Ch Q4 : MusiciansFriend : USD499.99The Shure MX690 Microflex Wireless Boundary Microphone offers total freedom of placement with no holes to drill or cables to run for installation. The MX690 plate mic is a both a microphone and a wireless transmitter and is the perfect solution for conference and meeting spaces where users demand flexibility and high performance. Compatible with Shure SLX wireless systems, including the SLX4L receiver with logic output for applications requiring logic functionality. |
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Shure MX690 Microflex Wireless Boundary Microphone Ch L4 : MusiciansFriend : USD499.99The Shure MX690 Microflex Wireless Boundary Microphone offers total freedom of placement with no holes to drill or cables to run for installation. The MX690 plate mic is a both a microphone and a wireless transmitter and is the perfect solution for conference and meeting spaces where users demand flexibility and high performance. Compatible with Shure SLX wireless systems, including the SLX4L receiver with logic output for applications requiring logic functionality. |
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Shure MX690 Microflex Wireless Boundary Microphone Ch S6 : MusiciansFriend : USD499.99The Shure MX690 Microflex Wireless Boundary Microphone offers total freedom of placement with no holes to drill or cables to run for installation. The MX690 plate mic is a both a microphone and a wireless transmitter and is the perfect solution for conference and meeting spaces where users demand flexibility and high performance. Compatible with Shure SLX wireless systems, including the SLX4L receiver with logic output for applications requiring logic functionality. |
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Shure MX690 Microflex Wireless Boundary Microphone Ch H5 : MusiciansFriend : USD499.99The Shure MX690 Microflex Wireless Boundary Microphone offers total freedom of placement with no holes to drill or cables to run for installation. The MX690 plate mic is a both a microphone and a wireless transmitter and is the perfect solution for conference and meeting spaces where users demand flexibility and high performance. Compatible with Shure SLX wireless systems, including the SLX4L receiver with logic output for applications requiring logic functionality. |
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Shure MX690 Microflex Wireless Boundary Microphone CH G4 : MusiciansFriend : USD499.99The Shure MX690 Microflex Wireless Boundary Microphone offers total freedom of placement with no holes to drill or cables to run for installation. The MX690 plate mic is a both a microphone and a wireless transmitter and is the perfect solution for conference and meeting spaces where users demand flexibility and high performance. Compatible with Shure SLX wireless systems, including the SLX4L receiver with logic output for applications requiring logic functionality. |
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Shure MX690 Microflex Wireless Boundary Microphone CH G5 : MusiciansFriend : USD499.99The Shure MX690 Microflex Wireless Boundary Microphone offers total freedom of placement with no holes to drill or cables to run for installation. The MX690 plate mic is a both a microphone and a wireless transmitter and is the perfect solution for conference and meeting spaces where users demand flexibility and high performance. Compatible with Shure SLX wireless systems, including the SLX4L receiver with logic output for applications requiring logic functionality. |
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Shure MX692/C Microflex Wireless Cardioid Boundary Microphone Band Ub : MusiciansFriend : USD499.99The frequency-agile Shure MX692 Wireless Boundary Microphone features over a hundred selectable channels, and a customizable touch-sensitive logic switch. The clean sound and low profile of Shure's Microflex plate mic combines with the flexibility of the UC1 wireless transmitter for freedom of placement, easy setup and storage, and logic control (requires UC4 wireless receiver). It can also be used with the UP4 Portable UHF Wireless Receiver and the U4D or U4S UHF Wireless Receivers. With no holes to drill, the cable-free MX692/C boundary mic is the perfect solution for conference and meeting spaces where users need complete freedom of placement and a clean, low-profile appearance with the flexibility of wireless. The MX692 microphone will also seamlessly integrate into modern installations providing modern audio/video operators with a sophisticated way to address challenging applications. |
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Shure MX391/O Microflex Omnidirectional Boundary Microphone White Omni : MusiciansFriend : USD154.99This Shure Microflex MX391 is a small, low-profile surface mounted electret omnidirectional boundary microphone designed for mounting on conference tables, stage floors, and podiums. The MX391/O mic features high sensitivity and a wide frequency range make them especially suitable for picking up speech and vocals in sound reinforcement and recording applications. The MX391/O has an omnidirectional pickup pattern making it highly suitable for recording or remote monitoring applications.Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex plate microphone features a choice of interchangeable condenser cartridges. Microflex cartridges give you superior Shure quality sound for every application. In addition, their programmable switches offer the flexibility to be set for Push to Talk, Push to Mute or Push On/Push Off modes. Attractively designed with a low profile, professional appearance, the Microflex Boundary microphones come with an easy to use paint mask for your custom-color installations.The Shure MX391/O has an attached 12 ft (4 meter) cable terminated with a 4-pin mini connector and a separate preamplifier. A rubber strain relief is provided for applications where you want to remove the 4-pin mini connector and connect the microphone cable directly to screw terminals in the preamplifier. |
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Shure MX391/O Microflex Omnidirectional Boundary Microphone White Cardioid : MusiciansFriend : USD159.99This Shure Microflex MX391 is a small, low-profile surface mounted electret omnidirectional boundary microphone designed for mounting on conference tables, stage floors, and podiums. The MX391/O mic features high sensitivity and a wide frequency range make them especially suitable for picking up speech and vocals in sound reinforcement and recording applications. The MX391/O has an omnidirectional pickup pattern making it highly suitable for recording or remote monitoring applications.Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex plate microphone features a choice of interchangeable condenser cartridges. Microflex cartridges give you superior Shure quality sound for every application. In addition, their programmable switches offer the flexibility to be set for Push to Talk, Push to Mute or Push On/Push Off modes. Attractively designed with a low profile, professional appearance, the Microflex Boundary microphones come with an easy to use paint mask for your custom-color installations.The Shure MX391/O has an attached 12 ft (4 meter) cable terminated with a 4-pin mini connector and a separate preamplifier. A rubber strain relief is provided for applications where you want to remove the 4-pin mini connector and connect the microphone cable directly to screw terminals in the preamplifier. |
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Shure MX391/O Microflex Omnidirectional Boundary Microphone White Supercardioid : MusiciansFriend : USD169.99This Shure Microflex MX391 is a small, low-profile surface mounted electret omnidirectional boundary microphone designed for mounting on conference tables, stage floors, and podiums. The MX391/O mic features high sensitivity and a wide frequency range make them especially suitable for picking up speech and vocals in sound reinforcement and recording applications. The MX391/O has an omnidirectional pickup pattern making it highly suitable for recording or remote monitoring applications.Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex plate microphone features a choice of interchangeable condenser cartridges. Microflex cartridges give you superior Shure quality sound for every application. In addition, their programmable switches offer the flexibility to be set for Push to Talk, Push to Mute or Push On/Push Off modes. Attractively designed with a low profile, professional appearance, the Microflex Boundary microphones come with an easy to use paint mask for your custom-color installations.The Shure MX391/O has an attached 12 ft (4 meter) cable terminated with a 4-pin mini connector and a separate preamplifier. A rubber strain relief is provided for applications where you want to remove the 4-pin mini connector and connect the microphone cable directly to screw terminals in the preamplifier. |
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Shure MX391/O Microflex Omnidirectional Boundary Microphone Black Omni : MusiciansFriend : USD159.99This Shure Microflex MX391 is a small, low-profile surface mounted electret omnidirectional boundary microphone designed for mounting on conference tables, stage floors, and podiums. The MX391/O mic features high sensitivity and a wide frequency range make them especially suitable for picking up speech and vocals in sound reinforcement and recording applications. The MX391/O has an omnidirectional pickup pattern making it highly suitable for recording or remote monitoring applications.Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex plate microphone features a choice of interchangeable condenser cartridges. Microflex cartridges give you superior Shure quality sound for every application. In addition, their programmable switches offer the flexibility to be set for Push to Talk, Push to Mute or Push On/Push Off modes. Attractively designed with a low profile, professional appearance, the Microflex Boundary microphones come with an easy to use paint mask for your custom-color installations.The Shure MX391/O has an attached 12 ft (4 meter) cable terminated with a 4-pin mini connector and a separate preamplifier. A rubber strain relief is provided for applications where you want to remove the 4-pin mini connector and connect the microphone cable directly to screw terminals in the preamplifier. |
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Shure MX391/O Microflex Omnidirectional Boundary Microphone Black Cardioid : MusiciansFriend : USD159.99This Shure Microflex MX391 is a small, low-profile surface mounted electret omnidirectional boundary microphone designed for mounting on conference tables, stage floors, and podiums. The MX391/O mic features high sensitivity and a wide frequency range make them especially suitable for picking up speech and vocals in sound reinforcement and recording applications. The MX391/O has an omnidirectional pickup pattern making it highly suitable for recording or remote monitoring applications.Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex plate microphone features a choice of interchangeable condenser cartridges. Microflex cartridges give you superior Shure quality sound for every application. In addition, their programmable switches offer the flexibility to be set for Push to Talk, Push to Mute or Push On/Push Off modes. Attractively designed with a low profile, professional appearance, the Microflex Boundary microphones come with an easy to use paint mask for your custom-color installations.The Shure MX391/O has an attached 12 ft (4 meter) cable terminated with a 4-pin mini connector and a separate preamplifier. A rubber strain relief is provided for applications where you want to remove the 4-pin mini connector and connect the microphone cable directly to screw terminals in the preamplifier. |
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Shure MX391/O Microflex Omnidirectional Boundary Microphone Black Supercardioid : MusiciansFriend : USD159.99This Shure Microflex MX391 is a small, low-profile surface mounted electret omnidirectional boundary microphone designed for mounting on conference tables, stage floors, and podiums. The MX391/O mic features high sensitivity and a wide frequency range make them especially suitable for picking up speech and vocals in sound reinforcement and recording applications. The MX391/O has an omnidirectional pickup pattern making it highly suitable for recording or remote monitoring applications.Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex plate microphone features a choice of interchangeable condenser cartridges. Microflex cartridges give you superior Shure quality sound for every application. In addition, their programmable switches offer the flexibility to be set for Push to Talk, Push to Mute or Push On/Push Off modes. Attractively designed with a low profile, professional appearance, the Microflex Boundary microphones come with an easy to use paint mask for your custom-color installations.The Shure MX391/O has an attached 12 ft (4 meter) cable terminated with a 4-pin mini connector and a separate preamplifier. A rubber strain relief is provided for applications where you want to remove the 4-pin mini connector and connect the microphone cable directly to screw terminals in the preamplifier. |
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Shure MX392/S Microflex Supercardioid Boundary Microphone Omni : MusiciansFriend : USD209.99This Shure Microflex MX392 is a small, low-profile surface-mounted electret condenser boundary microphone designed for mounting on conference tables, stage floors, and lecterns. The MX392/S supercardioid mic features high sensitivity and a wide frequency range make them especially suitable for picking up speech and vocals in sound reinforcement and recording applications. The MX392/S has an supercardioid pickup pattern and is recommended for sound reinforcement applications requiring narrow or more distant coverage. Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex plate microphone features a choice of interchangeable condenser cartridges. Microflex cartridges give you superior Shure quality sound for every application. In addition, the mic's programmable switches offer the flexibility to be set for Push to Talk, Push to Mute or Push On/Push Off modes. Attractively designed with a low profile, professional appearance, the Microflex Boundary microphones come with an easy to use paint mask for your custom-color installations. The Shure MX392/S surface-mount microphone includes a programmable membrane on/off switch, logic input/output terminals, an on/off indicator LED, screw terminal connections, and an attached 12 ft. (3.7 m) unterminated cable. |
