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Shure KSM9 Wireless Transmitter Black CH L3 : MusiciansFriend : USD1799.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage. |
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Shure KSM9 Wireless Transmitter Black CH H4 : MusiciansFriend : USD1799.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage. |
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Shure KSM9 Wireless Transmitter Champagne CH L3 : MusiciansFriend : USD1799.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage. |
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Shure KSM9 Wireless Transmitter Champagne CH H4 : MusiciansFriend : USD1799.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage. |
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Shure KSM9 Wireless Transmitter Champagne CH J5 : MusiciansFriend : USD1799.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage. |
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Shure KSM9 Wireless Transmitter Black 5 Inches : MusiciansFriend : USD1799.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage. |
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Shure KSM9 Wireless System Black CH L3 : MusiciansFriend : USD3679.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage.UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The UR2 is offered with SM58©, SM86, SM87A, Beta 58A©, Beta 87A , Beta 87C , and KSM9.The UR4S and UR4D receivers provide single and dual-channel options for Shure's premium wireless. The latest technologies provide advanced control and robust flexibility for a wide range of professional uses. |
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Shure KSM9 Wireless System Black CH H4 : MusiciansFriend : USD3679.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage.UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The UR2 is offered with SM58©, SM86, SM87A, Beta 58A©, Beta 87A , Beta 87C , and KSM9.The UR4S and UR4D receivers provide single and dual-channel options for Shure's premium wireless. The latest technologies provide advanced control and robust flexibility for a wide range of professional uses. |
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Shure KSM9 Wireless System Black CH J5 : MusiciansFriend : USD3679.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage.UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The UR2 is offered with SM58©, SM86, SM87A, Beta 58A©, Beta 87A , Beta 87C , and KSM9.The UR4S and UR4D receivers provide single and dual-channel options for Shure's premium wireless. The latest technologies provide advanced control and robust flexibility for a wide range of professional uses. |
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Shure KSM9 Wireless System Champagne CH L3 : MusiciansFriend : USD3679.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage.UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The UR2 is offered with SM58©, SM86, SM87A, Beta 58A©, Beta 87A , Beta 87C , and KSM9.The UR4S and UR4D receivers provide single and dual-channel options for Shure's premium wireless. The latest technologies provide advanced control and robust flexibility for a wide range of professional uses. |
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Shure KSM9 Wireless System Champagne CH H4 : MusiciansFriend : USD3679.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage.UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The UR2 is offered with SM58©, SM86, SM87A, Beta 58A©, Beta 87A , Beta 87C , and KSM9.The UR4S and UR4D receivers provide single and dual-channel options for Shure's premium wireless. The latest technologies provide advanced control and robust flexibility for a wide range of professional uses. |
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Shure KSM9 Wireless System Champagne CH J5 : MusiciansFriend : USD3679.0KSM9 microphones capture vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. KSM9 microphones offer exceptional consistency across all frequencies, providing more gain before feedback, and minimizing proximity effect. With wired and wireless options and a choice of champagne and charcoal grey finishes, KSM9 offers the best combination for every performance. Shure UHF-R Wireless Systems feature KSM9 as the premier choice in handheld vocal microphones. KSM9 microphones are built to Shure's exacting endurance standards, renowned worldwide and proven night after night, center stage.UHF-R handheld transmitters boast a rugged, lightweight construction and an antenna design which advances RF transmission reliability. The UR2 is offered with SM58©, SM86, SM87A, Beta 58A©, Beta 87A , Beta 87C , and KSM9.The UR4S and UR4D receivers provide single and dual-channel options for Shure's premium wireless. The latest technologies provide advanced control and robust flexibility for a wide range of professional uses. |
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Shure PGX2/PG58 Handheld Transmitter Channel H6 : MusiciansFriend : USD199.99The Shure PGX2/PG58 Handheld Transmitter features the PGX2 Handheld transmitter and the Shure PG58 cardioid cartridge. Shure PGX2 Handheld Wireless Transmitter was designed to meet the needs of traveling performers and allows for interchangeable microphone cartridges. The ruggedly built PG58 Microphone is tuned to accentuate the clarity of lead and back-up vocals. |
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Audix F14 Kick Drum Microphone : MusiciansFriend : USD99.0The F14 mic for kick drums is the latest addition to the Audix Fusion series of drum microphones. It is specifically engineered to accurately capture the nuances of low-end drums. The Audix F14 features a low frequency boost for fat modern sounding kick drums. |
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Audix ADX51 Cardioid Condenser Microphone : MusiciansFriend : USD229.0The ADX51 Cardioid Condenser Mic is a pre-polarized condenser microphone designed to handle a wide variety of live, studio and broadcast applications. With a cardioid pickup pattern and a smooth uniform response over a frequency range of 40-20k Hz, the ADX51 microphone is precision machined from solid brass with a low reflective black e-coat finish. The Audix ADX51 is designed with low noise electronic circuitry, balanced output, and switches that enable a 10 dB pad and a bass roll-off. The ADX51 is a road-worthy microphone capable of handling high sound pressure levels of 142dB. The ADX-51 is an excellent condenser microphones for overheads, cymbals, group vocals, and a wide variety of acoustic instruments. |
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Audix UEM-81S Battery Powered Shotgun Condenser Microphone : MusiciansFriend : USD249.0The Audix UEM81S Battery Powered Condenser Shotgun Microphone puts studio quality performance wihin the reach of any home studio, musician, engineer, or sound contractor. This Audix mic is especially suited for distance miking of instruments. Requires phantom power. |
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Audix SMT-25 Pencil Condenser Microphone Shockmount : MusiciansFriend : USD24.95The SMT-25 Pencil Condenser Shockmount is designed to acoustically isolate the transducer of Audix pencil-style microphones from shock, vibration and handling noise. |
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Audix STAND-KD Heavy Duty Tripod Microphone Stand : MusiciansFriend : USD59.0The Audix STAND KD Heavy Duty Tripod Microphone Stand is designed for use with kick drum and guitar cabinet microphones. It works with any 5/8" microphone clips. |
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Electro-Harmonix SM-1 Shockmount For EH-R1 : MusiciansFriend : USD54.0Electro-Harmonix-approved shockmount for the EH-R1 Ribbon Microphone. |
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Electro-Harmonix SM-2 Shockmount for EH-C2 : MusiciansFriend : USD47.0Electro-Harmonix-approved shockmount for the EH-C2 Condenser Studio Microphone. |
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Electro-Harmonix EH-C5 FET Condenser Microphone : MusiciansFriend : USD469.0The Electro-Harmonix EH-C5 FET Condenser Microphone uses a dual-diaphragm EH-TM capsule but with a different head and body construction than the EH-C@ model. The vertical, double-sided open position of the capsule and preamplifier design are designed to work with numerous sound sources to maximum effect. As a result the EH-C5 sounds great with vocals, grand pianos, guitars, and percussion among many other sources, and gives presence and warmth to lead parts in the mix. It walks a fine line by remaining very sensitive yet handling very high SPLs with a low noise floor, allowing straight-to-digital recording with pure sound. Frequency response: 20Hz—20kHz. Requires phantom power. |
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Electro-Harmonix SM-5 Shockmount for EH-C5 : MusiciansFriend : USD58.0Electro-Harmonix-approved shockmount for the EH-C5 FET Condenser Studio Microphone. |
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Electro-Harmonix EH-TM Vacuum Tube Studio Condenser Microphone : MusiciansFriend : USD1679.99The EH-TM from Electro-Harmonix is a bottle-style tube microphone capable of multiple patterns: cardioid, omni-directional, and figure eight. It features dual large, 1.5 micron thick gold sputtered diaphragms and the Russian 6C15P tube in its discrete preamplifier circuitry. A Class A power supply, designed and constructed in the United Kingdom, powers the tube. An extremely high-quality shockmount comes standard, along with a sturdy case. Its sound is both vintage and state-of-the-art, with a touch of third harmonic distortion to add warmth while maintaining overall clarity. The XY and AB patterns are especially effective when the EHTM is used in stereo pairs. It is capable on vocals, grand pianos, guitars, percussion, and other sources requiring definition and fidelity. Its 20Hz tp 20kHz frequency response is smooth and uniform throughout its polar patterns, and it handles high SPL while maintaining a low noise floor. An excellent mic for recording digitally where source warmth is especially desirable. Requires phantom power. |
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Electro-Harmonix EH-R1 Ribbon Microphone : MusiciansFriend : USD290.0The Electro-Harmonix EH-R1 ribbon microphone is the perfect complement to any professional microphone lineup. Offering the natural and open sound associated with the finest ribbon microphones, the EH-R1 boasts a broad, flat frequency response that shines on any instrument that requires real definition. The Russian-built EH-R1 is beautiful on vocals, stunning on acoustic instruments-and offers performance and construction that are second to none. Great sound is the bottom line. |
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HHB FlashMic DRM85 Omnidirectional Digital Recording Microphone Grey : MusiciansFriend : USD999.0The HHB FlashMic is the world's first professional digital recording microphone. It combines a high-quality, Sennheiser omnidirectional condenser capsule with an inbuilt, broadcast-quality Flash recorder. FlashMic is a convenient, easy to operate and durable recorder that's perfect for use in all voice recording applications, including press and broadcast journalism, radio interviewing, podcasting, meetings, etc.With no tangled cables, just one button press is all it takes to start recording in either linear or MPEG 2 formats. Simple 'drag and drop' file transfer at up to 70x real time to a Mac or PC for editing or onward transmission is enabled by a 'plug and play' USB connection. Two AA batteries provide more than 8 hours continuous power and, with a 0 - 10 seconds prerecord buffer and 1GB of flash memory, you can be sure that you'll never miss a word of that important interview with a FlashMic. With a total capacity of 999 tracks and more than 18 hours recording to 1GB of internal Flash memory, FlashMic entirely eliminates the worry of running out of tape or disc space. Holding the record button down for more than 2 seconds locks the FlashMic in record mode for complete security during, for instance, podium recordings, and visible warnings of low battery life and low recording memory add further peace of mind. Pressing the record button briefly during a recording inserts a location marker which can be read by popular editing applications.With AA batteries included as standard, the FlashMic operates 'straight out of the box'. However journalists and news organizations will welcome the included FlashMic Manager PC/Macintosh software to configure the FlashMic for specific applications and streamlined workflow.Flashmic manager software FlashMic Manager PC/Mac software (supplied) allows FlashMic functions to be configured and stored in 9 user presets. Presets can be setup and then downloaded to non-volatile memory in the FlashMic via its USB port.In an organization with multiple users, every FlashMic can be given its own name which appears in every track name recorded by that microphone. Alongside the major recorder functions, the 9 user presets can be used to store a session name which also appears in the track names. So, when FlashMic JOHN is interviewing Oasis in the morning and the ENO in the afternoon, track file names can be preconfigured as JOHN_OASIS_TRK001, etc., and JOHN_ENO_TRK020, etc. A Company Name, Reporter Name and Reporter's Notes can be stored with each preset, which is embedded in every file along with the Date and Time stamp, providing users with an unrivaled range of facilities for the naming and organization of files.Connectivity FlashMic has a built in USB port for fast transfer of recorded data to a computer. Both USB 1.1 and USB 2.0 protocols are supported. The headphone socket accepts a standard 3.5mm jack. The mono signal from the A/D converter is buffered and sent to both channel |