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Shure MX392/S Microflex Supercardioid Boundary Microphone Cardioid : MusiciansFriend : USD199.99This Shure Microflex MX392 is a small, low-profile surface-mounted electret condenser boundary microphone designed for mounting on conference tables, stage floors, and lecterns. The MX392/S supercardioid mic features high sensitivity and a wide frequency range make them especially suitable for picking up speech and vocals in sound reinforcement and recording applications. The MX392/S has an supercardioid pickup pattern and is recommended for sound reinforcement applications requiring narrow or more distant coverage. Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex plate microphone features a choice of interchangeable condenser cartridges. Microflex cartridges give you superior Shure quality sound for every application. In addition, the mic's programmable switches offer the flexibility to be set for Push to Talk, Push to Mute or Push On/Push Off modes. Attractively designed with a low profile, professional appearance, the Microflex Boundary microphones come with an easy to use paint mask for your custom-color installations. The Shure MX392/S surface-mount microphone includes a programmable membrane on/off switch, logic input/output terminals, an on/off indicator LED, screw terminal connections, and an attached 12 ft. (3.7 m) unterminated cable. |
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Shure MX392/S Microflex Supercardioid Boundary Microphone Supercardioid : MusiciansFriend : USD189.99This Shure Microflex MX392 is a small, low-profile surface-mounted electret condenser boundary microphone designed for mounting on conference tables, stage floors, and lecterns. The MX392/S supercardioid mic features high sensitivity and a wide frequency range make them especially suitable for picking up speech and vocals in sound reinforcement and recording applications. The MX392/S has an supercardioid pickup pattern and is recommended for sound reinforcement applications requiring narrow or more distant coverage. Microflex Boundary microphones are the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Every Microflex plate microphone features a choice of interchangeable condenser cartridges. Microflex cartridges give you superior Shure quality sound for every application. In addition, the mic's programmable switches offer the flexibility to be set for Push to Talk, Push to Mute or Push On/Push Off modes. Attractively designed with a low profile, professional appearance, the Microflex Boundary microphones come with an easy to use paint mask for your custom-color installations. The Shure MX392/S surface-mount microphone includes a programmable membrane on/off switch, logic input/output terminals, an on/off indicator LED, screw terminal connections, and an attached 12 ft. (3.7 m) unterminated cable. |
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Shure MX183 Microflex Lavalier Microphone : MusiciansFriend : USD159.99The Shure MX183 is a wired Lavalier electret condenser microphone designed for speech and vocal pickup, general purpose sound reinforcement, recording, and remote monitoring applications. It can be clipped to neckties, lapels, and other articles of clothing. The MX183 Lavalier microphone has a omnidirectional polar pattern and low handling noise. Includes belt-clip preamp, rotatable tie clip, dual tie clip, and snap-fit windscreen. |
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Shure MX184 Microflex Lavalier Microphone : MusiciansFriend : USD179.99The Shure MX184 is a wired Lavalier electret condenser microphone designed for speech and vocal pickup, general purpose sound reinforcement, recording, and remote monitoring applications. It can be clipped to neckties, lapels, and other articles of clothing. The MX183 Lavalier microphone features a supercardioid mic cartridge and provides high rejection of ambient noise and a narrow pickup angle. Includes belt-clip preamp, rotatable tie clip, dual tie clip, and snap-fit windscreen. |
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Shure MX185 Microflex Lavalier Microphone : MusiciansFriend : USD169.99The Shure MX185 is a wired Lavalier electret condenser microphone designed for speech and vocal pickup, general purpose sound reinforcement, recording, and remote monitoring applications. It can be clipped to neckties, lapels, and other articles of clothing. The MX185 Lavalier microphone features a cardioid microphone cartridge and provides good rejection of ambient noise. Includes belt-clip preamp, rotatable tie clip, dual tie clip, and snap-fit windscreen. |
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Shure 104C Indoor/Outdoor Communication Microphone : MusiciansFriend : USD59.99The Shure Model 104C is a small, pressure actuated, diaphragm type, carbon microphone specially designed for clear, efficient speech reproduction. The 104C fits naturally and comfortably in the hand, and retains this feel in hot or cold weather. The sturdy, high impact ARMO DUR case is light and compact, and occupies minimal space in portable or mobile equipment. The 104C mic is equipped with a heavy-duty, push-to-talk switch and a long life, rubber-jacketed coil cord cable.The Shure Model 104C is especially recommended for all types of outdoor and indoor communication activity: in mobile and fixed station use (as in police, fire, utility, forestry and transportation services), and in commercial and industrial applications-including radiotelephone, amateur radio and similar uses. |
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Shure 503BG Gooseneck Microphone : MusiciansFriend : USD79.99Developed for computer voice recognition applications, the Shure 503BG gooseneck microphone offers excellent voice fidelity while reducing background noise. The 503BG mic features a low-impedance, moving coil type transducer with an integral humbucking coil and an attached 2-conductor shielded cable with a built-in strain relief. It produces a frequency response with an essentially constant output voltage over the voice spectrum when used close to the sound source. The 503BG mounts to a gooseneck (not included), a fixed pipe or a microphone stand using a standard 5/8"-27 thread. It comes with an aluminum case with a black enamel finish.The 503BG mic maximizes performance in close-talking applications through its tailored frequency response, directionality and distance discrimination. It optimizes and controls sounds within the 100 to 7000 Hz frequency range and reduces sounds outside that range. The Shure microphone rejects noise through its inherent directional properties and discriminates against distant sounds in favor of close-range sounds. This gooseneck mic is highly suitable for close-talking applications such as paging and talkback. |
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Shure 512 Headset Microphone : MusiciansFriend : USD99.99The Shure 512 headset microphone consists of the popular SM10A microphone element mounted on a lightweight headband with a single earphone. The Model 512 mic combines an efficient "open-air" headphone with a close-talking dynamic microphone. The unit is unobtrusive, durable, comfortable, and provides a wide frequency range.The 512 microphone was designed for sports and news announcing, intercommunications systems, and special events remote broadcasting. It offers convenient handsfree operation, and a lightweight frame to reduce user fatigue. The mic's unidirectional pickup pattern reduces unwanted background noise, permitting its use in noisy environments. The microphone characteristics are tightly controlled resulting in consistent response and output, and the headphone response is tailored to enhance voice intelligibility. The headband easily adjusts to fit a variety of head sizes and hairstyles, and the microphone boom can be adjusted to accurately place the microphone cartridge at the corner of the user's mouth. This hands-free Shure microphone is supplied with a foam windscreen to reduce explosive "popping" sounds, and a cable clip to secure the cable to clothing. |
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Shure 514B Handheld Communication Microphone : MusiciansFriend : USD49.99The Shure 514B is a low impedance, dynamic, handheld microphone designed for paging and public address systems. It provides clear, natural voice response and high intelligibility. The 514B connects to microphone inputs rated at 19 to 300 ohms. It can be used in applications that require long cable lengths, or where severe hum conditions are present. For connection to high impedance inputs, use Shure A95 Series Line Matching Transformers. The 514B microphone is provided with a 4-conductor (double shielded) coiled cable and a "Million-Cycle" leaf-type switch designed for constant use under the most rigorous conditions. The 514B mic fits naturally and comfortably in the hand and is not affected by heat or humidity. The exclusive ARMO-DUR case resists mechanical shocks and vibration, and is impervious to oil, fumes, salt spray, ultraviolet radiation, and corrosion. Includes coiled cord, mounting bracket and push-to-talk switch. |
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Shure 515BSM Handheld Push-To-Talk Microphone : MusiciansFriend : USD84.99The Shure Model 515BSM is a low-impedance, dynamic microphone designed for hand-held or fixed use. The 515BSM microphone features a unidirectional (cardioid) pickup pattern that provides excellent reproduction of voice and effective rejection of feedback. The 515BSM is supplied with a push-to-talk switch and a four-conductor, retractable cable (2 shielded conductor).The 515BSM microphone is especially suitable for use in paging systems, public speaking, stage performance, and public address systems. It is also highly recommended for other applications requiring both hand-held and fixed installation operations and is wired with the microphone circuit normally open for use in parallel microphone installations. |
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Shure 515BSLX Handheld Locking On-Off Microphone : MusiciansFriend : USD54.99The Shure 515BSLX is a dynamic (moving coil), low-impedance, cardioid (unidirectional) microphone designed for mounting on a gooseneck or fixed stand with a 5/8 in.-27 thread. The cardioid pickup pattern provides excellent voice reproduction with effective rejection of feedback and background noise. The 515BSLX microphone is especially suitable for use in communications, paging, and talkback systems. The 515BSLX is supplied with a slide switch controlling the microphone audio and a relay circuit, permitting hands-free operation. It comes with a 6 ft (1.8 m) four-conductor, 2-conductors shielded, cable, and is wired with the microphone circuit normally open for use in parallel-wired microphone installations. |
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Shure 515SBGX Push-To-Talk Microphone : MusiciansFriend : USD69.99The Shure 515SBGX microphone is a low-impedance dynamic microphone designed to be mounted on flexible goosenecks or fixed pips. Optimized frequency response and a unidirectional (cardioid) pickup pattern makes it ideal for language labs, paging applications, and base station communications. The 515SBGX is also recommended for use as talkback or cuing microphones in TV, film, and recording studios. Because of its low impedance, the Shure 515SBGX microphone will retain its level and response characteristics even when long lengths of cable are used. The mic features a push-to-talk button and includes a four-conductor cable (two conductors shielded). Does not include gooseneck or mounting flange. |
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Shure 515SBG-18XF Gooseneck Push-To-Talk Microphone : MusiciansFriend : USD79.99The Shure 515SBG-18XF microphone is a low-impedance dynamic microphone designed to be mounted on flexible goosenecks or fixed pips. Optimized frequency response and a unidirectional (cardioid) pickup pattern makes it ideal for language labs, paging applications, and base station communications. The 515SBG-18XF is also recommended for use as talkback or cuing microphones in TV, film, and recording studios. Because of its low impedance, the Shure 515SBG-18XF microphone will retain its level and response characteristics even when long lengths of cable are used. The gooseneck mic features a push-to-talk button and includes a four-conductor cable (two conductors shielded). Includes 18" gooseneck and 1-3/4 in. (44.4 mm) diameter mounting flange. |
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Shure 515SDX Handheld Locking On-Off Microphone : MusiciansFriend : USD52.99The Shure Model 515SDX is a dual-impedance, cardioid (unidirectional) dynamic microphone that is suitable for speech pickup in schools, churches, and meeting rooms. Its unidirectional polar pattern greatly reduces feedback. The 515SDX mic includes a locking ON/OFF switch and an internal impedance selection socket mounted on the XLR connector for switching between high and low impedance. A slip-in swivel adapter is supplied for stand-mounted use. |
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Shure 522 Desktop Microphone : MusiciansFriend : USD99.99The Model 522 is a dynamic base station microphone designed especially for radio communications, paging, and dispatching systems. Its cardioid (unidirectional) pickup pattern suppresses unwanted background noise - the type of noise generated by other dispatchers working nearby, by ventilating equipment, or by office machines in the same area. The mic also eliminates or reduces feedback in public address paging applications. |
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Shure 527C Handheld Communication Microphone : MusiciansFriend : USD59.99The Shure Model 527C is a dynamic handheld communications microphone designed for use in a variety of mobile and fixed station applications, including police, transportation, amateur radio and similar applications. The 527C mic offers extremely low sensitivity to hum pickup and low susceptibility to radio-frequency interference. A built-in solid state amplifier permits the use of up to 30 m (100 ft) of unshielded cable.The modular construction of the 527C allows the cartridge, switch, and cable to be replaced in a matter of minutes, if necessary. The 527C microphone fits naturally and comfortably in the hand and is not adversely affected by heat or humidity. The ARMO-DUR case is immune to oil, grease, fumes, salt spray, sun, rust and corrosion, and is outstanding in its ability to withstand mechanical shocks and vibration. |
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Shure UNIDYNE III 545SD Dual Impedance Unidirectional Microphone : MusiciansFriend : USD99.99The UNIDYNE III Model 545SD is a dual-impedance, unidirectional, dynamic microphone. Shipped connected for low-impedance operation, the mic features a silent magnetic reed on/off switch. The UNIDYNE III is a favorite for instrument pickup and recording, and can be used on lecterns for public address systems such as those used in political conventions and legislatures, convention halls, hotels, public auditoriums, stadiums, schools, and churches. (545SD-LC Cable not included). |
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Shure 550L Desktop Base Station Microphone : MusiciansFriend : USD69.99The Shure 550L is an omnidirectional dynamic base station microphone with a frequency response specially tailored for voice intelligibility. It is equally useful for radio communications, paging and dispatching systems, and its low-impedance connection makes it adaptable to most PA amplifiers. The low-impedance design also makes it useful for long runs of cable, or under severe hum disturbance conditions. The 550L desktop microphone is not affected by heat or humidity. Its exclusive ARMO-DUR case is immune to oil, grease, fumes, salt spray, sun, rust, and corrosion - and is outstanding in its ability to resist mechanical shocks and vibration. The microphone's "Million-Cycle" leaf-type switch is designed to withstand rigorous operating conditions and constant use. |
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Shure 562 Gooseneck Microphone : MusiciansFriend : USD69.99The Shure Model 562 is a noise canceling dynamic microphone designed for voice applications in fixed-station paging and radio communications. It provides highly intelligible speech communication where high volume background noise is present. The 562 has a smooth response and is ruggedly constructed to withstand a wide range of humidities and temperatures. With its standard 5/8"-27 thread mount, the 562 will attach directly to boom or a gooseneck with the cable concealed inside (gooseneck not included). The frequency response and noise canceling characteristics of the Shure 562 make it ideal for language labs, paging applications in noisy environments and base station communications. It is also recommended as a talkback or cueing microphone in TV, film, and recording studios. The 562 mic's low impedance allows long lengths of cable to be used without affecting level or response characteristics. |
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Shure 596LB Handheld Communication Mic : MusiciansFriend : USD34.99The Shure Model 596LB is a compact, hand-held dynamic, low-impedance microphone with a 200 to 5,000 Hz frequency response. Designed especially for voice communications use or as a component in an intercom system, it is an economical unit for applications in budget-restricted paging and other installations. The 596LB microphone is compatible with many popular paging amplifier inputs. Its tailored frequency response provides clear, intelligible operation. The ARMO-DURcase is small, light and sturdy, and fits comfortably in the palm of the hand. It has a long-life push-to-talk switch, and a durable coiled cable for years of reliable performance. The Shure 596LB mic has a low-impedance output. |
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Shure MC50B Microflex Lavalier Microphone : MusiciansFriend : USD289.99The Shure MC50B is an omnidirectional subminiature, electret condenser Lavalier microphone. It provides uncompromised sound quality and high reliability with minimal visibility in sound reinforcement applications such as television broadcasting and stage performances. Despite its small size, the Microflex microphone's condenser element provides full, clear and natural reproduction of speech. The MC50B omnidirectional model is supplied with two types of equalization caps for high frequency response shaping. The mild boost equalization cap attenuates the natural high frequency peak of the microphone. The high boost cap does not attenuate the high frequency peak. The MC50B mic is also supplied with two foam windscreens to minimize wind noise. Included mounting accessories consist of a lapel clip, a tie clip, a pin mount, and a magnet mount, giving you a wide variety of options for placement. |
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Shure MC51B Microflex Lavalier Microphone : MusiciansFriend : USD299.99The Shure MC51B is a unidirectional subminiature, electret condenser Lavalier microphone. It provides uncompromised sound quality and high reliability with minimal visibility in sound reinforcement applications such as television broadcasting and stage performances. Despite its small size, the microphone's condenser element provides full, clear and natural reproduction of speech. The MC51B Unidirectional model is supplied with two types of equalization caps for high frequency response shaping. The mild boost equalization cap attenuates the natural high frequency peak of the microphone. The high boost cap does not attenuate the high frequency peak. The MC51B mic is also supplied with two foam windscreens to minimize wind noise. Included mounting accessories consist of a lapel clip, a tie clip, a pin mount, and a magnet mount, giving the user a wide variety of options for placement. |
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Shure MX395B Microflex Low Profile Boundary Microphone Omni : MusiciansFriend : USD134.99The Shure Microflex MX395B/O Low Profile Boundary microphone is an ideal table microphone when minimal presence is of high priority. It is perfect for boardrooms, meeting rooms, and other sites where aesthetics are important. This MX395 mic is only 1 in. (2.5 cm) in diameter, and extends just 2 cm above the mounting surface when installed, yet it delivers clear, high quality sound. Choose from a selection of colors and pickup patterns for customized table installations. |
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Shure MX395B Microflex Low Profile Boundary Microphone Bidirec : MusiciansFriend : USD149.99The Shure Microflex MX395B/O Low Profile Boundary microphone is an ideal table microphone when minimal presence is of high priority. It is perfect for boardrooms, meeting rooms, and other sites where aesthetics are important. This MX395 mic is only 1 in. (2.5 cm) in diameter, and extends just 2 cm above the mounting surface when installed, yet it delivers clear, high quality sound. Choose from a selection of colors and pickup patterns for customized table installations. |
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Shure MX395B Microflex Low Profile Boundary Microphone Cardioid : MusiciansFriend : USD139.99The Shure Microflex MX395B/O Low Profile Boundary microphone is an ideal table microphone when minimal presence is of high priority. It is perfect for boardrooms, meeting rooms, and other sites where aesthetics are important. This MX395 mic is only 1 in. (2.5 cm) in diameter, and extends just 2 cm above the mounting surface when installed, yet it delivers clear, high quality sound. Choose from a selection of colors and pickup patterns for customized table installations. |
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Shure MX395AL Microflex Low Profile Boundary Microphone Omni : MusiciansFriend : USD134.99The Shure MX395AL Microflex Low Profile Omnidirectional Boundary microphone is an ideal table microphone when minimal presence is of high priority. It is perfect for boardrooms, meeting rooms, and other sites where aesthetics are important. The MX395AL mic is only 1 in. (2.5 cm) in diameter, and extends just 2 cm above the mounting surface when installed, yet it delivers clear, high quality sound. |
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Shure MX395AL Microflex Low Profile Boundary Microphone Bidirec : MusiciansFriend : USD149.99The Shure MX395AL Microflex Low Profile Omnidirectional Boundary microphone is an ideal table microphone when minimal presence is of high priority. It is perfect for boardrooms, meeting rooms, and other sites where aesthetics are important. The MX395AL mic is only 1 in. (2.5 cm) in diameter, and extends just 2 cm above the mounting surface when installed, yet it delivers clear, high quality sound. |
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Shure MX395AL Microflex Low Profile Boundary Microphone Cardioid : MusiciansFriend : USD139.99The Shure MX395AL Microflex Low Profile Omnidirectional Boundary microphone is an ideal table microphone when minimal presence is of high priority. It is perfect for boardrooms, meeting rooms, and other sites where aesthetics are important. The MX395AL mic is only 1 in. (2.5 cm) in diameter, and extends just 2 cm above the mounting surface when installed, yet it delivers clear, high quality sound. |
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Shure MX395B LED Low Profile Boundary Microphone Omni : MusiciansFriend : USD149.99The Shure MX395B LED Microflex Low Profile Bidirectional Boundary microphone is an ideal table microphone when minimal presence is of high priority. It is perfect for boardrooms, meeting rooms, and other sites where aesthetics are important. The MX395B LED mic is only 1" (2.5 cm) in diameter, and extends just 2 cm above the mounting surface when installed, yet it delivers clear, high-quality sound. |
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Shure MX395B LED Low Profile Boundary Microphone Bidirec : MusiciansFriend : USD169.99The Shure MX395B LED Microflex Low Profile Bidirectional Boundary microphone is an ideal table microphone when minimal presence is of high priority. It is perfect for boardrooms, meeting rooms, and other sites where aesthetics are important. The MX395B LED mic is only 1" (2.5 cm) in diameter, and extends just 2 cm above the mounting surface when installed, yet it delivers clear, high-quality sound. |
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Shure MX395B LED Low Profile Boundary Microphone Cardioid : MusiciansFriend : USD154.99The Shure MX395B LED Microflex Low Profile Bidirectional Boundary microphone is an ideal table microphone when minimal presence is of high priority. It is perfect for boardrooms, meeting rooms, and other sites where aesthetics are important. The MX395B LED mic is only 1" (2.5 cm) in diameter, and extends just 2 cm above the mounting surface when installed, yet it delivers clear, high-quality sound. |
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"Shure MX405 Microflex Mini 5"" Gooseneck Mic Cardioid" : MusiciansFriend : USD219.99The Shure MX405 Microflex Miniature Gooseneck Microphone is flexible in more ways than one. The MX405 delivers unsurpassed style and performance for boardrooms, conference rooms and similar applications that call for a dependable podium mic. It is fully compatible with Shure SLX wireless systems. Also available wireless, with 10" gooseneck, supercardioid polar pattern, single color light ring, desktop or mounted for the perfect fit for your conferencing installation. |
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"Shure MX405 Microflex Mini 5"" Gooseneck Mic Supercardioid" : MusiciansFriend : USD229.99The Shure MX405 Microflex Miniature Gooseneck Microphone is flexible in more ways than one. The MX405 delivers unsurpassed style and performance for boardrooms, conference rooms and similar applications that call for a dependable podium mic. It is fully compatible with Shure SLX wireless systems. Also available wireless, with 10" gooseneck, supercardioid polar pattern, single color light ring, desktop or mounted for the perfect fit for your conferencing installation. |
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"Shure MX410 Microflex Mini 10"" Gooseneck Mic Cardioid" : MusiciansFriend : USD219.99The Shure MX410 Microflex Miniature Gooseneck Microphone is flexible in more ways than one. The MX410 delivers unsurpassed style and performance for boardrooms, conference rooms, podiums, and similar applications. It is fully compatible with Shure SLX wireless systems. Also available wireless, with 5" gooseneck, supercardioid polar pattern, single color light ring, desktop or mounted for the perfect fit for your conferencing installation. |
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"Shure MX410 Microflex Mini 10"" Gooseneck Mic Supercardioid" : MusiciansFriend : USD229.99The Shure MX410 Microflex Miniature Gooseneck Microphone is flexible in more ways than one. The MX410 delivers unsurpassed style and performance for boardrooms, conference rooms, podiums, and similar applications. It is fully compatible with Shure SLX wireless systems. Also available wireless, with 5" gooseneck, supercardioid polar pattern, single color light ring, desktop or mounted for the perfect fit for your conferencing installation. |
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"Shure MX405LP Microflex Mini 5"" Gooseneck Mic Cardioid" : MusiciansFriend : USD164.99The Shure MX405LP Microflex Miniature Gooseneck Microphone is flexible in more ways than one. The MX405LP delivers unsurpassed style and performance for boardrooms, podiums, conference rooms and similar applications. It is fully compatible with Shure SLX wireless systems. Also available wireless, with 10" gooseneck, surface mount preamp, supercardioid polar pattern, single color light ring, desktop or mounted for the perfect fit for your conferencing installation.The MX400DP Microflex desktop mic base (shown) is sold separately. Please see #270953 |