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HHB Flashmic DRM85-C Cardioid Digital Recording Microphone Grey : MusiciansFriend : USD999.0The HHB FlashMic is the world's first professional digital recording microphone. HHB has expanded the FlashMic range with a cardioid version: the FlashMic DRM85-C. It combines a high-quality, Sennheiser cardioid condenser capsule with an inbuilt, broadcast-quality Flash recorder. FlashMic is a convenient, easy to operate and durable recorder that's perfect for use in all voice recording applications, including press and broadcast journalism, radio interviewing, podcasting, meetings, etc.With no messy cables, just one button press is all it takes to start recording in either linear or MPEG 2 formats. Simple drag and drop' file transfer at up to 70x real time to a Mac or PC for editing or onward transmission is enabled by a plug and play' USB connection. Two AA batteries provide more than 8 hours continuous power and, with a 0 - 10 seconds prerecord buffer and 1GB of flash memory, you can be sure that you'll never miss a word of that important interview with a FlashMic. With a total capacity of 999 tracks and more than 18 hours recording to 1GB of internal Flash memory, FlashMic entirely eliminates the worry of running out of tape or disc space. Holding the record button down for more than 2 seconds locks the FlashMic in record mode for complete security during, for instance, podium recordings, and visible warnings of low battery life and low recording memory add further peace of mind. Pressing the record button briefly during a recording inserts a location marker which can be read by popular editing applications.With AA batteries included as standard, the FlashMic operates straight out of the box'. However journalists and news organizations will welcome the included FlashMic Manager PC/Macintosh software to configure the FlashMic for specific applications and streamlined workflow.Flashmic manager software FlashMic Manager PC/Mac software (supplied) allows FlashMic functions to be configured and stored in 9 user presets. Presets can be setup and then downloaded to non-volatile memory in the FlashMic via its USB port.In an organization with multiple users, every FlashMic can be given its own name which appears in every track name recorded by that microphone. Alongside the major recorder functions, the 9 user presets can be used to store a broadcast or interview session name which also appears in the track names. So, when FlashMic JOHN is interviewing Oasis in the morning and the ENO in the afternoon, track file names can be preconfigured as JOHN_OASIS_TRK001, etc., and JOHN_ENO_TRK020, etc. A Company Name, Reporter Name and Reporter's Notes can be stored with each preset, which is embedded in every file along with the Date and Time stamp, providing users with an unrivaled range of facilities for the naming and organization of files.Connectivity The HHB FlashMic recording microphone has a built in USB port for fast transfer of recorded data to a computer. Both USB 1.1 and USB 2.0 protocols are supported. The headphone so |
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Audix F50-S Handheld Dynamic Vocal Microphone - Buy Two and SAVE!!! : MusiciansFriend : USD79.99The F50 dynamic moving-coil microphone is designed to handle a wide variety of vocal and instrument applications in both live sound and recording. F50-S features a noiseless magnetic on-off switch. Characterized with a wide cardioid pickup pattern and a frequency response of 50 16kHz, the F50 is designed with slight bass proximity and mid-range presence. This results in a warm natural response for nearly every type of voice. The F50 is engineered to handle very high levels of gain without distortion and will provide over 20dB of off-axis feedback rejection. Low impedance and balanced output allow interference-free performance even with long cable runs. The F50 is solidly build with a cast zinc alloy body and steel mesh grill ball with an internal pop screen. |
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Sony MDR-7502 Headphones : MusiciansFriend : USD49.99For clear, high-quality sound reproduction in a closed-ear design, Sony's MDR-7502 Headphones feature gold connectors, an oxygen-free cord, and a frequency response of 60Hz to 16kHz. 30mm driver headset unit provides clear, high-quality sound reproduction at an affordable price. |
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Sony MDR-7506 Headphones : MusiciansFriend : USD99.99The professional-quality Sony Pro MDR-7506 Headphones let you hear it all. Premium 40mm drivers reproduce every musical nuance. Closed-ear design gives a tight bass response, practically eliminates external noise, and snuggles over the ears for hours of comfort. Frequency response is a flat 10Hz to 20kHz so you accurately hear what's on tape. Gold-plated connectors prevent rust and corrosion, and a UniMatch plug is provided for both 1/4" and 1/8" jacks. Phones fold for easy storage. We recommend the MDR-7506 for applications where hearing accuracy is crucial. Includes soft case. |
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Sony MDR-V700 DJ Headphones : MusiciansFriend : USD98.99The Sony MDR-V700 DJ Headphones use a 50mm driver with neodymium magnet to provide high-quality sound. You get powerful bass, clear treble, and 3,000mW power handling. Swivel earcups allow easy single-sided monitoring on shoulder and their sleek, silver metallic finish gives these Sony DJ Headphones a business-like look. Foldable, coil cord, gold-plated stereo UniMatch plug. |
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Sony MDR-V500DJ Headphones : MusiciansFriend : USD79.99Sony MDR-V500DJ Headphones boast a swivel earcup that allows easy single-sided monitoring. Ferrite-magnet 40mm drivers deliver powerful bass and clear treble sounds. Phones have a sleek-looking silver finish and a compact, foldable design. Includes gold-plated stereo UniMatch plug. |
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Sony ECM-MS907 Condenser Microphone : MusiciansFriend : USD79.0The Sony ECM-MS907 Condenser Microphone is a mid-side stereo system mic that can be set to 90 or 120° according to need. Sony includes cord, gold-plated stereo mini-plug, wind screen, holder and stand with your ECM-MS907 Condenser Microphone. Frequency response: 100Hz to 15kHz. |
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Sony MDR-V600 Headphones : MusiciansFriend : USD99.99With the Sony MDR-V600 Headphones, 40mm drivers deliver reference-quality performance. Features gold-plated plug adapter and folding headphone design with reversible earcups. 5Hz-30kHz res[onse. Sensitivity: 106dB/mW |
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Sony MDR-E828LP Fontopia Earbud Headphones : MusiciansFriend : USD9.99Pop in these super-light black-and-silver earbuds and enjoy dynamic, full-range sound. Hi-quality 16mm drivers with neodymium magnets pump out the tunes, while the capped design keeps audio leakage to a minimum! |
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Sony ECM-DS70P Stereo Recording Microphone : MusiciansFriend : USD59.99Quality Sony electret condenser microphone technology with stereo unidirectional capsules. The ECM-DS70P stereo recording microphone is powered via your recorder. 3-1/3' cord with gold plug. Connect this stereo microphone to your portable digital recorder and capture the full range of sound! Amazing for acoustic guitar!This Sony mid-side stereo system mic can be set to 90 or 120° according to need. It comes with cord, gold-plated stereo mini-plug, wind screen, holder and stand. Frequency response: 100Hz to 15kHz.NOTE: will only work with Sony MZ-NH1, MZ-NH900, and MZ-NHF800 MiniDisc recorders. |
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Blue Woodpecker Active Ribbon Microphone : MusiciansFriend : USD999.99The Woodpecker Active Ribbon Microphone from Blue is one of the most interesting and beautiful microphones you'll ever lay eyes or ears on. With a stunning exotic wood finish and unique active circuitry, beneath its gorgeous exterior, the Woodpecker is a precision-crafted recording tool. Combines the low noise and superb detail of Blue's renowned Class-A discrete handmade electronics with the bold sound of a hand-tuned aluminum ribbon pressure-gradient transducer.The Woodpecker microphone was designed to provide the smooth, intimate sound associated with the most sought-after vintage ribbon microphones. With its focused mid-range, and outstanding bass response, the Woodpecker mic captures the essence of any recorded sound. It also excels at ambient recording and capturing room tone with the most intimate detail whether for rock drums, guitars or vocals any application where some natural space in the recording is desired. Usually, ribbon mics require preamps with at least 60-70dB of gain. Not so with the Woodpecker. Its active design allows you to use it with any preamp, so you don't have to replace yours in order to have the acknowledged musicality of a ribbon transducer. The Woodpecker microphone package includes a custom made, solid brass shockmount and wood storage box. |
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Sterling Audio ST51 Large Diaphragm FET Condenser Microphone : MusiciansFriend : USD99.99The ST51 Condenser Microphone's large capsule with ultra-thin 6-micron gold evaporated Mylar diaphragm is built with an exclusive process that extends high frequencies to improve details and depths. The FET Class-A electronics provide smooth, warm sound to both vocal and instrument recording. Requires phantom power. |
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MXL 990 USB Stereo Condenser Microphone : MusiciansFriend : USD179.99The MXL 990 USB Stereo Condenser Microphone has an extremely smooth, natural sound quality. Featuring twin 20 mm gold sputtered capsules this pressure-gradient stereo condenser microphone has a 20 Hz-20 kHz frequency response. The 990 USB also has a 3-position, switchable attenuation pad with settings for Hi (0 dB), Medium (-5 dB), and Lo (-10 dB), making it easy to configure the microphone to virtually any sound source. The digital section of the microphone features a 16-bit Delta Sigma A/D converter with sampling rates of 44.1 kHz and 48 kHz. A heavy-duty wire mesh grill with an integrated pop filter protects the instrument's capsule, and an LED activity light aids users in properly orienting the microphone toward the sound source.Based upon the MXL 990-a top-selling studio condenser microphone-the MXL 990 USB Stereo Condenser Mic supports USB 1.1 and 2.0, and is a plug and play device for both Windows and Macintosh. It requires no special drivers and eliminates the need external mic preamps and mixers. Simply connect the microphone's USB cable to a computer's USB port.The MXL 990 USB Stereo Condenser Microphone is ideal for location recording and is optimized for capturing a wide range of musical performances-both vocal and instrumental-with stunning realism and broad spatial imaging, thanks to its 90-degree X/Y stereo pick-up pattern. The MXL 990 USB Stereo Condenser Microphone also has a maximum SPL (Sound Pressure Level) rating of 137 dB-making it an excellent choice for capturing loud instruments such as trumpet, saxophone, or electric guitar.The MXL 990 USB ships with a travel case, a mic stand adapter, a 10-foot USB cable, an owner's manual, and an applications guide. |
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MXL 990 Large Diaphragm Stereo Condenser Mic : MusiciansFriend : USD149.99The MXL 990 Stereo Condenser Microphone has an extremely smooth, natural sound quality. Featuring twin 20 mm gold sputtered capsules this pressure-gradient stereo condenser microphone has a 20 Hz-20 kHz frequency response. The MXR 990 also has a 3-position, switchable attenuation pad with settings for Hi (0 dB), Medium (-5 dB), and Lo (-10 dB), making it easy to configure the microphone to virtually any sound source. A heavy-duty wire mesh grill with an integrated pop filter protects the instrument's capsule, and an LED activity light aids users in properly orienting the microphone toward the sound source.Based upon the MXL 990-a top selling studio condenser microphone-the MXL 990 Stereo Condenser Microphone is ideal for location recording and is optimized for capturing a wide range of musical performances-both vocal and instrumental-with stunning realism and broad spatial imaging, thanks to its 90-degree X/Y stereo pick-up pattern. The MXL 990 Stereo Condenser Microphone also has a maximum SPL (Sound Pressure Level) rating of 137 dB-making it an excellent choice for capturing loud instruments such as trumpet, saxophone, or electric guitar. Requires phantom power. |
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MXL V63M Stereo Large Diaphragm Condenser Microphone : MusiciansFriend : USD169.99The MXL V63M Stereo Large Diaphragm Condenser microphone features two 22mm pressure-gradient gold capsules in an X/Y pattern for stereo recordings with broad spacial imaging. It features dual class-A FET amplifier design and has wide dynamic range, and superior low noise characteristics. The MXL V63M microphone delivers high sensitivity for a silky high end while retaining a solid low end for detailed recordings. Encased in a heavy duty enclosure, the V63M Stereo mic is internally wired with Mogami wire for added clarity and features a balanced, transformerless output for low noise. Comes with a 10' 5-pin to Dual XLR stereo and a mic stand adapter. Requires phantom power. |
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sE Electronics IRF Instrument Reflexion Filter : MusiciansFriend : USD149.0The Instrument Reflexion Filter (IRF) incorporates much of the award-winning innovation of its bigger brother, the Reflexion Filter. It consists of a small curved wall of punched aluminum with three layers of polyester fiberboard separated by air gaps. This combination effectively reduces room ambiance and isolates the mic from ambient noise.Using a 12" gooseneck arm, the 1.5 lb. IRF easily attaches to any microphone stand. A 1-1/4" mounting provision allows a pencil mic or other small-diaphragm end-address microphone to be positioned through the center of the arc. This is especially useful when close miking drums (to help with track separation) or overhead miking. The IRF is ideal for use with pianos, drums, percussion, guitar amplifiers, and wind instruments. |
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Applied Microphone Technology AMT System 1 Clip-On Condenser Microphone System : MusiciansFriend : USD343.0The AMT System 1 is a low profile condenser microphone that attaches to the bell of any flanged bell instrument such as horns, woodwind and brass, with a low mass clip. It can also clamp to many other musical instruments using the AMT "Universal Clamp". The microphone provides pure tonal reproduction while being unobtrusive. The System 1 microphone element is designed to be used with 40 or more instruments. It's response is designed to complement everything from brass and woodwinds to percussion. See the list below of all possible instruments to use it on.With the included clip portion of the "Universal Clamp", the System 1 microphone can be used on soprano, alto, tenor and bari sax, as well as trumpet, trombone, baritone horn, flugelhorn and tuba. The clip portion of the "Universal Clamp" is used for flanged bell instruments such as brass and woodwinds. It is a spring loaded design with a set screw that can reinforce stability on the horn if the player needs. The microphone attaches to the bell of the instrument, and is suspended in a 4 point isolation ring reducing valve, key, click, and handling noise.The AMT System 1 features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive.The System 1 instrument mic is terminated by a 3.5mm plug which connects to a special metal belt pack preamp. The included belt pack has an XLR output. It is power by either 1 AA battery or phantom power. The belt pack powers the microphone system appropriately and needs to be used. |