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"Shure MX405LP Microflex Mini 5"" Gooseneck Mic Supercardioid" : MusiciansFriend : USD179.99The Shure MX405LP Microflex Miniature Gooseneck Microphone is flexible in more ways than one. The MX405LP delivers unsurpassed style and performance for boardrooms, podiums, conference rooms and similar applications. It is fully compatible with Shure SLX wireless systems. Also available wireless, with 10" gooseneck, surface mount preamp, supercardioid polar pattern, single color light ring, desktop or mounted for the perfect fit for your conferencing installation.The MX400DP Microflex desktop mic base (shown) is sold separately. Please see #270953 |
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"Shure MX410LP Microflex Mini 10"" Gooseneck Mic Cardioid" : MusiciansFriend : USD169.99The Shure MX410 Microflex Miniature Gooseneck Microphone is flexible in more ways than one. The MX410 delivers unsurpassed style and performance for boardrooms, podiums, conference rooms and similar applications. It is fully compatible with Shure SLX wireless systems. Includes rubber isolation rings, wing nut, cap, 5 pin XLR-F, snap-fit foam windscreen.The MX400DP Microflex desktop mic base (shown) is sold separately. Please see #270953 |
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"Shure MX410LP Microflex Mini 10"" Gooseneck Mic Supercardioid" : MusiciansFriend : USD189.99The Shure MX410 Microflex Miniature Gooseneck Microphone is flexible in more ways than one. The MX410 delivers unsurpassed style and performance for boardrooms, podiums, conference rooms and similar applications. It is fully compatible with Shure SLX wireless systems. Includes rubber isolation rings, wing nut, cap, 5 pin XLR-F, snap-fit foam windscreen.The MX400DP Microflex desktop mic base (shown) is sold separately. Please see #270953 |
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Shure MX400DP Microflex Desktop Mic Base : MusiciansFriend : USD179.99The Shure MX400DP Microflex Desktop Base is wired for use with Shure MX405 and MX410 Miniature Gooseneck model microphones. It includes a 20 ft (6.1 m.) attached cable with 3-pin XLR connector. The MX400 desktop mic stand is ideal for permanent installation in conference rooms, churches, and similar facilities. |
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Shure MX890 Microflex Wireless Desktop Transmitter/Base Ch J3 : MusiciansFriend : USD339.99The Shure MX890 desktop transmitter base supports MX405 and MX410 gooseneck microphones and offers cable-free installation for corporate boardrooms or other applications requiring flexible microphone configurations. The MX890 base operates within the 518 865 MHz bands and is fully compatible with Shure SLX wireless systems. |
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Shure MX890 Microflex Wireless Desktop Transmitter/Base Ch Jb : MusiciansFriend : USD339.99The Shure MX890 desktop transmitter base supports MX405 and MX410 gooseneck microphones and offers cable-free installation for corporate boardrooms or other applications requiring flexible microphone configurations. The MX890 base operates within the 518 865 MHz bands and is fully compatible with Shure SLX wireless systems. |
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Shure MX890 Microflex Wireless Desktop Transmitter/Base Ch P4 : MusiciansFriend : USD339.99The Shure MX890 desktop transmitter base supports MX405 and MX410 gooseneck microphones and offers cable-free installation for corporate boardrooms or other applications requiring flexible microphone configurations. The MX890 base operates within the 518 865 MHz bands and is fully compatible with Shure SLX wireless systems. |
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Shure MX890 Microflex Wireless Desktop Transmitter/Base Ch Q4 : MusiciansFriend : USD339.99The Shure MX890 desktop transmitter base supports MX405 and MX410 gooseneck microphones and offers cable-free installation for corporate boardrooms or other applications requiring flexible microphone configurations. The MX890 base operates within the 518 865 MHz bands and is fully compatible with Shure SLX wireless systems. |
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Shure MX890 Microflex Wireless Desktop Transmitter/Base Ch L4 : MusiciansFriend : USD339.99The Shure MX890 desktop transmitter base supports MX405 and MX410 gooseneck microphones and offers cable-free installation for corporate boardrooms or other applications requiring flexible microphone configurations. The MX890 base operates within the 518 865 MHz bands and is fully compatible with Shure SLX wireless systems. |
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Shure MX890 Microflex Wireless Desktop Transmitter/Base Ch R5 : MusiciansFriend : USD339.99The Shure MX890 desktop transmitter base supports MX405 and MX410 gooseneck microphones and offers cable-free installation for corporate boardrooms or other applications requiring flexible microphone configurations. The MX890 base operates within the 518 865 MHz bands and is fully compatible with Shure SLX wireless systems. |
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Shure MX890 Microflex Wireless Desktop Transmitter/Base Ch S6 : MusiciansFriend : USD339.99The Shure MX890 desktop transmitter base supports MX405 and MX410 gooseneck microphones and offers cable-free installation for corporate boardrooms or other applications requiring flexible microphone configurations. The MX890 base operates within the 518 865 MHz bands and is fully compatible with Shure SLX wireless systems. |
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Shure MX890 Microflex Wireless Desktop Transmitter/Base Ch H5 : MusiciansFriend : USD339.99The Shure MX890 desktop transmitter base supports MX405 and MX410 gooseneck microphones and offers cable-free installation for corporate boardrooms or other applications requiring flexible microphone configurations. The MX890 base operates within the 518 865 MHz bands and is fully compatible with Shure SLX wireless systems. |
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Shure MX890 Microflex Wireless Desktop Transmitter/Base CH G4 : MusiciansFriend : USD339.99The Shure MX890 desktop transmitter base supports MX405 and MX410 gooseneck microphones and offers cable-free installation for corporate boardrooms or other applications requiring flexible microphone configurations. The MX890 base operates within the 518 865 MHz bands and is fully compatible with Shure SLX wireless systems. |
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Shure MX890 Microflex Wireless Desktop Transmitter/Base CH G5 : MusiciansFriend : USD339.99The Shure MX890 desktop transmitter base supports MX405 and MX410 gooseneck microphones and offers cable-free installation for corporate boardrooms or other applications requiring flexible microphone configurations. The MX890 base operates within the 518 865 MHz bands and is fully compatible with Shure SLX wireless systems. |
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Shure MX400SMP Microflex Surface Mount Preamp : MusiciansFriend : USD109.99The MX400SMP Surface mount preamp is designed for use with MX405 and MX410 Microflex Miniature Gooseneck Microphones. The MX400SMP will mount a microphone to a table or other surface through a drilled 1" hole. This accessory can be a direct replacement or as an additional mount in facilities that have more than one meeting location and need an expanded sound system. |
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Shure MX396C Microflex Multi-Element Boundary Microphone Tri : MusiciansFriend : USD419.99The MX396 Tri-Element Boundary Microphone features three cardioid elements that are adjustable to 120-120-120 degrees, a mute output, and an LED input. The cable can exit from either the back or bottom exit of the unit. The Shure MX396 Tri-Element microphone is a unique and versatile tool for conference room installations, providing full coverage of large tables using fewer microphones, and a low profile design. Clean and simple in appearance, the MX396 boundary mic is ideal for use in boardrooms and other installations where aesthetics are important. The Shure multi-element plate microphone is also available in a dual element configuration. |
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Shure MX396C Microflex Multi-Element Boundary Microphone Dual : MusiciansFriend : USD349.99The MX396 Tri-Element Boundary Microphone features three cardioid elements that are adjustable to 120-120-120 degrees, a mute output, and an LED input. The cable can exit from either the back or bottom exit of the unit. The Shure MX396 Tri-Element microphone is a unique and versatile tool for conference room installations, providing full coverage of large tables using fewer microphones, and a low profile design. Clean and simple in appearance, the MX396 boundary mic is ideal for use in boardrooms and other installations where aesthetics are important. The Shure multi-element plate microphone is also available in a dual element configuration. |
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Shure VP64A Omnidirectional Handheld Microphone : MusiciansFriend : USD69.99The VP64A is a high-output omnidirectional handheld dynamic microphone designed for professional audio and video production. It combines exceptional performance and comfortable feel with a handsome on-camera appearance. The 7-7/8" (200 mm) long Shure VP64A is ideal for close-up use and can be used outside as well as indoors. The omnidirectional pickup pattern provides uniform pickup on or off axis, eliminating the need for critical microphone positioning. The VP64 series microphones also feature a tailored frequency response with an upper midrange presence rise that adds crispness and clarity to speech. The cartridge utilizes a neodymium magnet for higher output and increased signal-to-noise ratio. An internal rubber isolation mount protects the VP64A microphone cartridge and minimizes handling noise. A water-resistant mesh grille allows the microphone to be used during the most challenging weather conditions. The supplied windscreen further reduces "pop" and wind noise. (Cable not included). |
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Shure VP64AL Omnidirectional Handheld Microphone : MusiciansFriend : USD79.99The VP64AL Omni Handheld Broadcast Microphone is a high-output omnidirectional handheld dynamic microphone designed for professional audio and video production. It combines exceptional performance and comfortable feel with a handsome on-camera appearance. The VP64AL mic is well-suited to location interviews, sports broadcasting, and other situations where the 9-5/8" (244 mm) length is an advantage. The omnidirectional pickup pattern provides uniform pickup on or off axis, eliminating the need for critical microphone positioning. (Cable not included).The VP64 series microphones also feature a tailored frequency response with an upper midrange presence rise that adds crispness and clarity to speech. The cartridge utilizes a neodymium magnet for higher output and increased signal-to-noise ratio. An internal rubber isolation mount protects the microphone cartridge and minimizes handling noise. A water-resistant mesh grille allows the VP64AL microphone to be used during the most challenging weather conditions. The supplied windscreen further reduces "pop" and wind noise. |
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Shure UR124D/SM86 Dual Bodypack and Handheld Wireless Microphone System Ch L3 : MusiciansFriend : USD6499.0The Shure UR124D/SM86 Dual-Channel Combo Wireless System includes the UR4D Dual Channel Wireless Receiver, two UR1 Bodypack Transmitters with TA4F Adapters, and two UR2/SM86 Handheld Transmitters with SM86 Cardioid Microphones. The UR124D/SM86 Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems. UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges. The SM86 is a rugged condenser microphone that features a tailored frequency response for clear reproduction of vocals. Built-in three-point shock mount and two-stage pop filter. |
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Shure UR124D/SM86 Dual Bodypack and Handheld Wireless Microphone System Ch H4 : MusiciansFriend : USD6499.0The Shure UR124D/SM86 Dual-Channel Combo Wireless System includes the UR4D Dual Channel Wireless Receiver, two UR1 Bodypack Transmitters with TA4F Adapters, and two UR2/SM86 Handheld Transmitters with SM86 Cardioid Microphones. The UR124D/SM86 Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems. UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges. The SM86 is a rugged condenser microphone that features a tailored frequency response for clear reproduction of vocals. Built-in three-point shock mount and two-stage pop filter. |
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Shure UR124D/SM86 Dual Bodypack and Handheld Wireless Microphone System Ch J5 : MusiciansFriend : USD6499.0The Shure UR124D/SM86 Dual-Channel Combo Wireless System includes the UR4D Dual Channel Wireless Receiver, two UR1 Bodypack Transmitters with TA4F Adapters, and two UR2/SM86 Handheld Transmitters with SM86 Cardioid Microphones. The UR124D/SM86 Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems. UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges. The SM86 is a rugged condenser microphone that features a tailored frequency response for clear reproduction of vocals. Built-in three-point shock mount and two-stage pop filter. |
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Shure UR124D/BETA58 Dual Bodypack Handheld Wireless Microphone System Ch L3 : MusiciansFriend : USD6499.0The Shure UR124D/Beta58 Dual-Channel Combo System includes the UR4D Dual Channel Receiver, 2 - UR1 Bodypack Transmitters and 2- UR2/Beta58 Handheld Transmitters with the Beta 58A Supercardioid Microphone cartridge. The UR124D/Beta58 Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems. UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges. The Beta 58A microphone accentuates the warmth and clarity of lead and backup vocals. Its supercardioid design provides maximum isolation from other onstage sounds. |
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Shure UR124D/BETA58 Dual Bodypack Handheld Wireless Microphone System Ch H4 : MusiciansFriend : USD6499.0The Shure UR124D/Beta58 Dual-Channel Combo System includes the UR4D Dual Channel Receiver, 2 - UR1 Bodypack Transmitters and 2- UR2/Beta58 Handheld Transmitters with the Beta 58A Supercardioid Microphone cartridge. The UR124D/Beta58 Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems. UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges. The Beta 58A microphone accentuates the warmth and clarity of lead and backup vocals. Its supercardioid design provides maximum isolation from other onstage sounds. |
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Shure UR124D/BETA58 Dual Bodypack Handheld Wireless Microphone System Ch J5 : MusiciansFriend : USD6499.0The Shure UR124D/Beta58 Dual-Channel Combo System includes the UR4D Dual Channel Receiver, 2 - UR1 Bodypack Transmitters and 2- UR2/Beta58 Handheld Transmitters with the Beta 58A Supercardioid Microphone cartridge. The UR124D/Beta58 Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems. UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges. The Beta 58A microphone accentuates the warmth and clarity of lead and backup vocals. Its supercardioid design provides maximum isolation from other onstage sounds. |
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Shure UR124D/BETA87A Dual Bodypack Handheld Wireless Microphone System Ch L3 : MusiciansFriend : USD6729.0The Shure UR124D/BETA87A Dual-Channel Combo System includes the UR4D Dual Channel Receiver, Two UR1 Bodypack Transmitters and Two UR2/Beta87A Handheld Transmitters. The UR124D/BETA87A Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems.UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges.The Beta 87A Supercardioid Microphone Leads the field for studio-quality sound in live performance, and has a smooth, tailored response for warm, accurate sound. |
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Shure UR124D/BETA87A Dual Bodypack Handheld Wireless Microphone System Ch H4 : MusiciansFriend : USD6729.0The Shure UR124D/BETA87A Dual-Channel Combo System includes the UR4D Dual Channel Receiver, Two UR1 Bodypack Transmitters and Two UR2/Beta87A Handheld Transmitters. The UR124D/BETA87A Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems.UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges.The Beta 87A Supercardioid Microphone Leads the field for studio-quality sound in live performance, and has a smooth, tailored response for warm, accurate sound. |
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Shure UR124D/BETA87A Dual Bodypack Handheld Wireless Microphone System Ch J5 : MusiciansFriend : USD6729.0The Shure UR124D/BETA87A Dual-Channel Combo System includes the UR4D Dual Channel Receiver, Two UR1 Bodypack Transmitters and Two UR2/Beta87A Handheld Transmitters. The UR124D/BETA87A Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems.UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges.The Beta 87A Supercardioid Microphone Leads the field for studio-quality sound in live performance, and has a smooth, tailored response for warm, accurate sound. |
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Shure UR124D/BETA87C Dual Bodypack Handheld Wireless Microphone System Ch L3 : MusiciansFriend : USD6729.0The Shure UR124D/BETA87C Dual-Channel Combo System includes the UR4D Dual Channel Receiver, Two UR1 Bodypack Transmitters and Two UR2/Beta87C Handheld Transmitters. The UR124D/BETA87C Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems.UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges. The Beta 87C Supercardioid Microphone Leads the field for studio-quality sound in live performance, and has a smooth, tailored response for warm, accurate sound. |
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Shure UR124D/BETA87C Dual Bodypack Handheld Wireless Microphone System Ch H4 : MusiciansFriend : USD6729.0The Shure UR124D/BETA87C Dual-Channel Combo System includes the UR4D Dual Channel Receiver, Two UR1 Bodypack Transmitters and Two UR2/Beta87C Handheld Transmitters. The UR124D/BETA87C Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems.UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges. The Beta 87C Supercardioid Microphone Leads the field for studio-quality sound in live performance, and has a smooth, tailored response for warm, accurate sound. |
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Shure UR124D/BETA87C Dual Bodypack Handheld Wireless Microphone System Ch J5 : MusiciansFriend : USD6729.0The Shure UR124D/BETA87C Dual-Channel Combo System includes the UR4D Dual Channel Receiver, Two UR1 Bodypack Transmitters and Two UR2/Beta87C Handheld Transmitters. The UR124D/BETA87C Wireless System uses the latest wireless technology, delivers outstanding audio clarity, and is rugged and reliable. It is easy to set up and operate with advanced features for professional installations requiring multiple wireless microphone systems.UHF-R wireless systems offer unprecedented flexibility and versatility, and features Shure's patented Audio Reference Companding for crystal-clear sound beyond the limits of conventional wireless technology. The UR1 transmitter is Shure's most compact bodypack, constructed of lightweight and rugged magnesium to be exceptionally unobtrusive and abuse-resistant. The UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The transmitter design allows for interchangeable microphone cartridges. The Beta 87C Supercardioid Microphone Leads the field for studio-quality sound in live performance, and has a smooth, tailored response for warm, accurate sound. |
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Shure PSM 700 P7TR Wireless Personal Monitor System without Earphones Ch H4 : MusiciansFriend : USD1799.0The PSM 700 P7TR Wireless Personal Monitor System from the PSM 700 series offers advanced controls and features that make it easy to quickly locate and lock in the clearest frequency, prevent distortion and minimize the number of antennas required to send mixes. The PSM 700 P7TR System consists of the P7T Wireless Transmitter and the P7R Wireless Bodypack Receiver. (Earphones sold separately) |
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Shure PSM 700 P7TR Wireless Personal Monitor System without Earphones Ch H3 : MusiciansFriend : USD1799.0The PSM 700 P7TR Wireless Personal Monitor System from the PSM 700 series offers advanced controls and features that make it easy to quickly locate and lock in the clearest frequency, prevent distortion and minimize the number of antennas required to send mixes. The PSM 700 P7TR System consists of the P7T Wireless Transmitter and the P7R Wireless Bodypack Receiver. (Earphones sold separately) |
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Shure PSM 700 P7TRE3 Wireless Personal Monitor System Ch L2 : MusiciansFriend : USD1999.0The wireless personal monitor system from the PSM 700 series offers advanced controls and features that make it easy to quickly locate and lock in the clearest frequency, prevent distortion and minimize the number of antennas required to send mixes. The PSM 700 P7TRE3 Wireless System consists of the P7T Wireless Transmitter, the P7R Wireless Bodypack Receiver, and gray SCL3 Sound Isolating Earphones. Designed for the demanding audio specifications of live performance, the sleek, low profile design of the SCL3 Earphones combine WideBand microdrivers with incredible isolation for detailed tone across the frequency range. |
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Shure PSM 700 P7TRE3 Wireless Personal Monitor System Ch H3 : MusiciansFriend : USD1999.0The wireless personal monitor system from the PSM 700 series offers advanced controls and features that make it easy to quickly locate and lock in the clearest frequency, prevent distortion and minimize the number of antennas required to send mixes. The PSM 700 P7TRE3 Wireless System consists of the P7T Wireless Transmitter, the P7R Wireless Bodypack Receiver, and gray SCL3 Sound Isolating Earphones. Designed for the demanding audio specifications of live performance, the sleek, low profile design of the SCL3 Earphones combine WideBand microdrivers with incredible isolation for detailed tone across the frequency range. |
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Shure PSM 700 P7TRE5 Wireless Personal Monitor System Ch L2 : MusiciansFriend : USD2299.0The PSM 700 series by Shure offers advanced controls and features that make it easy to quickly locate and lock in the clearest frequency, prevent distortion and minimize the number of antennas required to send mixes. The PSM 700 Wireless Monitor System consists of the P7T Wireless Transmitter and the P7R Wireless Bodypack Receiver, and the SCL5 Sound Isolating Earphones.Shure SCL5 Sound Isolating Earphones have dual dedicated high-definition tweeter and woofer drivers coupled with an inline crossover to deliver exceptional audio: precision highs, natural mids, and full bodied bass with clarity often difficult to detect with traditional stage wedges or studio headphones. |
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Shure PSM 700 P7TRE5 Wireless Personal Monitor System Ch H3 : MusiciansFriend : USD2299.0The PSM 700 series by Shure offers advanced controls and features that make it easy to quickly locate and lock in the clearest frequency, prevent distortion and minimize the number of antennas required to send mixes. The PSM 700 Wireless Monitor System consists of the P7T Wireless Transmitter and the P7R Wireless Bodypack Receiver, and the SCL5 Sound Isolating Earphones.Shure SCL5 Sound Isolating Earphones have dual dedicated high-definition tweeter and woofer drivers coupled with an inline crossover to deliver exceptional audio: precision highs, natural mids, and full bodied bass with clarity often difficult to detect with traditional stage wedges or studio headphones. |
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Shure MX393 Low Profile Boundary Mic Omni : MusiciansFriend : USD209.99The Shure MX393 Low Profile Boundary Microphone includes a programmable membrane on/off switch, an on/off indicator LED, and a miniature, three pin connector, and detachable 12 ft. (3.7 m) cable. Attractively designed with a low profile, professional appearance, the MX393 microphone feature a choice of interchangeable condenser cartridges. The MX393 is the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Comes with an easy to use paint mask for your custom-color installations. |
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Shure MX393 Low Profile Boundary Mic Cardioid : MusiciansFriend : USD199.99The Shure MX393 Low Profile Boundary Microphone includes a programmable membrane on/off switch, an on/off indicator LED, and a miniature, three pin connector, and detachable 12 ft. (3.7 m) cable. Attractively designed with a low profile, professional appearance, the MX393 microphone feature a choice of interchangeable condenser cartridges. The MX393 is the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Comes with an easy to use paint mask for your custom-color installations. |
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Shure MX393 Low Profile Boundary Mic Supercardioid : MusiciansFriend : USD189.99The Shure MX393 Low Profile Boundary Microphone includes a programmable membrane on/off switch, an on/off indicator LED, and a miniature, three pin connector, and detachable 12 ft. (3.7 m) cable. Attractively designed with a low profile, professional appearance, the MX393 microphone feature a choice of interchangeable condenser cartridges. The MX393 is the high-quality solution for a range of applications, such as altars, boardrooms and distance learning centers. Comes with an easy to use paint mask for your custom-color installations. |
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Nady SGM-12 Shotgun Condenser Microphone : MusiciansFriend : USD25.95The Nady SGM-12 is a versatile, professional microphone designed to provide top performance in all live and recording applications. Its true, transparent sound also makes the SGM-12 Shotgun Condenser Mic a valuable recording tool. |
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Nady Center Stage Microphone and Stand Kit : MusiciansFriend : USD19.95The Nady Center Stage Neo-dymium Dynamic Microphone is a versatile, professional microphone designed to provide top performance in all live performance, and public address applications. Its transparent sound also makes the Center Stage microphone a valuable recording tool. The mic kit includes a 20 ft. XLR to 1/4" cable for connecting microphone to your audio mixer or amplifier, a secure grip microphone clip, and a sturdy metal tripod easily adjustable for performers up to 6' 4" tall. |
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Hohner Hoodoo Hand Harmonica Wireless Microphone System : MusiciansFriend : USD229.99Consisting of a bodypack transmitter with belt clip, a dual diversity UHF receiver, and the innovative Hoodoo Ring microphone, the Hoodoo Hand Harmonica Wireless Microphone System frees you from being tethered to your microphone. You can roam the stage while enjoying perfect mic placement at all times.The Hoodoo Hand system allows you to use your natural hand cupping and playing techniques while eliminating the need to deal with bulky bullet-style wired microphones that have traditionally been the primary choice for live performance among blues harp players. The patented Hoodoo Ring Microphone is a tiny Lavalier mic that's been tweaked to produce the low-fi, overdriven sound most blues players crave, while still being capable of producing relatively clean output when the music or your style requires it. The mic nestles in a clip with two finger holes that slip over your middle and ring fingers. Hohner includes two clips with different finger hole diameters to fit a wide range of finger sizes. The beauty of the design becomes obvious the moment you begin playing. Without a bulky mic occupying most of the cavity formed by your cupped hands, an acoustic space is created for producing a wide range of effects like flutters and tremolos. And because it's easy to create a tight seal between your hands and mouth, your sound has all the punch and dynamics you could hope for. The dual-diversity UHF-band receiver has both 1/4" and balanced XLR outputs so you can send your signal to either an amp or the PA. The front panel has a convenient rotary volume knob for fast onstage adjustments and indicators for power, normal and peak signal levels, and lights that indicate which antenna is in use.The system comes in a durable plastic travel case and includes a magic Hoodoo drawstring bag for accessories. |