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Applied Microphone Technology AMT TA2 Clip-On Double Condenser Microphone System : MusiciansFriend : USD636.0The AMT TA2 is a low profile double condenser microphone that attaches to the bell with a low mass clip specifically designed soprano or baritone saxophone. The microphone provides pure tonal reproduction while being unobtrusive. The TA2 is an excellent choice for a principal artist or soloist.The first microphone attaches to the bell of the saxaphone, the second or over-the-keys microphone is suspended in a 4 point isolation ring reducing valve, key, click, and handling noise. Both microphones are on goosenecks for optimal placement. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive.The AMT TA2 mic is terminated by a 3.5mm plug which connects to a belt pack preamp. The output is a pre-determined mix balanced at AMT's state of the art facility. The engineers choose the balance by the natural sound of the instrument. The included belt pack houses a volume control, contours the setup for the intended instrument, and powers the microphone system appropriately. A low Z cable and case is included.Requires phantom power. |
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Applied Microphone Technology AMT TA2 Studio Clip-On Double Microphone System : MusiciansFriend : USD693.0The AMT TA2 Studio Clip-On Double Microphone System includes two AMT TA2 low profile condenser microphones and the AMT AP40 Preamp. The AMT TA2 is a low profile double condenser microphone that attaches to the bell with a low mass clip specifically designed soprano or baritone saxophone. The TA2 microphone provides pure tonal reproduction while being unobtrusive. It's an excellent choice for a principal artist or soloist.The microphone attaches to the bell of instrument, the top or over the keys microphone is suspended in a 4 point isolation ring reducing valve, key, click, and handling noise. The second microphone is placed in front of the bell of the microphone. Both microphones are on goosenecks for optimal placement. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive.The AP40 Preamp converts all of the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or musical instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. There is a L / G switch on the preamp. This is a Ground Lift switch. If phantom power is not regulated for the correct voltage OR if phantom is reduced by the addition / amount of other condenser microphone connected, the switch disconnects the phantom power and allows it's own battery supply to power the preamp. If the switch is moved to the L position, the preamp is powered by the battery. If the switch is in the G position, phantom will power the preamp. The output of the preamp is an XLR Low Impedance balanced output. |
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Applied Microphone Technology AMT TA2W Double Condenser Mic for Sennheiser Systems : MusiciansFriend : USD465.0The AMT TA2W - Sennheiser is a low profile double condenser microphone system designed to work with Sennheiser Wireless Systems. The first microphone attaches to the bell of the musical instrument, the top or over the keys microphone is suspended in a 4 point isolation ring reducing valve, key, click, and handling noise. The second microphone is placed in front of the bell of the microphone. Both TA2W microphones are on goosenecks for optimal placement. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive.The AMT interface lets the artist use AMT microphones with most Sennheiser wireless transmitters. In most cases the interface will eliminate the beltpack that has come with your microphone system. The AMT Interface will replace the belt pack and can be fastened using velcro to the belt pack of whichever wireless system that you are using. With the AMT Interface, the microphone can plug directly into the interface which then plugs directly into most major brand wireless units. Requires phantom power. |
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Applied Microphone Technology AMT TA2W Double Condenser Mic for Shure Systems : MusiciansFriend : USD465.0The AMT TA2W Shure is a low profile double condenser microphone System designed to work with Shure Wireless Systems. The first microphone attaches to the bell of instrument, the top or over the keys microphone is suspended in a 4 point isolation ring reducing valve, key, click, and handling noise. The second microphone is placed in front of the bell of the microphone. Both microphones are on goosenecks for optimal placement. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive.The AMT interface lets the artist use AMT microphones with most Shure wireless transmitters. In most cases the Interface will eliminate the beltpack that has come with your microphone system. The AMT Interface will replace the belt pack and can be fastened using velcro to the belt pack of whichever wireless system that you are using. With the AMT Interface, the microphone can plug directly into the interface which then plugs directly into most major brand wireless units. Requires phantom power. |
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Applied Microphone Technology AMT VP3 Mallet Percussion Microphone System : MusiciansFriend : USD1010.0The AMT VP3 Mallet Percussion Microphone System is a three microphone setup for vibraphone and other mallet instruments. Endorsed by Dave Samuels and Tony Miceli, the VP3 microphone is a unique approach to miking that allows the closest placement of mics and lets the player, audience, and engineer hear the true acoustic sound of the instrument. Its quick and easy setup and tear down make it also easy to travel with. The VP3 has two microphones placed over the top of the instrument and the third placed under. Can be adjusted by clamp and a flexible gooseneck. Requires phantom power. |
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Applied Microphone Technology AMT VS Clip-On Condenser Microphone : MusiciansFriend : USD568.0The AMT VS Microphone System includes the AMT VS Clip-On condenser microphone and the AMT belt pack preamp. The VS is a ultra miniature, feather weight low profile condenser microphone specially designed for the violin, viola, and mandolin. The microphone attaches to the violin, viola, and mandolin with a clamp designed for be solid on the instrument without harming or dampening the natural sound or vibrations. The microphone provides pure tonal reproduction while being unobtrusive. The reproduction of natural sound of the instrument is the goal. Includes a hardshell Blo-mold protective case and ¬" to XLR cable.The AMT VS can be used with most major brand wireless belt pack transmitters and receivers. With the AMT Interface, the microphone can plug directly into the interface which then plugs directly into most major brand wireless units. Requires phantom power. |
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Applied Microphone Technology AMT VS Studio Clip-On Condenser Microphone System : MusiciansFriend : USD663.0The AMT VS Studio version combines the natural AMT VS Studio Clip-On microphone system with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level. The AMT VS Studio version is meant to be used either in a studio setting where close miking of an instrument is desired OR in a professional level setting where the sound engineer needs control of the microphone. Requires phantom power. |
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Applied Microphone Technology AMT VSW Clip-On Condenser Microphone for Sennheiser Systems : MusiciansFriend : USD391.0The AMT VSW - Sennheiser Clip-On Condenser Microphone System was designed to operate with Sennheiser wireless systems. The VS is a ultra miniature, feather weight low profile condenser microphone specially designed for the violin, viola, and mandolin. The microphone attaches to the violin, viola, and mandolin with a clamp designed for be solid on the instrument without harming or dampening the natural sound or vibrations. The VSW instrument microphone provides pure tonal reproduction without being unobtrusive. With the included AMT Interface, the microphone can plug directly into the interface which then plugs directly into Sennheiser wireless units. Requires phantom power. |
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Applied Microphone Technology AMT VSW Clip On Condenser Mic for Shure Systems : MusiciansFriend : USD391.0The AMT VSW - Shure Clip-On Condenser Microphone System was designed to operate with Shure wireless systems. The VS is an ultra miniature, feather-weight, low-profile condenser microphone specially designed for the violin, viola, and mandolin. The AMT mic attaches firmly to instrument with a clamp designed to not harm it or dampen its natural sound or vibrations. The clip on microphone provides pure tonal reproduction without being obtrusive. With the included AMT Interface, the microphone can plug directly into the interface which then plugs directly into Shure wireless transmitter. Requires phantom power. |
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Applied Microphone Technology AMT WS Clip-On Double Microphone System : MusiciansFriend : USD612.0The AMT WS Clip-On Double Microphone System includes the WS Double condenser microphone and the BP40 Belt pack Preamp. The WS is a low profile double condenser microphone that attaches to the clarinet, alto and bass flute, or oboe with a Ultra- miniature low mass clamp. It is specifically designed for the timbre of the clarinet, The instrument microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The WS features one microphone at the bell and second positioned over the keys to provide a truer reproduction for the musical instrument's tone quality.The WS mic is terminated by a 3.5mm plug which connects to a belt pack preamp. The output is a predetermined mix balanced by the nature of the instrument. The included belt pack houses a volume control, contours the setup for the intended instrument, and powers the microphone system appropriately. A low Z cable and case is included.The AMT WS models including WSW, WS Studio, and the WS all come with TWO isolation rings now. Both microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise. Requires phantom power. |
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AKG C 535 EB Stage Microphone : MusiciansFriend : USD299.0The AKG C 535 EB microphone has the clean, open characteristics of AKG's best studio condenser mics, enhanced by a 2dB boost between 7 and 12kHz that projects vocals to the front of the mix. An integral 4-position switch tailors output level and bass roll-off for a variety of uses and situations. A sharp LF cut at the full output level reduces pops and handling noise for stage vocal use, and a more gradual roll off at reduced output is ideal for many instrument applications. Cardioid polar pattern. Frequency range: 20Hz to 20kHz. Requires 9 to 52V phantom power. |
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Shure ULXS Series/Beta 87A J1 Wireless Microphone System Black : MusiciansFriend : USD769.0The renowned Shure Beta 87A microphone is configured for use with the included ULXS wireless receiver featuring Automatic Frequency Selection, comprehensive signal and battery-strength monitoring, mic/line switch, and removable antennas in a half-rack design. The Shure ULX Standard wireless receiver offers great value in both performance and price, for both working musicians and sound installers. Channel J1 only. |
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AKG C 1000 S Condenser Microphone : MusiciansFriend : USD279.0The AKG C 1000 S Condenser Mic is an excellent vocal mic. It works well even from a distance, making it ideal for recording choirs and other live music ensembles. Outstanding performance when used for instruments and ideal for home recording applications. A special converter (PPC 1000) turns the microphone characteristics from cardioid to hypercardioid if it is mounted on the mic top. The new PB 1000 Presence Boost adapter provides an additional 5dB high-frequency peak in the cardioid mode, adding brilliance in the 5 to 9kHz range. Operates on either phantom power or standard 9V battery, and an LED has been added for low-battery warning. The C 1000 S can also be used for a variety of studio applications. |
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AKG C 3000 B Condenser Microphone : MusiciansFriend : USD429.0The AKG C 3000 B Condenser Mic is incredibly versatile. Gold-coated capsule combines the best of large diaphragm and micro transducer technologies for performance quality worthy of the most demanding studio applications, yet it's rugged enough to take touring. 20Hz-20kHz frequency range, -10dB switchable preattenuation, 6dB low-frequency cut, and integrated windscreen. Includes shockmount and hard case. Requires phantom power. |
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AKG D 9000 High Performance Dynamic Microphone : MusiciansFriend : USD79.99The AKG D 9000 High Performance Dynamic Mic is designed for instrumental/vocal performance. The wide frequency response is slightly boosted in the mid- and high-frequency ranges for a crisp instrumental sound and for better vocal intelligibility.You get outstanding performance with the AKG Varimotion diaphragm technology in this mic and a frequency-independent cardioid pickup pattern that provides very effective feedback suppression. Doubleflex shockmounted transducer system reduces handling noise. Includes microphone clip. |
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AKG C 4000 B Stage and Studio Condenser Microphone : MusiciansFriend : USD649.0The AKG C 4000 B Stage & Studio Condenser Microphone is the only electret dual large-diaphragm transducer mic in the world, and a versatile, cost-efficient tool for high-quality recording. Based on the famous Solid Tube with a similar sound, the AKG C4000 B Mic uses a transistorized impedance converter/pre-amp instead of a tube circuit. Its transformerless output stage ensures exceptionally accurate low-frequency response. The AKG C 4000 B is affordably priced to make it attractive mainly for small home and project studios. Its design provides 3 different polar patterns (omni, cardioid, and hypercardioid) selectable on the mic, making it suitable for many applications, even live sound. Features pre-attenuation pad switching and a bass-cut filter for suppressing low-frequency noise. Requires phantom power. |