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Applied Microphone Technology AMT 350 Large Diaphragm Condenser Microphone : MusiciansFriend : USD279.0The AMT 350 large diaphragm studio microphone is designed to record vocals and instruments on classic analog and the popular growing digital format. With a cardioid pattern, the 350 mic is designed to be used in front of guitar cabinets, acoustic guitars, vocals, and acoustic instruments. The AMT 350 incorporates an element nearly an inch in diameter with a thickness of 6 microns of gold on the diaphragm which gives it it's wide frequency range and stellar sensitivity.The AMT 350 is engineered to capture the most natural sound from the source in a controlled setting and was after the most expensive European large diaphragm microphones with emphasis on the sonic quality instead of additional features. The 350 has transparent and high definition detail down to subtle sonic qualities. The 350 mic is in an affordable price range allowing one to purchase in pairs for stereo overhead use as well. It's ultra low noise level allows it to compete with any studio microphone on the market. Comes complete with hard shell case and clip for mounting to a microphone stand. Requires phantom power. |
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Applied Microphone Technology AMT 404 Small Diaphragm Condenser Microphone Pair : MusiciansFriend : USD239.0The AMT 404 Small Diaphragm Condenser Microphone Pair have a cardioid polar pattern and are designed for live sound reinforcement and studio applications. The 404's can withstand high sound pressure levels (SPL) and have an extended frequency response.The AMT 404 microphone pair is suitable for many applications including the overhead miking of musical instruments as well as choirs, speech, and vocalist of all types. The 404 pair is ideal for home recording applications and studios when a stereo setup is required. Engineered with the same natural qualities of all the AMT microphones the 404's include a hard shell carrying case and microphone clips for mounting on mic stands. The AMT 404 operates on phantom power. |
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Applied Microphone Technology AMT HR2 Clip On Harmonica Microphone : MusiciansFriend : USD180.0The AMT HR-2 mic is a clip-on version of the AMT HR1 hand held microphone system for harmonica. The system is low in profile, which allows it to be used with a standard neck harness. The microphone comes with clips to attach to the harmonica. The AMT HR2 is the only microphone on the market that can be used in combination with a harmonica neck brace.The AMT HR2 can be used with most major brand wireless belt pack transmitters and receivers. With the AMT Interface, the microphone can plug directly into the interface which then plugs directly into most major brand wireless units. When ordering the AMT Interface, be sure to know your wireless make, model, and pin out configuration. Interfaces are made to order.Allows use with 9V battery or phantom power battery preferred. |
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Applied Microphone Technology AMT LS Low Profile Clip-On Condenser Microphone : MusiciansFriend : USD564.0The AMT LS is the ultimate in a woodwind or brass microphone. The system is meant to clip onto a flanged bell instrument (Saxophones and Brass). The LS mic in its stock configuration is the perfect choice for the player that needs control of their own volume in a belt pack style setup. The AMT LS also allows the player to easily change to and from AMT different preamps and allows for direct connections to either Shure or Sennheiser beltpack transmitters. With a change in a cable, convert your LS from a beltpack style preamp, to a "Studio" series model, and then to AMT "Wireless setups". The microphone is suspended in a 4 point isolation ring reducing key and handling noise. Phantom power or 9Volt battery required. The instrument mic comes with BP40 beltpack style preamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "Wireless" or "Studio" models if needed. (Additional cables for a variety of setups sold separately. AMT Interface also sold separately to allow connections for many wireless systems). |
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Applied Microphone Technology AMT LS Studio Low-Profile Clip On Microphone System : MusiciansFriend : USD646.0The AMT LS is the ultimate in a woodwind or brass microphone. The system is meant to clip onto any flanged bell instrument (Saxophones and Brass). The LS in it's stock configuration is the perfect choice for the player that needs control of there volume in a belt pack style setup. The latest version of the AMT LS allows the player to easily change to and from AMT different preamps and allows for direct connections to either Shure or Sennheiser beltpack transmitters. With a change in a cable, convert your LS mic from a beltpack style preamp, to a "Studio" series model, and then to AMT "Wireless setups". The instrument microphone is suspended in a 4 point isolation ring reducing key and handling noise. Phantom power or 9Volt battery required. Comes with BP40 beltpack style preamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "Wireless" or "Studio" models if needed. (Additional cables for a variety of setups sold separately. AMT Interface also sold separately to allow connections for many wireless systems). |
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Applied Microphone Technology AMT LSW Clip-On Mic for Sennheiser Systems : MusiciansFriend : USD394.0The AMT LSW — Sennheiser Microphone System is a special version of the AMT LS. It is meant to be used by the player that requires a multi-channel professional level wireless system. The microphone element remains the same with the same high level of quality that the LS achieves however is specially adapted to work in this Sennheiser configuration. The AMT system is meant to clip onto a flanged bell instrument. (Saxophones and Brass) and was designed for direct connection to Sennheiser belt pack wireless systems.The AMT LSW allows the brass instrument player to easily convert their direct connecting wireless microphone to any AMT preamp version. With a change in a cable, you can convert your LS from a "W"ireless setup, to a "Belt pack", or the AMT "Studio" series. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. It is powered via the wireless belt pack. This system comes with microphone, universal clamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "W"ireless or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems). Requires phantom power. |
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Applied Microphone Technology AMT LSW Clip-On Mic for Shure Systems : MusiciansFriend : USD394.0The AMT LSW Clip On Condenser Microphone is the ultimate in a woodwind or brass microphone and designed for direct connection to Shure or Sabine belt pack wireless systems. The mic system is meant to clip onto a flanged bell instrument. (Saxophones and Brass). The AMT LSW — Shure Microphone System is meant to be used by the player that requires a multi-channel professional level wireless system. (AMT Recommends the Shure ULXS14 and the ULXP14 wireless units). The AMT LSW allows the player to easily convert their direct connecting wireless microphone to any AMT preamp version. With a change in a cable, you can convert your LS from a "W"ireless setup, to a "Belt pack", or the AMT "Studio" series. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. It is powered via the wireless beltpack. This LSW system comes with microphone, universal clamp, case, and AMT disconnecting cable technology to allow the microphone to be used as "W"ireless or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless mic systems). Requires phantom power. |
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Applied Microphone Technology AMT M40 Acoustic Piano Microphone System : MusiciansFriend : USD453.0The AMT M40 Acoustic Piano Microphone System is a bold new direction for microphones incorporating integrated circuit technology, an interchangeable chip which allows for multi-purpose use, and emulates many popular microphones with the advantages of its ultra compact size. The M40 Acoustic Microphone System includes the AMT M40 Microphone and the AP 40 Floor Preamp. The M40 Microphone system lets you reproduce the natural sound of the piano. Mono in design, the system allows for use even with the piano lid closed. It is capable of picking up subtle passages as well as sound pressure levels up to 141dB. The M40 microphone's signal can be split and frequencies rolled off in a specific way to create a stereo image. The M40 Piano Microphone System features rugged construction of anodized aviation aluminum allowing it to withstand high impact while being lightweight and non-corrosive. The M40 has been designed for piano but works equally well in other applications such as boundary layer miking (conference, stage). The M-40 terminates to the AP 40 aluminum preamp with chip technology and can be powered by phantom power or 9v battery. Includes a hardshell Blo-mold protective case. |
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Applied Microphone Technology AMT M51 Bass Drum Microphone System : MusiciansFriend : USD453.0The AMT M51 mic has been designed for bass drum but works equally well in other applications such as boundary layer miking (conference, stage). The M51 is a bold direction for microphones incorporating integrated circuit technology, an interchangeable chip which allows for multi-purpose use, and emulates many popular microphones with the advantages of its ultra compact size. It is capable of picking up subtle passages as well as sound pressure levels up to 141dB. Its rugged construction of anodized aviation aluminum allows it to withstand high impact while being lightweight and non-corrosive. The AMT M-51 Bass Drum Mic is terminated with an XLR connector and includes a cast aluminum pre-amp which can be powered by phantom power. |
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Applied Microphone Technology AMT P800 Low Profile Clip-On Condenser Trumpet Microphone : MusiciansFriend : USD661.0The AMT P800 Trumpet microphone system is the only system on the market specifically made to handle the highest SPL levels that a trumpet reproduces. The AMT P800 microphone system features an element somewhere in size between a small and large diaphragm, which prevents even the loudest of trumpet players to not overload the microphone. AMT has developed their special "Off the bell" clamping system for this model which clamps to the mouthpipe of the trumpet or flugelhorn. The AMT P800 allows the player to easily change to and from AMT different preamps and allows for direct connections to either Shure or Sennheiser belt pack transmitters. With a change in a cable, convert your P800 trumpet mic from a beltpack style preamp, to a "Studio" series model, and then to AMT "W"ireless setups. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. Phantom power or 9-Volt battery is required. Comes with AP40 floor or "DI" style preamp, hardshell case, and AMT disconnecting cable technology to allow the microphone to be used as "Wireless" or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems.) |
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Applied Microphone Technology AMT P800 Studio Clip-On Trumpet Microphone System : MusiciansFriend : USD742.0The AMT P800 Studio microphone system combines the most natural sounding trumpet specific microphone system on the market with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level.The AMT P800 Studio Trumpet microphone system features an element somewhere in size between a small and large diaphragm, which prevents even the loudest of trumpet players to not overload the microphone. AMT has developed their special "Off the bell" clamping system for this model which clamps to the mouthpipe of the trumpet or flugelhorn. The AMT P800 microphone allows the player to easily change to and from AMT different preamps and allows for direct connections to either Shure or Sennheiser beltpack transmitters. With a change in a cable, convert your P800 from a "Studio" style preamp, to a "Belt pack" series model, or to the AMT "W"ireless setups. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. Phantom power or 9Volt battery required. Comes with AP40 floor or "DI" style preamp, hardshell case, and AMT disconnecting cable technology to allow the microphone to be used as "Wireless" or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems.) |
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Applied Microphone Technology AMT P800W Clip-On Mic for Sennheiser Systems : MusiciansFriend : USD506.0The AMT P800W — Sennheiser is a special version of the AMT P800W. The microphone element remains the same with the same high level of quality that the P800 achieves however is specially adapted to work in a Sennheiser configuration. The AMT P800 Trumpet microphone system is the only system on the market specifically made to handle the highest SPL levels that a trumpet can reproduce. The AMT P800 microphone system features an element somewhere in size between a small and large diaphragm, which prevents even the loudest of trumpet players to not overload the microphone. AMT has developed there special "Off the bell" clamping system for this model which clamps to the mouthpipe of the trumpet or flugelhorn. The AMT — Sennheiser allows the player to easily convert their directly connecting wireless microphone to any AMT preamp version. With a change in a cable, convert your P800W from a "W"ireless setup, to a "Belt pack", or the AMT "Studio" series. The microphone is suspended in a 4 point isolation ring reducing key and handling noise. Phantom power or 9-Volt battery is required. Comes with AP40 floor or "DI" style preamp, hardshell case, and AMT disconnecting cable technology to allow the microphone to be used as "Wireless" or "BP" models if needed. (Additional cables for a variety of setups sold separately. The AMT Interface is also sold separately to allow connections for many wireless systems.) |