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AKG D 9000 High Performance Microphone Buy 1 Get 1 Free : MusiciansFriend : USD69.99The AKG D 9000 is a dynamic microphone designed for instrumental or vocal performance. The wide frequency response is slightly boosted in the mid- and high-frequency ranges for a crisp instrumental sound and better vocal intelligibility.The D 9000 mic's outstanding performance is obtained by means of AKG Varimotion diaphragm technology and a frequency-independent cardioid pickup pattern that provides very effective feedback suppression. Doubleflex shockmounted transducer system reduces handling noise. AKG includes a mic clip with the D 9000 microphone. |
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Applied Microphone Technology AMT WSW Clip-On Double Microphone for Shure Systems : MusiciansFriend : USD444.0The AMT WSW - Shure is a special version of the AMT WS. The microphone element remains with the same high level of quality that the WS achieves however is specially adapted to work with any Shure belt pack transmitter/wireless system such as the ULXS14 or ULXP14. The WS comes wired directly with a 4 pin connector to connect directly to any Shure wireless belt pack.The WS is a low profile double condenser microphone that attaches to the clarinet, alto and bass flute, or oboe with a ultra-miniature low mass clamp. It is specifically designed for the timbre of the clarinet. The microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The WSW features one microphone at the bell and second positioned over the keys to provide a truer reproduction for the musical instrument's tone quality. The AMT WSW mic also comes with two isolation rings. Both microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise. A low Z cable and case is included.Requires phantom power. |
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Applied Microphone Technology AMT WS Studio Clip-On Double Microphone System : MusiciansFriend : USD670.0The AMT WS Studio version combines the AMT WS Clip-On Double Microphone system with the AMT AP40 floor pre-amp. The AP40 converts the microphones to low impedance, it regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or musical instruments in order to maintain the most natural reproduction of sound in conjunction with achieving the most amount of gain before feedback in a live application. The output of the preamp is an XLR Low Impedance balanced output. The output sends signal at Mic Level. The AMT WS is a low profile double condenser microphone system that attaches to the clarinet, alto and bass flute, or oboe with a ultra-miniature low mass clamp. It is specifically designed for the timbre of the clarinet. The microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The AMT WS Studio comes with two isolation rings. Both instrument microphones are suspended in AMT's iso-ring technology which allows more gain before feedback and less handling noise. The AMT WS Studio version is meant to be used either in a Studio setting where close miking of an musical instrument is desired or in a professional level setting where the sound engineer needs control of the microphone.Requires phantom power. |
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Applied Microphone Technology AMT Z1 Clip On Condenser Flute Microphone : MusiciansFriend : USD569.0The AMT Z1 is a hardwired single microphone made for flute. The Z1 mic is the perfect choice from soft to louder playing applications. It can be used for featured soloist to miking a section of flutes. The AMT Z1 single microphone gets the most gain before feedback. The system comes with the microphone, special low mass flute clamp and preamp. The preamp uses the chip technology which contours the microphone for the most natural reproduction of sound possible. Perfect for all situations. Requires phantom power. |
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Applied Microphone Technology AMT Z1 Studio Clip On Condenser Microphone System : MusiciansFriend : USD651.0The AMT Z1 Studio version combines the smallest and only specific flute microphone system on the market with the AMT AP40 floor preamp. The AP40 converts the microphones to low impedance. It regulates the voltage to each microphone, and with certain models creates a specific frequency curve. The curve is necessary on certain models or instruments in order to maintain the most natural reproduction of sound and the most gain before feedback in a live applications. An XLR low-impedance balanced output sends a mic level signal. The AMT Z1 is a hardwired single microphone made for flute. It is the perfect choice for soft or louder playing applications. It can be used for featured soloist or miking a section of flutes. This studio version is meant to be used either in a studio setting where close miking of an instrument is desired or in a professionalsetting where a sound engineer controls the microphone.Requires phantom power. |
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Applied Microphone Technology AMT Z1W Clip-On Flute Condenser Microphone for Sennheiser Systems : MusiciansFriend : USD391.0Applied Microphone Technology's special version of the AMT Z1 flute microphone is designed to work with any Sennheiser transmitter/wireless system. The Z1W flute microphone comes wired directly with a 4-pin connector to connect directly to any Sennhieser wireless mic belt pack. The AMT Z1 is a hardwired single microphone made for flute. The Z1W is the perfect choice from soft to louder playing applications. It can be used for featured soloist to miking a section of flutes. The AMT Z1 single microphone gets the most gain before feedback. The system comes with the microphone, special low-mass clamp, and preamp. The preamp uses the chip technology which contours the microphone for the most natural reproduction of sound possible.Requires phantom power. |
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Applied Microphone Technology AMT Z1W Clip-On Flute Condenser Microphone for Shure Systems : MusiciansFriend : USD391.0The AMT Z1W - Shure is a special version of the AMT Z1 flute microphone designed to work with any Shure belt pack transmitter/wireless system such as the ULXS14 and the ULXP14. The Z1 flute microphone comes wired directly with a 4-pin connector to connect directly to any Shure wireless belt pack. The Z1 is the perfect choice from soft to louder playing applications. It can be used for featured soloist or for miking a section of flutes. It provides excellent gain before feedback and includes a special low-mass flute clamp. Requires phantom power. |
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Line 6 X2 XDS95 24-Bit Digital Wireless Instrument System : MusiciansFriend : USD199.99The Line 6 X2 XDS95 24-Bit Digital Instrument Wireless System delivers your tone and performance with the sound and feel of a direct wire connection—all at a price that won't break the bank. 24-bit digital converters yield 117dB dynamic range to capture your most expressive performances without the use of tone-squashing companding circuitry. It also features five simultaneously compatible channels, frequency response all the way down to 10Hz for truly thundering lows, TRS 1/4" output for instrument and full-bandwidth or 'tuner out' applications, and a 5-segment LED display (battery status, link status, audio level, and channel).Operation is easy—simply connect the transmitter to the source via the 1/8" threaded-collar locking connector and the stompbox-style receiver to your amplifier, mixer, or pedalboard. Then power up, making sure the transmitter and receiver are set to the same channel. That's it—no knobs to adjust, no antennas to lose or break. You're up and running in approximately the same time it takes to connect a cable.Boasting wide frequency response and increased dynamic range, X2 XDS95 produces brilliant sound quality comparable to that of high-quality audio cables. Instead of tripping over dozens of feet of tangled cable, performers will fall for X2 XDS95's clear and powerful tone.Extremely versatile, X2 XDS95 even simplifies the recording process. The extended frequency response, 10Hz-12kHz, satisfies the expectations guitarists have come to demand from high-quality cable, but without the tangled mess. With their rigs cranked to 11 in the iso-booth, guitarists can play near the band and keep the all-important vibe and that ensures a great take.The X2 XDS95 uses four internal antennas to guarantee a strong and constant signal and to neutralize static, interference, and jamming caused by cell phones, wireless networks, and other sources of RF energy.Line 6 includes a digital UHF bodypack transmitter, digital UHF stompbox receiver, instrument cable, user's guide, and batteries with the X2 XDS95 System. |
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AKG D 112 Kick Drum Microphone : MusiciansFriend : USD249.0On stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to use to clean up the dirty low down. Stays free of distortion even at high sound pressure levels. Solid and powerful response below 100Hz. Very low diaphragm resonance, relatively narrow-band rising high-frequency response at 4kHz, and extremely robust construction are other outstanding features. Also works great for bass cabs, trombone, and other low-frequency instruments. Channel Strips of the Stars: Ronan Chris MurphyWorld-class producer/engineer/mixer Ronan Chris Murphy s credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains: Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica; for kick drums, AKG D112s into A Designs Pacificas (189903). (I prefer the Shure Beta 52 (#270267) for kick but they (D112s) were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts). Note: for more information about individual units in the signal chain, enter the Item ID# into our search box. |
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AKG C 451 B Condenser Microphone : MusiciansFriend : USD579.0The predecessor to the AKG C 451 B microphone was the classic C 451 EB + CK1 studio mic that was a bestseller discontinued in '93. The C 451 B mic provides identical acoustical behavior to the CK1, with dramatically improved specs. It features a precise, nearly frequency-independent cardioid pattern, a transformerless output stage, selectable 10dB and 20dB preattenuation pads, and switchable high-pass filter. Operates on phantom power. AKG includes a stand adapter and windscreen with the C 451 B microphone. 3-year warranty. |
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AKG D 8000 S Dynamic Hypercardioid Microphone : MusiciansFriend : USD49.99The ruggedly designed, feedback-fighting AKG D 8000 S Dynamic Hypercardioid Microphone excels on vocals and instruments. Smooth, uniform response with an internal pop filter that's removable for cleaning. The AKG D 8000 S microphone also features very low handling noise plus a recessed, noise-free on/off switch. Mic stand adapter included. 70Hz- 20kHz frequency response. |
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AKG D 8000 S Dynamic Hypercardioid Microphone - Buy One, Get One Free : MusiciansFriend : USD44.99The AKG D 8000 S is a ruggedly designed, feedback-fighting hypercardioid microphone that excels on vocals and instruments. Smooth, uniform response with an internal pop filter that's removable for cleaning. Very low handling noise plus a recessed, noise-free on/off switch. Stand adapter included. A perfect pair for a pretty price. |
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Line 6 XDR1 Foot Pedal Receiver for the XDS95 System : MusiciansFriend : USD172.49The XDR1 Foot Pedal Receiver is a component of the Line 6 X2 XDS95 24-Bit Digital Instrument Wireless System.The XDS95 24-Bit Digital Instrument Wireless System from X2 delivers your tone and performance with the sound and feel of a direct wire connection — all at a price that won't break the bank. Features include: 24-bit digital converters yielding 117 dB dynamic range to capture your most expressive performances without the use of companders, five simultaneously compatible channels, frequency response all the way down to 10 Hz for truly thundering lows, TRS 1/4" output for instrument and full-bandwidth or 'tuner out' applications, and a five segment LED display (battery status, link status, audio level and channel).Operating the system is unlike any wireless you've tried before. Simply connect the transmitter to the source via the 1/8" threaded-collar locking connector and the "stomp-box" style receiver to your amplifier, mixer or pedal-board. Then power up making sure the transmitter and receiver are set to the same channel. That's it. You're ready to go! No knobs to adjust and no antennas to loose or break mean you're up and running in approximately the same time it takes to connect a cable. System includes a digital UHF bodypack transmitter, digital UHF 'stomp-box' receiver, instrument cable, users guide and all necessary batteries. |
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Line 6 X2 XDT1 Digital Transmitter : MusiciansFriend : USD172.49The XDT1 Digital Transmitter is a component of the Line 6 X2 XDS95 24-Bit Digital Instrument Wireless System (sold separately). The XDS95 24-Bit Digital Instrument Wireless System from X2 delivers your tone and performance with the sound and feel of a direct wire connection — all at a price that won't break the bank. |
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"Line 6 X2 XC1 1/4"" to 1/8"" Locking Cable" : MusiciansFriend : USD24.99The XC1 Locking 1/4" to 1/8" cable features Canare wire with Neutrik and Switchcraft ends. The XC1 adds functionality to Line 6 X2 digital wireless systems.1/8-inch end features a threaded collar that tightens firmly into X2 XDT1 and X2 XDT4 digital wireless transmitters to increase stability and guard against ground interference. |
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Shure PG14 Performance Gear Wireless Guitar System CH H7 : MusiciansFriend : USD299.0The Shure PG14 Performance Gear Wireless Guitar System includes the PG4 Diversity Receiver, PG1 Bodypack Transmitter, and WA302 Instrument Cable for use with guitar, bass guitar, and other instruments with 1/4" outputs. With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG1 Bodypack Transmitter has a transmitter lockout function to prevent accidental shut down, a mute, and gain control.The WA302 Instrument Cable connects easily to the PG1 to provide reliable, great-sounding wireless access. |
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Shure PG14 Performance Gear Wireless Guitar System CH K7 : MusiciansFriend : USD299.0The Shure PG14 Performance Gear Wireless Guitar System includes the PG4 Diversity Receiver, PG1 Bodypack Transmitter, and WA302 Instrument Cable for use with guitar, bass guitar, and other instruments with 1/4" outputs. With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG1 Bodypack Transmitter has a transmitter lockout function to prevent accidental shut down, a mute, and gain control.The WA302 Instrument Cable connects easily to the PG1 to provide reliable, great-sounding wireless access. |
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Shure PG14 Performance Gear Wireless Guitar System CH M7 : MusiciansFriend : USD299.0The Shure PG14 Performance Gear Wireless Guitar System includes the PG4 Diversity Receiver, PG1 Bodypack Transmitter, and WA302 Instrument Cable for use with guitar, bass guitar, and other instruments with 1/4" outputs. With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG1 Bodypack Transmitter has a transmitter lockout function to prevent accidental shut down, a mute, and gain control.The WA302 Instrument Cable connects easily to the PG1 to provide reliable, great-sounding wireless access. |
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Shure PG14/PG185 Performance Gear Wireless Lavalier Microphone System CH H7 : MusiciansFriend : USD299.0The Shure PG14/PG185 Performance Gear Wireless Lavalier Microphone System includes the PG4 Diversity Receiver, PG1 Bodypack Transmitter, and PG185 discreet Condenser Lavalier Microphone for presenting. With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG1 Bodypack Transmitter has a transmitter lockout function to prevent accidental shut down, a mute, and gain control.The PG185 Condenser Lavalier connects easily to the PG1 and provides clear signals for vocalists, public speakers, and presenters. |
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Shure PG14/PG185 Performance Gear Wireless Lavalier Microphone System CH K7 : MusiciansFriend : USD299.0The Shure PG14/PG185 Performance Gear Wireless Lavalier Microphone System includes the PG4 Diversity Receiver, PG1 Bodypack Transmitter, and PG185 discreet Condenser Lavalier Microphone for presenting. With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG1 Bodypack Transmitter has a transmitter lockout function to prevent accidental shut down, a mute, and gain control.The PG185 Condenser Lavalier connects easily to the PG1 and provides clear signals for vocalists, public speakers, and presenters. |
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Shure PG14/PG185 Performance Gear Wireless Lavalier Microphone System CH M7 : MusiciansFriend : USD299.0The Shure PG14/PG185 Performance Gear Wireless Lavalier Microphone System includes the PG4 Diversity Receiver, PG1 Bodypack Transmitter, and PG185 discreet Condenser Lavalier Microphone for presenting. With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG1 Bodypack Transmitter has a transmitter lockout function to prevent accidental shut down, a mute, and gain control.The PG185 Condenser Lavalier connects easily to the PG1 and provides clear signals for vocalists, public speakers, and presenters. |
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Shure PG14/PG30 Performance Gear Wireless Headset Microphone System CH H7 : MusiciansFriend : USD299.0The Shure PG14/PG30 Performance Gear Wireless Headset Microphone System includes the PG4 Diversity Receiver, PG1 Bodypack Transmitter, and PG30TQG Headset Condenser for aerobic and active spoken word or singing applications.The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG1 Bodypack Transmitter has a transmitter lockout function to prevent accidental shut down, a mute, and gain control.The PG30TQG Headset Condenser Mic connects easily to the PG1 and provides clear vocals for active presenters and vocalists.With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. |
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Shure PG14/PG30 Performance Gear Wireless Headset Microphone System Frequency 807 : MusiciansFriend : USD299.0The Shure PG14/PG30 Performance Gear Wireless Headset Microphone System includes the PG4 Diversity Receiver, PG1 Bodypack Transmitter, and PG30TQG Headset Condenser for aerobic and active spoken word or singing applications.The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG1 Bodypack Transmitter has a transmitter lockout function to prevent accidental shut down, a mute, and gain control.The PG30TQG Headset Condenser Mic connects easily to the PG1 and provides clear vocals for active presenters and vocalists.With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. |
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Shure PG14/PG30 Performance Gear Wireless Headset Microphone System Frequency 808 : MusiciansFriend : USD299.0The Shure PG14/PG30 Performance Gear Wireless Headset Microphone System includes the PG4 Diversity Receiver, PG1 Bodypack Transmitter, and PG30TQG Headset Condenser for aerobic and active spoken word or singing applications.The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG1 Bodypack Transmitter has a transmitter lockout function to prevent accidental shut down, a mute, and gain control.The PG30TQG Headset Condenser Mic connects easily to the PG1 and provides clear vocals for active presenters and vocalists.With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. |
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Shure PG24/PG58 Performance Gear Wireless Hand-Held Microphone System CH H7 : MusiciansFriend : USD299.0The Shure PG24/PG58 Performance Gear Wireless Hand-Held Microphone System includes the PG4 Diversity Receiver with PG2/PG58 Handheld Microphone Transmitter, tuned to accentuate the clarity of lead and backing vocals.The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG2/PG58 Handheld Microphone Transmitter with transmitter lockout function to prevent accidental shut down, a mute, and gain control.With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. |
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Shure PG24/PG58 Performance Gear Wireless Hand-Held Microphone System CH K7 : MusiciansFriend : USD299.0The Shure PG24/PG58 Performance Gear Wireless Hand-Held Microphone System includes the PG4 Diversity Receiver with PG2/PG58 Handheld Microphone Transmitter, tuned to accentuate the clarity of lead and backing vocals.The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG2/PG58 Handheld Microphone Transmitter with transmitter lockout function to prevent accidental shut down, a mute, and gain control.With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. |
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Shure PG24/PG58 Performance Gear Wireless Hand-Held Microphone System CH M7 : MusiciansFriend : USD299.0The Shure PG24/PG58 Performance Gear Wireless Hand-Held Microphone System includes the PG4 Diversity Receiver with PG2/PG58 Handheld Microphone Transmitter, tuned to accentuate the clarity of lead and backing vocals.The PG4 Diversity Receiver features dual internal 1/4" antennas that eliminate potential for antenna misalignment and damage. It uses a variable companding ratio based on Shure's patented Audio Reference Companding and delivers a cleaner, less noisy signal that's more true-to-life than 2:1 companding.The PG2/PG58 Handheld Microphone Transmitter with transmitter lockout function to prevent accidental shut down, a mute, and gain control.With the Shure Performance Gear PG Series Wireless systems you get a reliable, portable system with up to 10 selectable frequencies and frequency agility. |
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Shure KSM9 Dual Diaphragm Performance Condenser Microphone Charcoal Gray : MusiciansFriend : USD699.0Engineered to exacting standards, the KSM9 condenser microphone unites the best of studio and stage. With its dual-diaphragm design and switchable polar patterns, KSM9 offers nuance and subtlety in a microphone optimized for the most demanding live environments. It captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. The hand held KSM9 delivers exceptional consistency across all frequencies, provides more gain before feedback, and minimizes proximity effect. ÿ Requires phantom power. |
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Shure KSM9 Dual Diaphragm Performance Condenser Microphone Champaign : MusiciansFriend : USD699.0Engineered to exacting standards, the KSM9 condenser microphone unites the best of studio and stage. With its dual-diaphragm design and switchable polar patterns, KSM9 offers nuance and subtlety in a microphone optimized for the most demanding live environments. It captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for live performance. The hand held KSM9 delivers exceptional consistency across all frequencies, provides more gain before feedback, and minimizes proximity effect. ÿ Requires phantom power. |
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"Line 6 X2 XC2 1/4"" to 1/8"" Straight Locking Cable" : MusiciansFriend : USD34.99The XC2 1/4" to 1/8" Straight Locking Cable features Canare wire with Neutrik and Switchcraft ends. The XC2 cables adds functionality to the Line 6 X2 XDR95 Instrument Wireless System, the X2 XDS95 Portable Digital UHF Wireless System , and the XDS-PLUS Stompbox Digital UHF Wireless System. |
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"Line 6 X2 XC3R 1/4"" to 1/8"" Right-Angle Locking Cable" : MusiciansFriend : USD39.99The X2 XC3R 1/4" to 1/8" Right-Angle Locking Cable features Canare wire with Neutrik and Switchcraft ends. The XC3R cables adds functionality to the Line 6 X2 XDR95 Instrument Wireless System, the Line 6 X2 XDS95 Portable Digital UHF Wireless System , and the Line 6 X2 XDS-PLUS Stompbox Digital UHF Wireless System.1/8-inch end features a threaded collar that tightens firmly into X2 XDT1 and X2 XDT4 digital wireless transmitters to increase stability and guard against ground interference. |
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Line 6 X2 XAC2 9V DC Power Supply for XDR1 Stomp Box Receiver : MusiciansFriend : USD14.99The Line 6 X2 XAC2 adapter converts AC wall current to 9 volts DC current and is recommended for use with the Line 6 X2 XDR1 stomp-box digital receiver. |
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Line 6 X2 XDR95 Digital Wireless Instrument System : MusiciansFriend : USD349.99The X2 XDR95 digital wireless system by Line 6 is a breakthrough in wireless sound and performance that's compliant with the FCC's 2009 wireless standards. Features wired sound and performance with extended frequency response, operating range, and a high level of interference protection. For added versatility, it provides both an instrument input for guitar/bass as well as a microphone input.Featuring an extended range of 300'—the length of an entire football field—X2 XDR95 provides at maximum range the same blazing signal and brilliant, uncompressed tone that it provides at the source. Analog wireless systems, notorious for rolling-off low end, force players, especially bass players, to sacrifice tone for wireless functionality. With X2 XDR95, players can easily interact with the crowd at the foot of the stage without any loss in sound quality. Extremely versatile, X2 XDR95 simplifies the recording process. The extended frequency response, 10Hz-20kHz, satisfies the expectations guitarists have come to demand from high-quality cable, but without the tangled mess. With their rigs cranked to 11 in the iso-booth, guitarists can play near the band and keep the all-important vibe and that ensures a great take. Eliminating common issues that adversely affect traditional analog wireless systems, X2 XDR95 utilizes exclusive Line 6 dual-RF technology to guarantee a strong and constant signal and to neutralize issues of static, interference and jamming caused by cell phones, wireless networks and other unforeseen or unknown sources of RF energy.Additionally, the transmitter provides 9V DC bias power for lavalier or headworn microphones from various manufacturers including Audio Technica*, Countryman*, Shure*, Sennheiser*, Audix*, and others. View the owner's manual for a detailed wiring diagram and connector requirements. The X2 XDR95 digital wireless system holds 2 prestigious industry awards: Bass Player magazine's "Editor's Award" and Guitar World magazine's "Gold Award."*Line 6 X2 is not affiliated in any way with the above manufacturers. |
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Line 6 X2 XDR4 Rackmount Single Channel Receiver : MusiciansFriend : USD319.99The X2 XDR4 Rackmount Single Channel Receiver is a component of the Line 6 X2 XDS95 24-Bit Digital Instrument Wireless System from the XD Series.The X2 XDS95 24-Bit Digital Instrument Wireless System is a breakthrough in wireless sound and performance that's 2009 Compliant and features both an instrument input for guitar/bass and a microphone input on the transmitter that provides 9V DC bias power for lavalier or headworn microphones from various manufacturers including, Audio-Technica, Countryman, Shure, Sennheiser, Audix and others. The XDR4 receiver comes with an owners manual that includes a detailed wiring diagram and connector requirements.Line 6 X2's proprietary digital technology provides superior fidelity while the XDS95's "stomp-box" style receiver houses a micro-processor that selects the digital data stream from among the four internally mounted Q-diversity™ antennas to eliminate dropouts and interference including DTV. You'll enjoy the sound and performance of a direct wire connection free from compander ICs — and the associated 'pumping' and 'breathing' — that squash your tone, as well as other problems associated with analog wireless technology. |
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Line 6 X2 XDR4 Rackmount Single Channel Receiver for the XDS95 System : MusiciansFriend : USD344.99The Line 6 X2 XDR4 Rackmount Single Channel Receiver comes with a power supply and is a component of the XDS95 24-Bit Digital Instrument Wireless System from the XD Series. The X2 XDS95 24-Bit Digital Instrument Wireless System is a breakthrough in wireless sound and performance that's 2009 Compliant and features both an instrument input for guitar/bass and a microphone input on the transmitter that provides 9V DC bias power for lavalier or headworn microphones from various manufacturers including, Audio-Technica, Countryman, Shure, Sennheiser, Audix and others. The XDR4 receiver comes with an owners manual that includes a detailed wiring diagram and connector requirements.Line 6 X2's proprietary digital technology provides superior fidelity while the XDS95's "stomp-box" style receiver houses a micro-processor that selects the digital data stream from among the four internally mounted Q-diversity™ antennas to eliminate dropouts and interference including DTV. You'll enjoy the sound and performance of a direct wire connection free from compander ICs — and the associated 'pumping' and 'breathing' — that squash your tone, as well as other problems associated with analog wireless technology. |