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Applied Microphone Technology AMT P800W Clip-On Condenser Mic for Shure Systems : MusiciansFriend : USD506.0The AMT P800W trumpet microphone is a special version of the AMT P800. The microphone element remains the same with the same high level of quality that the P800 achieves however is specially adapted to work in this Shure configuration. AMT recommends the Shure ULXS14 and the ULXP14 Wireless Units. The AMT P800W - Shure Microphone System is meant to be used by the player that requires a mult-channel professional level wireless system. This application is a commonly preferred method used by many professional level sound engineers as well as sound companies on major tours.The AMT P800 Trumpet microphone system is the only system on the market specifically made to handle the highest SPL levels that a trumpet can reproduce. The AMT P800 microphone system features an element somewhere in size between a small and large diaphragm, which prevents even the loudest of trumpet players to not overload the microphone. AMT has developed there special "Off the bell" clamping system for this model which clamps to the mouthpipe of the trumpet or flugelhorn.Requires phantom power. |
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Applied Microphone Technology AMT S15G Low Profile Clip On Condenser Microphone : MusiciansFriend : USD572.0The S15G is a low-profile condenser microphone that has a cardioid pattern which gives it better gain before feedback than most guitar microphones on the market. The element as well as the mounting clamp is designed for the instrument. AMT designs microphones for each instrument and does NOT adapt elements or mounting gear to fit instruments. The S15G system clamps to the outside of the guitar. It is adjustable from a minimum of 3" to a maximum of 5-7/8". The AMT S15G features a flexible 6" gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive.The microphone attaches to the side of the guitar or other musical instrument, and is suspended in a 4 point isolation ring reducing handling noise. The S15G terminates to the BP42 belt pack. It operates on either 9 volt battery or Phantom power to 48 volts DC. It incorporates an LED to indicate the status of the voltage.The S15G is terminated by a 3.5mm plug which connects to a belt pack preamp. The included belt pack houses a volume control, contours the setup for the intended instrument, and powers the microphone system appropriately. A low Z cable and case is included.The S15G instrument mic also comes with a cable that disconnects. This cable will allow the player to switch back and forth between the different AMT Preamps as well as convert it to the wireless setup. (Different cables and preamps sold separately) |
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Applied Microphone Technology AMT S15G Studio Low Profile Clip On Condensor Mic System : MusiciansFriend : USD652.0The AMT S15G Studio version combines the AMT S15G cardioid guitar microphone system with the AMT AP40 floor preamp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary is on certain models or musical instruments in order to maintain the most natural reproduction of sound in conjunction with the achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR low-impedance balanced outputThe S15G comes with a cable that disconnects as well. This cable will allow the player to switch back and forth between the different AMT preamps as well as convert it to the "Wireless" setup. (Different cables and preamps sold separately)The AMT S15G Studio version is meant to be used either in a studio setting where close miking of an instrument is desired or in a professional level setting where the "Sound Engineer" controls the microphone.Requires phantom power. |
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Applied Microphone Technology AMT S18C Cello Condenser Microphone : MusiciansFriend : USD663.0The S18C is an electret-condenser microphone that has been designed for cello. All of the mic'ing parameters that are problematic for string instruments have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time reproducing accurately the subtleties of the cello. As placement is especially important with an instrument that has a fine finish and varying dimensions, this microphone's attachment mechanism is designed to secure the mic to the cello in different positions taking seconds to attach. This mechanism is fitted with natural soft suede so as not to mark or mar instrument.Made from aluminum to keep the mass low yet extremely strong, this microphone will remain durable through many years of use. The flex arm is easy to position yet retains it's placement throughout the most active of performances. The mic has an LED that can be easily seen while performing. This indicates status of a battery or phantom power. The pre-amp for the microphone is rugged anodized aviation aluminum, which houses the electronics that can be placed on the floor. This pre-amp utilizes a circuit that can change EQ, curve, and gain by exchanging EPROM-like chip. The preamp runs off of battery or phantom power. The output is terminated with a male XLR type connector for balanced use. The mic is connected to the preamp by a 4-pin locking connector. |
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Applied Microphone Technology AMT S25B Acoustic Bass Condenser Microphone : MusiciansFriend : USD676.0The S25B is an electret-condenser microphone that has been designed for acoustic bass. All of the parameters that are problematic for the double bass have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time reproducing accurately the subtleties of the bass. As placement is especially important with an instrument that has a fine finish and varying dimensions, the S25B microphone's attachment mechanism is designed to secure the mic to the bass in different positions taking seconds to attach. This mechanism is fitted with natural soft suede so as not to mark or mar instrument. Made from aluminum to keep the mass low yet extremely strong, this AMT microphone will remain durable through many years of use. The flex arm is easy to position yet retains it's placement throughout the most active of performances. The mic has an LED that can be easily seen while performing. This indicates status of a battery or phantom power. The preamp for the S25B microphone is rugged anodized aviation aluminum, which houses the electronics that can be placed on the floor. This preamp utilizes a circuit that can change EQ, curve, and gain by exchanging EPROM-like chip. The preamp runs off battery or phantom power. The output is terminated with a male XLR type connector for balanced use. The mic is connected to the preamp by a 4-pin locking connector. |
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Applied Microphone Technology AMT S3G Studio Low-Profile Condenser Mic System : MusiciansFriend : USD570.0The AMT S3G Studio version combines AMT's Omni Guitar specific microphone system with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and creates a specific frequency curve in order to maintain the most natural reproduction of sound in conjunction with the achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The AMT S3G Studio version is meant to be used either in a studio setting where close miking of an instrument is desired or in a professional level setting where the "Sound Engineer" needs control of the microphone. The S3G Studio is a unique, low-profile condenser microphone that can only be used with an acoustic guitar that has a sound-hole under the strings. This microphone incorporates an omni pattern to capture the sound from inside the guitar. The S3G Studio Mic features a flexible gooseneck, allowing the player or sound engineer to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. Requires phantom power. |
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Applied Microphone Technology AMT SP25B Acoustic Bass Condenser Microphone : MusiciansFriend : USD972.0The SP25B is an electret-condenser microphone that has been designed for acoustic bass. All of the parameters that are problematic for the double bass have been addressed. To be able to get the most gain before feedback it uses a very tight pattern to give a high rejection to surrounding noise, at the same time reproducing accurately the subtleties of the bass. As placement is especially important with an instrument that has a fine finish and varying dimensions, this microphone's attachment mechanism is designed to secure the mic to the bass in different positions taking seconds to attach. This mechanism is fitted with natural soft suede so as not to mark or mar instrument.The SP25B uses the "super pre-amp" which has 2 XLR outputs, one of which has a ground lifted isolation transformer split. A quarter inch line driver output with volume control is also included. The pre-amp runs off of battery, phantom power, or optional power supply. However it is recommended using the 9-volt battery all the time. The line driver and isolation transformer will not work unless you have a 9-volt battery in the pre-amp. The external volume control is for the line driver/1/4 inch output. The preamp also has an internal volume control that you can adjust with a screw driverMade from aluminum to keep the mass low yet extremely strong, this microphone will remain durable through many years of use. The flex arm is easy to position yet retains it's placement throughout the most active of performances. The mic has an LED that can be easily seen while performing. This indicates status of a battery or phantom power. |
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On-Stage Stands Microphone Pro-Pak for Kids : MusiciansFriend : USD39.99Perfect for kids of all ages and sizes, whether they're just testing out their vocals at home or they're the next on American Idol! The Mic Pro Pak comes with a dynamic handheld microphone, boom stand, mic clip, and 20 foot XLR to 1/4" cable. |
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Audix VX5 Handheld Supercardioid Condenser Microphone : MusiciansFriend : USD249.0The Audix VX5 is a hand-held vocal condenser microphone designed to handle a wide variety of live, studio and broadcast applications.With a smooth frequency response of 40 Hz - 16.5 kHz (plus or minus 3 dB), the VX5 microphone features a 14mm gold vapor diaphragm, a supercardioid polar pattern, a -10 dB pad, a bass roll-off filter, an acoustically ported steel mesh grill screen, and a rugged die cast zinc body. The VX5 will handle sound pressure levels in excess of 140 dB (in the pad and roll-off position) without distortion and will additionally provide over 20 dB of ambient noise rejection for feedback control on live stages. The Audix VX5 operates on phantom power of 9-52 volts and will achieve optimum results when used with a high quality mic preamp. In addition to vocal applications, the VX5 mic is ideally suited to capture acoustic instruments such as guitar, woodwinds, brass, percussion toys, and drum overheads and hi-hat. |
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Shure SLX24/BETA87A Hand-Held Wireless Condenser Microphone System : MusiciansFriend : USD729.0Sound installations and working bands need powerful wireless tools that can be set up quickly and used confidently. Shure's rugged SLX24/Beta87A Hand-Held Wireless System exceeds these demands with innovative automatic setup features, such as auto frequency scan and transmitter setup, exceptional wireless clarity, and legendary Shure sound.The Shure SLX24/Beta87A Hand-Held Wireless System for vocalists includes an SLX2 hand-held microphone transmitter fitted with a Beta87A capsule and the SLX4 diversity receiver.Beta 87A Vocal Microphone Leading the field for studio-quality sound in live performance, the Shure Beta 87A condenser element has a tailored response for warm, accurate sound. Its supercardioid design provides maximum isolation from nearby vocalists or instruments. SLX2 Wireless Hand-Held Transmitter SLX Wireless Hand-Held Transmitter with timed backlit LC display, frequency and power lockout, and "Mute" functionalitySLX4 Wireless Receiver SLX Wireless Diversity Receiver with PS20 (120V AC) Power Supply, 1/4 Wave Antennas, and Rack Mounting Hardware |
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CAD e60 Cardoid Condenser Microphone Black : MusiciansFriend : USD99.99One of Al Di Meola's two favorite acoustic guitar mics for live performance, the Equitek e60 Cardioid Condenser Microphone has externally-biased point-source transduction with a high-power transformerless drive in a bulletproof road-ready housing. Take it on tour for high-impact instrumentation. Features include three-frequency hi-pass filter, 10dB attenuator and integral stand clamp. The microphone's applications include acoustic instrument, guitar cabinets, bass cabinets, strings, piano, cymbals/overheads, kick drum, snare drum, hi-hat. 24V or 48V phantom power required. |
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MXL MXL.007 USB Large Gold Diaphragm Stereo Condenser Microphone : MusiciansFriend : USD199.95With the MXL.007 USB Large Gold Diaphragm Stereo Condenser Microphone you can forget about mixers, preamps or other expensive studio gear. You also don't need special software or drivers, just plug the MXL.007 in to your portable or desktop computer, set your preferences and enjoy instant studio quality recordings. This mic uses dual gold diaphragm capsules in a XY pattern together with low noise electronics and the latest in enhanced digital conversion techniques for pristine audio quality.Because of its high quality and ease of use the MXL.007 opens up new possibilities for direct stereo recording with a standard computer such as live performances in the professional, school and home environment. It's also a very exciting tool for podcasts, multimedia, news and broadcast applications using portable computers for remote stereo recording of concerts, lectures, or even documenting outdoor sounds in stereo for film and and sharing with friends and TV backgrounds. Imagine the fun of recording performances and sound effects from anywhere in the world on a portable computer in full stereo and sharing with friends and associates.The MXL USB .007 comes with a carry bag, a desktop mic stand, mic stand adapter, a 10-foot USB cable, wind screen, owner's manual and an applications guide. The MXL.007 USB mic ushers in a new era of high quality recording never before achieved without a studio. It completely redefines what users can do on their computers opening up a new world for the audio, computer and broadcast industries. |