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Line 6 X2 XRE2 Replacement Rack Ears Pair : MusiciansFriend : USD14.99The Line 6 X2 XRE2 Replacement Rack Ears Pair adds functionality to the XDR95 Instrument Wireless System. The X2 XRE2 Rack Ears are a direct replacement of the originally supplied rack ears. |
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Line 6 X2 XA920 1/2 Wave Single Antenna : MusiciansFriend : USD29.99The Line 6 X2 XA920 1/2 Wave Single Antenna is a replacement part for the XR XDR95 Instrument Wireless System. These professional 1/2-wave antennae are fully adjustable and feature BNC connectors. |
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Nady U-81 Octavo HM10 Wireless System Beige¹ : MusiciansFriend : USD999.95The Nady U-81 Octavo HM10 is a wireless system that includes the U-81 Octavo Wireless Receiver, HM-10 Wireless Headworn Microphone, and the UB-81 Bodypack Transmitter.The U-81 Octavo wireless system offers clear channel operation on the wide-open, uncluttered UHF band for interference-free performance in any application or locale. The Nady Octavo delivers 8 discrete channels on selected frequency bands from 740MHz to 764MHz. The Octavo HM10 system features Nady's proprietary companding and low noise circuit for an industry best 120dB dynamic range, and the clearest, most natural sound available in wireless today. |
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VocoPro UHF-5805 Rechargeable Wireless Microphone System : MusiciansFriend : USD399.0The VocoPro UHF-5805 Rechargeable Wireless Microphone system is a great way to keep up the excitement of karaoke night at home or at the club. Rechargeable wireless system features 4 handheld mics. Each mic has its own volume control for precise vocal balancing. Wireless technology gives performers the freedom to work the crowd or to get close for those romantic duets without fear of latency or feedback. Since each microphone channel has its own field-replaceable module that slides out with ease, you won't have to worry about affecting the functionality of the other channels. Mic/transmitters can be recharged on the included rechargers individually or simultaneously. Now the party can go on all night without mics dying in the middle of the action. Includes receiver cable and the entire system fits into a deluxe metal road case which is also included. |
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Applied Microphone Technology Wi-5 Instrument Wireless System : MusiciansFriend : USD759.0The AMT Wi-5 complete wireless microphone system is the ultimate wireless microphone for professional-grade woodwind and brass instruments. Based on AMT's Roam 1 Elite, the Wi-5 is the next generation in belt pack-free wireless technology. The Wi-5 is a multi-channel (16 selectable), belt pack-free wireless system. Special modifications have been set in place in order to acheive AMT's best setup to date. AMT has addressed all crucial issues that one would search for when shopping for a high-end instrument microphone. Common concerns such as gain before feedback, frequency response, and keeping the most accurate and natural sound possible are once again present on the Wi-5 system. The AMT Wi-5 comes complete with the microphone accented in blue and suspended in AMT Iso-ring technology, a 16-channel AMT wireless transmitter attached to the microphone, AMT's Universal Clamp, a receiver with XLR, 1/4" outputs, and a power supply. |
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Electro-Voice N D267AS Dynamic Microphone with On Off Switch : MusiciansFriend : USD104.0The Electro-Voice N/DYM® N/D267AS is a dynamic cardioid vocal microphone that offers clear, consistent sound without low-end distortion. The N/D267AS mic features VOB&Trade; technology for increased vocal intelligibility. The acoustic response of the EV N/D267AS mic delivers optimal performance in a live sound environment. The new "vocally optimized bass" or VOB&Trade; technology gives you reduced resonant distortion at low frequencies. Critical damping of the low frequency resonant peak results in a microphone that replaces the muddiness found in competitive models with greater warmth and increased vocal clarity. |
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Electro-Voice N/D478 Cardioid Dynamic Instrument Microphone : MusiciansFriend : USD119.0The Electro-Voice N/D478 is a dynamic cardioid microphone with acoustic response that is optimal in live sound or studio environments. The new "vocally optimized bass" or VOB™ technology provides you with reduced resonant distortion at low frequencies. Critical damping of the low frequency resonant peak results in a microphone that replaces the "muddiness" found in competitive models with greater warmth and increased clarity. The result is an exceptional performing instrument microphone with clean, clear, consistent sound that "cuts through the mix." |
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Electro-Voice N/D478 Cardioid Dynamic Instrument Microphone Factory B-Stock : MusiciansFriend : USD79.0The Electro-Voice N/D478 is a dynamic cardioid microphone with acoustic response that is optimal in live sound or studio environments. The new "vocally optimized bass" or VOB™ technology provides you with reduced resonant distortion at low frequencies. Critical damping of the low frequency resonant peak results in a microphone that replaces the "muddiness" found in competitive models with greater warmth and increased clarity. The result is an exceptional performing instrument microphone with clean, clear, consistent sound that "cuts through the mix." |
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Electro-Voice N D868 Kick Drum Microphone : MusiciansFriend : USD249.0The Electro-Voice N/D868 kick drum microphone is truly a top performer in any application. Whether in a live sound or studio environment, the N/D868 is able to handle incredibly high sound pressure levels without distortion or overriding the input mixer. With a response specifically designed to "kick" the N/ D868 can be used as is-without additional EQ. Electro-Voice was the first microphone manufacturer to utilize the neodymium magnet structure, and it remains at the heart of the new N/DYM series of microphones. |
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Electro-Voice N/D868 Kick Drum Microphone Factory B-Stock : MusiciansFriend : USD169.0The Electro-Voice N/D868 kick drum microphone is truly a top performer in any application. Whether in a live sound or studio environment, the N/D868 is able to handle incredibly high sound pressure levels without distortion or overriding the input mixer. With a response specifically designed to "kick" the N/ D868 can be used as is-without additional EQ. Electro-Voice was the first microphone manufacturer to utilize the neodymium magnet structure, and it remains at the heart of the new N/DYM series of microphones. |
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Electro-Voice RE200 Cardioid Condenser Microphone : MusiciansFriend : USD324.0The Electro-Voice RE200 microphone is a cardioid, true condenser instrument mic designed for the exacting acoustic reproduction of choirs, strings, percussion and brass instruments in live performance and sound recordings. The RE200 mic is designed to be used in professional remote recordings, sound reinforcement systems, sound studios and motion picture/TV scoring stages. The EV RE200 mic's frequency response has a continuous presence rise to enhance the sound quality. The excellent transient response and smooth frequency response is gently lifted above 1,000 Hz, lending an open, transparent detail to the recorded sound. The RE200 mic's transducer is a true, external biased condenser element based on the RE2000 transducer design. (Most studio recording microphones are true condensers because they have greater sensitivity and stability than an electret element). The EV RE200's diaphragm is ultrathin, gold laminated, environmentally stabilized and ultra-low in mass. The electrode is a precision-cut, single-piece, ceramic disc layered with gold. The transducer is biased by an internal dc-to-dc converter to ensure that its sensitivity and performance is not dependent on phantom voltage. The RE200 transducer is cradled in an AcoustiDYM™ shock-mount system for mechanical isolation. The RE200's electronics are designed to operate from 12 to 52 Vdc phantom power. The RE200 is supplied with the model 311 microphone stand clamp, a zippered vinyl carrying pouch and a Wind Tech™ 5700-12 black external foam windscreen. |
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Electro-Voice RE16 Supercardioid Handheld Dynamic Microphone : MusiciansFriend : USD289.0The Electro-Voice RE16 microphone is a Variable-D© dynamic supercardioid mic designed for the most exacting professional use. The blast filter, an integral part of the EV RE16 mic, permits handheld and outdoor use without "P-pops" or excessive wind noise. Utilizing the Variable-D&Reg; design the RE16 mic features a directional characteristic independent of frequency. The result is a microphone that generates little off-axis coloration while providing the greatest rejection of unwanted sounds. A supercardioid mic, the Electro-Voice RE16 provides its greatest rejection at 150° off-axis. (Supercardioid microphones provide greatest rejection in the horizontal plane when the microphone is tilted in its most natural position ™30° from horizontal, as on a boom or floor stand.) An easily operated "bass tilt" switch on the RE16 mic corrects spectrum balance for boom use and other longer-reach situations. A hum-bucking coil and screw-machined steel outer casing provides 25 dB of hum rejection. Hum pickup level is -125 dBm (re: .001 gauss field). Using the mechanical nesting concept of design, by means of which the internal transducer parts are nested one within another, the RE16 transducer is a nearly solid mechanical structure that is highly resistant to damage from mechanical shock. The Memraflex&Trade; grille screen resists deformation. The exclusive nonmetallic Electro-Voice Acoustalloy&Reg; diaphragm is virtually unaffected by extreme atmospheric conditions. A carefully designed steel outer case provides additional mechanical protection. The finish is non-reflecting fawn beige. |
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Electro-Voice 635A Handheld Live Interview Microphone Black : MusiciansFriend : USD129.99The Electro-Voice® 635A is a handheld interview microphone designed for exacting professional applications such as film production, recording, broadcasting, and the more demanding PA applications. The EV 635A mic has high output level, low sensitivity to mechanical shock, and features a diaphragm which permits very smooth response over a wide frequency range. The diaphragm withstands humidity and temperature extremes, corrosive effects of salt air, and severe mechanical shocks. It is practically indestructible with normal use. A four-stage pop and dust filter ensures a completely pop-free performance and virtually eliminates the need for an external windscreen during outdoor use. An internal shock absorber effectively reduces the pickup of cable and other noise generated by external contact. |
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Electro-Voice 635A Handheld Live Interview Microphone Beige : MusiciansFriend : USD129.99The Electro-Voice® 635A is a handheld interview microphone designed for exacting professional applications such as film production, recording, broadcasting, and the more demanding PA applications. The EV 635A mic has high output level, low sensitivity to mechanical shock, and features a diaphragm which permits very smooth response over a wide frequency range. The diaphragm withstands humidity and temperature extremes, corrosive effects of salt air, and severe mechanical shocks. It is practically indestructible with normal use. A four-stage pop and dust filter ensures a completely pop-free performance and virtually eliminates the need for an external windscreen during outdoor use. An internal shock absorber effectively reduces the pickup of cable and other noise generated by external contact. |
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Electro-Voice 635N/D-B Handheld Interview Microphone Black : MusiciansFriend : USD149.99The Electro-Voice®) 635N/D-B is a dynamic omni directional microphone that is the offspring of the legendary 635A microphone. Built with the same rugged design of the 635A, the 635N/D-B offers a neodymium N/DYM®) magnet structure for greater sensitivity. The 635N/D-B is ideally suited for electronic news production (ENG), electronic field production (EFP), television, film and radio remotes and demanding PA applications. The microphone's Acoustalloy®) diaphragm permits a very smooth response over a wide frequency range, yet it withstands high humidity and temperature extremes, corrosive effects of salt air and severe mechanical shocks. The diaphragm is protected from dust and magnetic particles by a carefully designed integral windscreen and blast filter. The windscreen provides excellent protection from wind noise, excessive sibilance and annoying "P-popping." This helps minimize the need for an external windscreen for outdoor use. The 635N/ D-B comes in semi gloss black for "on camera" use. The increased output level and low sensitivity to mechanical shock make the 635N/D-B excellent for interviews, sporting events, special effects and voice-overs. Come with the 311 stand adapter. |
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Electro-Voice RE50/B Omnidirectional Dynamic Microphone : MusiciansFriend : USD169.99The Electro-Voice® RE50/B is a specially shock-isolated, omnidirectional, dynamic microphone that was created for the most exacting professional applications. An advancement in shock-mounting techniques, it was designed particularly for handheld broadcast and sound- reinforcement use. All handling noise, clothing noise, and even cord shock have been isolated from the microphone element so that mechanically induced noise is greatly reduced. By use of a high-mass zinc internal acoustic chamber, shock mounted within the machined-aluminum outercasing, the RE50/B offers a degree of isolation unprecedented in omnidirectional dynamic microphones. The internal transducer uses a mechanical nesting concept all its own. Each part is nested inside another so that the transducer (head assembly) is nearly a solid structure. It is highly resistant to damage from shock. The diaphragm is unaffected by temperature extremes and atmospheric conditions. A carefully designed integral windscreen and blast filter provides excellent protection from wind noise, excessive sibilance and annoying "P- popping." The RE50/B has a grille that bounces back to retain its shape. A four-stage pop filter prevents dust and magnetic particles from reaching the diaphragm. The RE50/B's attractive, nonreflecting, semi-gloss black finish is ideal for on-camera use. |