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MXL USB.008 Large Gold Diaphragm USB Condenser Microphone : MusiciansFriend : USD169.95The MXL USB.008, in addition to being a great announcer's mic, is also well suited for all types of music and live sound effects. The microphone uses a large 32mm condenser capsule that gives pristine audio quality not possible with electrets or dynamic mics. MXL USB mics open up a new era of high quality recording direct to a portable or desktop computer. No mixers, pre-amps or special studio gear required. Just plug into your computer, set your preferences, and enjoy instant professional quality recordings.The MXL USB.008 microphone uses the latest enhanced digital conversion techniques, a bandwidth of 20-20 kHz, low noise front end and has real analog volume adjustments to ensure correct pre-digital levels and is MAC and PC compatible.Suggested applications include broadcasting, narration, field recording, music demos, live sound effects, podcasting, and multimedia. The MXL USB.008 comes with a 10ft USB cable, table stand, and travel case. |
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MXL MXL 990 USB Powered Condenser Microphone : MusiciansFriend : USD99.95MXL 990 USB powered microphone opens up a new era of high quality recording direct to your portable or desktop computer. No mixers, preamps, or special studio gear required. Just plug the MXL 990 mic into your computer, set your preferences, and enjoy instant professional quality recordings. The MXL 990 USB has changed the way project studio recordings are being created. The 990 USB is a condenser microphone utilizing a 6 micron, 20mm gold-sputtered diaphragm, and has a high quality FET preamp. The MXL 990 USB mic uses the latest enhanced digital conversion techniques and is Mac and PC compatible.Includes a tripod stand, case, and stand adapter. |
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Heil Sound PR-20 Dynamic Hand-Held Studio Microphone : MusiciansFriend : USD150.0Heil's PR-20 professional dynamic cardioid microphone is designed for commercial broadcast, recording, and live sound reinforcement applications. Smooth, flat response over a wide frequency response. That, combined with an excellent transient response and low IMD, result in gorgeous, natural speech articulation without having to apply heavy equalization. The PR-20's dynamic element is mounted into a special sorbothane shockmount system for extremely low handling noise. This low handling noise and the lack of bass-boosting proximity effect makes it ideal for professional uses.The PR-20 achieves its exceptional performance by using a special magnet structure and a 1-1/8" aluminum, low-mass voice coil assembly. Special attention has been paid to the phasing plug assembly, with equally placed ports that sense out-of-phase audio from behind the source. The result is a very linear cardioid pattern, a reduction of the proximity effect, and smooth articulation across the mic's response range. The PROLINE element is usable in extremely high SPLs and is immune to overload conditions. Leatherette carrying bag, mic clip, and foam windscreen included. |
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Heil Sound PR 30 Large Diaphragm Multipurpose Dynamic Microphone : MusiciansFriend : USD249.0The Heil Sound PR-30 is a professional dynamic microphone designed for applications that require a smooth, flat output from a wide frequency response (40Hz-18kHz). Whether it's commercial broadcast, studio recording, or live sound reinforcement, the PR-30 mic can handle it. A specially designed magnet structure and large, aluminum 1-1/2" low-mass voice coil assembly make this possible. In addition to a carefully wound and placed humbucking coil, the components of the PR-30 are engineered to minimize external noise and provide pure articulation. A unique dual pop screen design ensures that breath blasts never hit the diaphragm directly. The result of all this is a perfect representation of the voice that is virtually unpolluted by external noise. |
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Heil Sound PR 40 Large Diaphragm Multipurpose Dynamic Microphone : MusiciansFriend : USD325.0The Heil Sound PR-40 is a full-range dynamic microphone designed with the ability to reproduce frequencies as low as 28Hz, ideal for live sound, recording, and broadcast applications. The unique, copper-wound voice coil uses a mixed metallic magnet structure that creates a magnetic field 10 times stronger than most mics. Coupled with a large 1-1/2", low-mass, quilted aluminum diaphragm, this makes for tremendous low-frequency response and low distortion throughout the PR-40 mic's wide frequency range. A unique dual pop screen design ensures that breath blasts never hit the diaphragm directly. To top it all off, it also comes with an extremely durable aluminum case for protection on the road. |
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MXL MXL 993 Omnidirectional Capsule : MusiciansFriend : USD49.95MXL Omnidirectional capsule for use with the MXL 993 condenser microphone. Omidirectional capsules offer better off-axis high-frequency response than cardioid mics. They're best used for instruments recorded in good-sounding live rooms or ensemble recording. Even close-miked, an omni will always give a sense of more distance from the source than cardioid. |
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MXL V69 Mogami Edition Tube Microphone : MusiciansFriend : USD299.95The MXL V69 is a large-diaphragm Tube Condenser Microphone. Its classic sound enhances vocal and instrument performances in professional and home studio environments. The extremely low noise level, wide dynamic range and warm sonic characteristics make the V69 mic a perfect complement to all analog and digital recording devices. Comes with deluxe flight case, versatile shock mount, dedicated power supply, Mogami 7-pin and XLR microphone cables and windscreen. Requires phantom power. |
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MXL USM-001 Universal Heavy Duty Basket Mic Mount : MusiciansFriend : USD49.95The MXL USM-001 universal, heavy duty, basket style shock mount. It will fit all MXL microphones. |
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MXL USM-002 Universal Heavy Low Profile Basket Mic Mount : MusiciansFriend : USD49.95The MXL-002 is a universal, low profile, shock mount. It fits all MXL microphones. |
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Hercules Stands QUIK-N-EZ Microphone Holder : MusiciansFriend : USD7.95The MH101B microphone holder allows you to mount the mic clip with a flip of a lever. Fits all mic stands without top washers. Rubber holders ensure a snug and flexible grip. Fits mics from 25-30mm. |
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M-Audio SoundCheck Dynamic Microphone : MusiciansFriend : USD49.99SoundCheck is a rugged, dynamic mic. Its unidirectional design helps to eliminate unwanted background noise, producing clearer, more professional-sounding recordings without hassle. A perfect match for M-Audio's Fast Track USB and Fast Track Pro audio interfaces, SoundCheck boasts an internal filter that minimizes unwanted pops as well as a front-mounted on/off switch and contoured grip for live use. The microphone includes a hard mount, case and XLR cable. |
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Audio-Technica AT8410A SHOCK MOUNT : MusiciansFriend : USD39.16Audio-Technica shock mounts provide excellent mechanical isolation while offering unusual versatility and ease of use. Equally adapted to cylindrical and tapered microphones, they attenuate noise, shock and vibration transmitted through microphone stands, booms and fixed microphone mounts. The AT8410a permits easy microphone insertion and removal without detaching the mic cable; its spring-loaded clamp holds even heavy tapered microphones securely. The AT8415's lightweight and low profile make it an excellent choice for "fishpole" booms and for video use. The AT8410a mounts directly to any stand with standard 5/8"-27 threads, and includes a constant-tension clutch and 180°swivel for easy, positive microphone adjustment. Isolation is accomplished with elastic shock cord. Microphones mechanically coupled to a stage or other resonant surface. And in live entertainment, shock mounts minimize noise from the movement of instruments as well as the pickup of high-level energy transmitted from nearby speakers. |
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Audio-Technica PRO47TL Cardioid Condenser Thread-mount Gooseneck Microphone : MusiciansFriend : USD119.0The Audio-Technica PRO47TL is a double-gooseneck cardioid condenser microphone with integral power module and 5/8"-27 adapter-mount is ideal for boardroom, school, government, house of worship and other installed applications. Featuring a wide-range condenser element with low-mass diaphragm for superior performance, the microphone's self-contained electronics eliminate need for external power modules. Requires phantom power. |
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Heil Sound PR-20P Pink Pearl Special Edition Handheld Dynamic Microphone Pink Pearl : MusiciansFriend : USD179.0The Heil Sound Pink Pearl PR20P large diaphragm vocal microphone is the first model introduction in Heil's new Spotlight Series. Its emblazoned with the pink ribbon on its unique pink pearlescent finish.The Heil Sound Pink Pearl PR 20 represents completely new dynamic microphone technology and is designed for a wide range of professional applications such as live sound, commercial broadcast, and professional recording. The PR20P has the same vocal quality as the original PR 20, but with a beautiful pink pearl finish. Its wide frequency range outperforms the tired, 30+ year old industry technology and can withstand huge amounts of SPL. The end result is a microphone that can answer the call to any application. For example, the gorgeous upper mid range makes the Pink Pearl PR 20 the absolute best live female vocal microphone on the planet.The pattern control of the Heil PR 20 Microphone is outstanding. This exceptional performance is achieved by using the ideal combination of materials for the large low mass diaphragm and a special mixture of neodymium, iron, and boron that gives the PR 20 mic the strongest magnet structure available.In addition to the special magnet structure, the PR 20 achieves its exceptional performance by using a large 1 -1/8" low mass voice coil assembly. Special attention has been paid to the phasing plug assembly with equally placed ports that sense audio from behind, entering them out of phase. Thus, the PR 20 produces a very linear cardioid pattern and reduces the proximity effect while achieving perfect articulation. This new Heil element is usable in extreme high sound pressure levels and is immune to overload conditions making it perfect for vocal and live sound applications. The PR 20 is supplied with a leatherette carrying bag, a mic clip and three metal wind screens (black, silver and gold).Since 1982, Heil Sound has been the leading manufacturer of communications microphones and has a paramount understanding of phasing. When properly applied, this knowledge creates outstanding cardioid patterns with unbelievable rear rejection that removes unwanted sounds that try to enter from the off-axis rear. |
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Heil Sound PR-20R Red Special Edition Handheld Dynamic Microphone Dark Red : MusiciansFriend : USD179.0This special edition of the Heil Sound PR 20 Microphone, from the Spotlight Series, is coated in a beautiful red pearlized finish. The Heil PR 20 mic represents completely new dynamic microphone technology designed for a wide range of professional applications. Great for live sound, commercial broadcast, and sophisticated recording. The Heil PR20 has a wide frequency range that can withstand huge amounts of SPL. The end result is a microphone that can answer the call to any application. For example, the gorgeous upper mid range makes the PR 20 ideal as a live vocal microphone, while its outstanding frequency response and superb dynamic range suit it perfectly for use with a snare drum.Since 1982, Heil Sound has been the leading manufacturer of communications microphones and has a paramount understanding of phasing. When properly applied, this knowledge creates outstanding cardioid patterns with unbelievable rear rejection that removes unwanted sounds that try to enter from the off axis rear. The pattern control of the Heil PR 20 is outstanding. This exceptional performance is achieved by using the ideal combination of materials for the large low mass diaphragm and a special mixture of neodymium, iron, and boron that gives the PR 20 the strongest magnet structure available.In addition to the special magnet structure, the PR 20 achieves its exceptional performance by using a large 1 1/8" low mass voice coil assembly. Special attention has been paid to the phasing plug assembly with equally placed ports that sense audio from behind, entering them out of phase. Thus, the PR 20 produces a very linear cardioid pattern and reduces the proximity effect while achieving perfect articulation. This new Heil element is usable in extreme high sound pressure levels and is immune to overload conditions making it perfect for vocal and live sound applications. The PR 20 is supplied with a leatherette carrying bag, a mic clip and three metal wind screens (black, silver and gold). |
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Audix F50-S Handheld Dynamic Vocal Microphone : MusiciansFriend : USD59.0The F50 dynamic moving-coil microphone from Audix is designed to handle a wide variety of vocal and instrument applications in both live sound and recording. The F50-S mic features a noiseless magnetic on-off switch. With a wide cardioid pickup pattern and a frequency response of 50 16kHz, the handheld F50 microphone is designed with slight bass proximity and mid-range presence. This results in a warm natural response for nearly every type of voice. The Audix F50-S is engineered to handle very high levels of gain without distortion and will provide over 20dB of off-axis feedback rejection. Low impedance and balanced output allow interference-free performance even with long cable runs. The Audix F50-S is a solidly built microphone with a cast-zinc alloy body and a steel-mesh grill ball with an internal pop screen. |
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