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Electro-Voice RE50N/D-B High Output Dynamic Interview Microphone : MusiciansFriend : USD199.99The Electro-Voice RE50N/D-B is a shock-mounted N/DYM® handheld interview microphone. With the same rugged design of the RE50/B, the industry standard live interview microphone, the RE50N/D B mic features a neodymium magnet structure for higher output. Features EV DynaDamp™ shock mount. The RE50N/D B has extremely low handling noise for superior sound. The "Mic-within-a-mic" concept reduces wind and P-popping noise. |
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Electro-Voice PolarChoice Satellite Podium Microphone 12 Inch : MusiciansFriend : USD450.0The EV PolarChoice Satellite is a free-standing gooseneck style microphone, firmly anchored in place by its elegantly designed base. This low-profile foundation hides PolarChoice Satellite's most powerful feature space for a wireless transmitter. Turn the base overto reveal the specially designed compartment for housing a Telex or Electro-Voice bodypack transmitter. Connect the microphone to the bodypack, set-up the wireless channel, and place PC Satellite anywhere an easy-to-use microphone is required. No longer do you have to cut holes in tables, run long cables, or compromise the architectural integrity of an installation. With the PolarChoice Satellite, anything is possible. The PC-Satellite features an EV PolarChoice multi-pattern microphone. The multi-pattern versatility of the PolarChoice microphone makes it a true "problem solver". With one non-directional and 3 directional polar patterns available, the PolarChoice microphone is ideal for virtually any installation. The PC-Satellite also includes a switchable high pass filter that greatly reduces any vibration induced noise pick-up. Available in three gooseneck lengths: 18", 12" or 5" |
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Electro-Voice PolarChoice Satellite Podium Microphone 5 Inch : MusiciansFriend : USD450.0The EV PolarChoice Satellite is a free-standing gooseneck style microphone, firmly anchored in place by its elegantly designed base. This low-profile foundation hides PolarChoice Satellite's most powerful feature space for a wireless transmitter. Turn the base overto reveal the specially designed compartment for housing a Telex or Electro-Voice bodypack transmitter. Connect the microphone to the bodypack, set-up the wireless channel, and place PC Satellite anywhere an easy-to-use microphone is required. No longer do you have to cut holes in tables, run long cables, or compromise the architectural integrity of an installation. With the PolarChoice Satellite, anything is possible. The PC-Satellite features an EV PolarChoice multi-pattern microphone. The multi-pattern versatility of the PolarChoice microphone makes it a true "problem solver". With one non-directional and 3 directional polar patterns available, the PolarChoice microphone is ideal for virtually any installation. The PC-Satellite also includes a switchable high pass filter that greatly reduces any vibration induced noise pick-up. Available in three gooseneck lengths: 18", 12" or 5" |
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Electro-Voice PolarChoice Satellite Podium Microphone 18 Inch : MusiciansFriend : USD450.0The EV PolarChoice Satellite is a free-standing gooseneck style microphone, firmly anchored in place by its elegantly designed base. This low-profile foundation hides PolarChoice Satellite's most powerful feature space for a wireless transmitter. Turn the base overto reveal the specially designed compartment for housing a Telex or Electro-Voice bodypack transmitter. Connect the microphone to the bodypack, set-up the wireless channel, and place PC Satellite anywhere an easy-to-use microphone is required. No longer do you have to cut holes in tables, run long cables, or compromise the architectural integrity of an installation. With the PolarChoice Satellite, anything is possible. The PC-Satellite features an EV PolarChoice multi-pattern microphone. The multi-pattern versatility of the PolarChoice microphone makes it a true "problem solver". With one non-directional and 3 directional polar patterns available, the PolarChoice microphone is ideal for virtually any installation. The PC-Satellite also includes a switchable high pass filter that greatly reduces any vibration induced noise pick-up. Available in three gooseneck lengths: 18", 12" or 5" |
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AKG C 430 Overhead Microphone : MusiciansFriend : USD229.0The AKG C 430 microphone is intended for overhead miking in pro environments. This extremely compact mic allows for a low profile on the drum kit without compromising audio quality. 20Hz - 20kHz frequency range. Cardioid polar pattern. Requires phantom power. |
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AKG C2000B/H85 Microphone with Shockmount : MusiciansFriend : USD289.0The AKG C2000B/H85 is a microphone that excels at reproducing guitar and vocal sounds. Today, any microphone needs to match the high quality of 24-bit recording media. And one of the basic rules of recording is that the quality of the recorded signal is determined by the weakest link in the signal chain.Therefore, one of the most important requirements for the AKG C2000B/H85 mic was high sensitivity. This allows you to lay clean, noise-free tracks with no risk of noise levels from many individual tracks combining in the mix. Its high SPL capability makes the C2000B/H85 a highly versatile microphone that can be used even for extremely loud instruments. The AKG C2000B/H85 mic will deliver perfect results for demo recordings, in the rehearsal room, as well as in the best recording studios.AKG includes a spider suspension shockmount and hardshell case with the C2000B/H85 microphone.Requires phantom power. |
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Electro-Voice PolarChoice Plus Podium Microphone 12 Inch : MusiciansFriend : USD313.0The Electro-Voice PolarChoice PC-Plus is the first miniature gooseneck microphone to combine the features and functionality of a desktop mic with the small unobtrusive size of an XLR mounted gooseneck mic. The unique profile of the PC-Plus housing places the push button switch and status LED in a more natural position and also creates a lower profile housing. You can even go one step further: The lower half of the PC-Plus (with XLR connector) can be removed and the PC-Plus mic can be flush mounted. (All the necessary mounting hardware is supplied.) The push-button can be configured for either toggle (push on / off), or as push-to-mute (cough switch). You can also configure the microphones' state when power is first applied in toggle mode. So, for example, if you have an installation with multiple PC Plus microphones, you can configure them so that only one mic is live, when the system is first turned on.The PC-Plus is also an EV PolarChoice multi-pattern microphone. The multi-pattern versatility of the PolarChoice microphone makes it true "problem solver". With 3 directional and one non-directional polar pattern available, the PolarChoice microphone is ideal for virtually any installation.The PC-Plus also includes a switchable high pass filter that greatly reduces any vibration induced noise pick- up. All configuration controls are only accessible from the "bottom" of the microphone, reducing the chances of inadvertent changes. |
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Electro-Voice PolarChoice Plus Podium Microphone 5 Inch : MusiciansFriend : USD313.0The Electro-Voice PolarChoice PC-Plus is the first miniature gooseneck microphone to combine the features and functionality of a desktop mic with the small unobtrusive size of an XLR mounted gooseneck mic. The unique profile of the PC-Plus housing places the push button switch and status LED in a more natural position and also creates a lower profile housing. You can even go one step further: The lower half of the PC-Plus (with XLR connector) can be removed and the PC-Plus mic can be flush mounted. (All the necessary mounting hardware is supplied.) The push-button can be configured for either toggle (push on / off), or as push-to-mute (cough switch). You can also configure the microphones' state when power is first applied in toggle mode. So, for example, if you have an installation with multiple PC Plus microphones, you can configure them so that only one mic is live, when the system is first turned on.The PC-Plus is also an EV PolarChoice multi-pattern microphone. The multi-pattern versatility of the PolarChoice microphone makes it true "problem solver". With 3 directional and one non-directional polar pattern available, the PolarChoice microphone is ideal for virtually any installation.The PC-Plus also includes a switchable high pass filter that greatly reduces any vibration induced noise pick- up. All configuration controls are only accessible from the "bottom" of the microphone, reducing the chances of inadvertent changes. |
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Electro-Voice PolarChoice Plus Podium Microphone 18 Inch : MusiciansFriend : USD313.0The Electro-Voice PolarChoice PC-Plus is the first miniature gooseneck microphone to combine the features and functionality of a desktop mic with the small unobtrusive size of an XLR mounted gooseneck mic. The unique profile of the PC-Plus housing places the push button switch and status LED in a more natural position and also creates a lower profile housing. You can even go one step further: The lower half of the PC-Plus (with XLR connector) can be removed and the PC-Plus mic can be flush mounted. (All the necessary mounting hardware is supplied.) The push-button can be configured for either toggle (push on / off), or as push-to-mute (cough switch). You can also configure the microphones' state when power is first applied in toggle mode. So, for example, if you have an installation with multiple PC Plus microphones, you can configure them so that only one mic is live, when the system is first turned on.The PC-Plus is also an EV PolarChoice multi-pattern microphone. The multi-pattern versatility of the PolarChoice microphone makes it true "problem solver". With 3 directional and one non-directional polar pattern available, the PolarChoice microphone is ideal for virtually any installation.The PC-Plus also includes a switchable high pass filter that greatly reduces any vibration induced noise pick- up. All configuration controls are only accessible from the "bottom" of the microphone, reducing the chances of inadvertent changes. |
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Electro-Voice PolarChoice Podium Microphone 12 Inch Flange Mount : MusiciansFriend : USD270.0The Electro-Voice PolarChoice Podium Microphone is a multi-pattern miniature gooseneck podium mic designed for sound reinforcement systems where sound quality and gain-before-feedback is of major importance. The multi-pattern versatility of the PolarChoice microphone makes it a true problem solver. With three directional and one non-directional polar pattern available, the EV PolarChoice is an ideal microphone for virtually any installation. With the front-mounted rotary control on the external electronics module, the mic's polar patterns can easily be changed using just a small flat-bladed screwdriver. |
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Electro-Voice PolarChoice Podium Microphone 12 Inch Xlr : MusiciansFriend : USD255.0The Electro-Voice PolarChoice Podium Microphone is a multi-pattern miniature gooseneck podium mic designed for sound reinforcement systems where sound quality and gain-before-feedback is of major importance. The multi-pattern versatility of the PolarChoice microphone makes it a true problem solver. With three directional and one non-directional polar pattern available, the EV PolarChoice is an ideal microphone for virtually any installation. With the front-mounted rotary control on the external electronics module, the mic's polar patterns can easily be changed using just a small flat-bladed screwdriver. |
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Electro-Voice PolarChoice Podium Microphone 18 Inch Flange Mount : MusiciansFriend : USD270.0The Electro-Voice PolarChoice Podium Microphone is a multi-pattern miniature gooseneck podium mic designed for sound reinforcement systems where sound quality and gain-before-feedback is of major importance. The multi-pattern versatility of the PolarChoice microphone makes it a true problem solver. With three directional and one non-directional polar pattern available, the EV PolarChoice is an ideal microphone for virtually any installation. With the front-mounted rotary control on the external electronics module, the mic's polar patterns can easily be changed using just a small flat-bladed screwdriver. |
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Electro-Voice PolarChoice Podium Microphone 18 Inch Xlr : MusiciansFriend : USD255.0The Electro-Voice PolarChoice Podium Microphone is a multi-pattern miniature gooseneck podium mic designed for sound reinforcement systems where sound quality and gain-before-feedback is of major importance. The multi-pattern versatility of the PolarChoice microphone makes it a true problem solver. With three directional and one non-directional polar pattern available, the EV PolarChoice is an ideal microphone for virtually any installation. With the front-mounted rotary control on the external electronics module, the mic's polar patterns can easily be changed using just a small flat-bladed screwdriver. |
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Electro-Voice RE90P Condenser Gooseneck Podium Microphone 12 Inch : MusiciansFriend : USD205.0The Electro-Voice RE90P podium microphone is a phantom-powered back-electret miniature condenser gooseneck microphone. The RE90P has a cardioid capsule in an ultra-slim profile. The back electret feature provides greater sensitivity, wider frequency response, and superior immunity from handling noise than a diaphragm-electret microphone. The frequency response is tailored for full-range sound reproduction with natural sound pick-up optimized for close-up use. The gooseneck has two supple joints and a rigid center tube and mounts quickly to any lecturn, pulpit, or podium. The RE90P podium mic connects to female, XLR-type, three-pin receptacles. |
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Electro-Voice RE90P Condenser Gooseneck Podium Microphone 18 Inch : MusiciansFriend : USD205.0The Electro-Voice RE90P podium microphone is a phantom-powered back-electret miniature condenser gooseneck microphone. The RE90P has a cardioid capsule in an ultra-slim profile. The back electret feature provides greater sensitivity, wider frequency response, and superior immunity from handling noise than a diaphragm-electret microphone. The frequency response is tailored for full-range sound reproduction with natural sound pick-up optimized for close-up use. The gooseneck has two supple joints and a rigid center tube and mounts quickly to any lecturn, pulpit, or podium. The RE90P podium mic connects to female, XLR-type, three-pin receptacles. |
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Electro-Voice PolarChoice Boundary Satellite Microphone : MusiciansFriend : USD450.0The Electro-Voice PolarChoice Boundary Satellite is a low profile multi-pattern microphone. The mic's low-profile foundation hides PolarChoice Boundary Satellite's most powerful feature- space for a wireless transmitter. Turn the PolarChoice microphone over to reveal the specially designed compartment for housing an Electro-Voice or Telex bodypack transmitter. Connect the PolarChoice microphone to the bodypack, set-up the wireless channel, and place the boundary satellite mic anywhere an easy-to-use microphone is required. No longer do you have to cut holes in tables, run long cables, or compromise the architectural integrity of an installation. With the PolarChoice Boundary Satellite, anything is possible. The Boundary Satellite features an EV PolarChoice multi-pattern microphone. The multi-pattern versatility of the PolarChoice microphone makes it a true "problem solver". With one non-directional and three directional polar patterns available, the PolarChoice microphone is ideal for virtually any installation. Of particular interest is the figure 8 pattern that allows miking people on opposite sides of a table with only one mic, while providing dramatic reduction of ambient room noise. The PolarChoice Boundary Satellite is designed to take acoustic advantage of placing a microphone close to a "boundary" such as conference table. Advantages include reduced phase cancellation and up to 3dB reduction in ambient noise. The PolarChoice Boundary Satellite also includes a switchable high pass filter and high-performance vibration damping pads on the bottom to greatly reduce any vibration induced noise pick-up. |
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Electro-Voice RE90BW Boundary Microphone Black : MusiciansFriend : USD215.0The RE90BW Boundary Mic is a full-range condenser microphone designed to be used for surface mounted applications such as distance learning centers, video conferencing systems, teleconferencing systems, and sound reinforcement. The polar pattern of the RE90BW is half-cardioid (half-space cardioid) to promote good gain-before-feedback and suppress ambient noise. All boundary type microphones operated on a flat surface are subject to an increase in sensitivity of the microphone with increasing frequency; this is called the baffle effect. To counteract this effect, the RE90BW has been designed with internal equalization to give it a flat sensitivity response. The RE90BW is designed to be powered by an external 9-52 V dc phantom power supply (DIN 45 596). The RE90BW microphone is encased in a heavy-duty zinc die cast body protected by a strong, perforated steel screen. The body of the microphone is designed to provide two distinctive functions. First, the case is electronically isolated from the surface that it is placed on by virtue of the rubber friction pad and the internal fiber washers when permanently mounted. Second, the microphone's miniature cable can be routed directly from the rear of the microphone, or the cable may be directed from the bottom of the microphone though the table top without exposing the microphone cable. The microphone cable is connected to the microphone by a pilfer-resistant internal terminal block. For permanent installation, a drilling template is provided. The RE90BW's body is designed as a low-profile housing and are shock mounted through a combination of a heavy die-cast case, a rubber nonslip bottom pad, and internal padding of the microphone and printed circuit board. This combination of isolation minimizes the mechanical coupling of surface vibrations to the microphone. The RE90BW is provided with a 3.0-m (10 ft.) white miniature shielded two- conductor cable with a male XLR-type connector. |
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Electro-Voice RE90BW Boundary Microphone White : MusiciansFriend : USD215.0The RE90BW Boundary Mic is a full-range condenser microphone designed to be used for surface mounted applications such as distance learning centers, video conferencing systems, teleconferencing systems, and sound reinforcement. The polar pattern of the RE90BW is half-cardioid (half-space cardioid) to promote good gain-before-feedback and suppress ambient noise. All boundary type microphones operated on a flat surface are subject to an increase in sensitivity of the microphone with increasing frequency; this is called the baffle effect. To counteract this effect, the RE90BW has been designed with internal equalization to give it a flat sensitivity response. The RE90BW is designed to be powered by an external 9-52 V dc phantom power supply (DIN 45 596). The RE90BW microphone is encased in a heavy-duty zinc die cast body protected by a strong, perforated steel screen. The body of the microphone is designed to provide two distinctive functions. First, the case is electronically isolated from the surface that it is placed on by virtue of the rubber friction pad and the internal fiber washers when permanently mounted. Second, the microphone's miniature cable can be routed directly from the rear of the microphone, or the cable may be directed from the bottom of the microphone though the table top without exposing the microphone cable. The microphone cable is connected to the microphone by a pilfer-resistant internal terminal block. For permanent installation, a drilling template is provided. The RE90BW's body is designed as a low-profile housing and are shock mounted through a combination of a heavy die-cast case, a rubber nonslip bottom pad, and internal padding of the microphone and printed circuit board. This combination of isolation minimizes the mechanical coupling of surface vibrations to the microphone. The RE90BW is provided with a 3.0-m (10 ft.) white miniature shielded two- conductor cable with a male XLR-type connector. |
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Electro-Voice RE92L Minature Electret Condenser Microphone : MusiciansFriend : USD249.0The Electro-Voice model RE92L is a professional-quality miniature cardioid, electret condenser lavalier microphone. The RE92L is designed for unobtrusive miking of speech and instruments, making it an excellent microphone for many broadcast, stage performance, and presentation purposes. The mic's small size makes the RE92L ideal for theatre, interviews, public address systems, and houses of worship. The Electro-Voice RE92L has a cardioid polar pattern for high gain before feedback. The RE92L mic's condenser element provides clear and natural sound reproduction. The included two-stage windscreen minimizes wind noise and popping. Electro-Voice includes an inline module with the RE92L for connection to any standard microphone input with 24 to 52-Volt phantom power. The RE92L mic comes with 4' of cable, both single and dual tie clasps, and a belt clip with a non- reflecting black finish for the inline module. |
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Electro-Voice RE90L Omni Lapel Microphone : MusiciansFriend : USD209.0The Electro-Voice RE90L Lapel Microphone has an omnidirectional back-electret condenser capsule. The RE90L mic is intended for sound reinforcement applications such as houses of worship, schools, or other venues where full- range, natural, well-balanced sound is required. The omnidirectional polar characteristics of the Electro-Voice RE90L provide clean and accurate sonic quality and uniform output regardless of the microphone's position relative to the sound source. The RE90L mic is designed to attach to your clothing using supplied clips. The RE90L mic's electronics housing features a side clip to facilitate attachment to belt or pocket. In addition, the extremely compact size of the RE90L mic makes it ideal for performance or house of worship applications where the microphone must remain as inconspicuous as possible. |
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Electro-Voice RE90LAT Omni Lapel Microphone : MusiciansFriend : USD209.0The Electro-Voice RE-90LAT is an ultra-miniature omnidirectional lavalier microphone that has been matched to the Electro-Voice ND/767a Handheld Microphone. The Electro-Voice RE90L is an omnidirectional back- electret condenser lavalier microphone designed for the Architectural Series Microphone line. The RE90L is intended for sound reinforcement applications such as houses of worship, schools, or other venues where full- range, natural, well-balanced sound is required. The omnidirectional polar characteristics of the RE90L provide clean and accurate sonic quality and uniform output regardless of the microphone's position relative to the sound source. The RE90L is designed to attach to the talker's clothing using the supplied clips. The electronics housing features a side clip to facilitate attachment to a belt or pocket. In addition, the extremely compact size of the RE90L is ideal for performance or house of worship applications where the microphone must remain as inconspicuous as possible to the viewing audience. |
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Electro-Voice RE92H Miniature Electret Condenser Microphone Black : MusiciansFriend : USD269.0The Electro-Voice RE92H is a miniature cardioid pattern microphone with a professional-quality electret capsule. The RE92H mic is designed specifically for suspension above the sound source. The Electro-Voice RE92H mic's cardioid polar pattern gives it high gain before feedback. The mic's condenser element provides clear, natural sound reproduction. Exceptionally high sensitivity, a uniform cardioid polar response, and smooth frequency response make the RE92H microphone ideally suited for distant sound pick-up. The RE92H is also ideal for theatre, houses of worship, or any application where a small, high quality mic needs to be heard but not seen. The integrated wire director can easily be formed at the proper angle to direct the mic at the desired sound source. Electro-Voice supplies the RE92H microphone with 25' of cable. Screw terminals attach the cable to the inline module so that you can shorten it easily if necessary. Requires phantom power. |
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Electro-Voice RE92H Miniature Electret Condenser Microphone White : MusiciansFriend : USD269.0The Electro-Voice RE92H is a miniature cardioid pattern microphone with a professional-quality electret capsule. The RE92H mic is designed specifically for suspension above the sound source. The Electro-Voice RE92H mic's cardioid polar pattern gives it high gain before feedback. The mic's condenser element provides clear, natural sound reproduction. Exceptionally high sensitivity, a uniform cardioid polar response, and smooth frequency response make the RE92H microphone ideally suited for distant sound pick-up. The RE92H is also ideal for theatre, houses of worship, or any application where a small, high quality mic needs to be heard but not seen. The integrated wire director can easily be formed at the proper angle to direct the mic at the desired sound source. Electro-Voice supplies the RE92H microphone with 25' of cable. Screw terminals attach the cable to the inline module so that you can shorten it easily if necessary. Requires phantom power. |
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Electro-Voice RE90H Hanging Condenser Microphone Black : MusiciansFriend : USD215.0The Electro-Voice RE90H is a back-electret condenser microphone desinged for hanging. Providies extended, flat frequency response with a controlled cardioid polar pattern for high-quality sound reinforcement. The RE90H is specifically designed for live pickup of choirs, instrumental and vocal groups, and theater. The size and color of the transducer and cable allow the RE90H microphone to blend in with its surroundings. The Electro-Voice RE90H mic offers low self-noise and a high-output signal level for sound-reinforcement and recording. Exceptionally high sensitivity, a uniform cardioid polar response, and smooth frequency response make the RE90H microphone ideally suited for distant sound pick-up.The RE90H mic's cardioid polar pattern is precisely controlled and highly effective in suppressing feedback without coloration of your sound. Power for the RE90H microphone is obtained from any phantom source supplying 9 to 52 volts. The RE90H is furnished with 25 feet of black shielded microphone cable. The cable's design insures that the RE90H microphone will remain horizontal without the need for fish-line tethering. |
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Electro-Voice RE90H Hanging Condenser Microphone White : MusiciansFriend : USD215.0The Electro-Voice RE90H is a back-electret condenser microphone desinged for hanging. Providies extended, flat frequency response with a controlled cardioid polar pattern for high-quality sound reinforcement. The RE90H is specifically designed for live pickup of choirs, instrumental and vocal groups, and theater. The size and color of the transducer and cable allow the RE90H microphone to blend in with its surroundings. The Electro-Voice RE90H mic offers low self-noise and a high-output signal level for sound-reinforcement and recording. Exceptionally high sensitivity, a uniform cardioid polar response, and smooth frequency response make the RE90H microphone ideally suited for distant sound pick-up.The RE90H mic's cardioid polar pattern is precisely controlled and highly effective in suppressing feedback without coloration of your sound. Power for the RE90H microphone is obtained from any phantom source supplying 9 to 52 volts. The RE90H is furnished with 25 feet of black shielded microphone cable. The cable's design insures that the RE90H microphone will remain horizontal without the need for fish-line tethering. |
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CAD Equitek e100 Condenser Microphone : MusiciansFriend : USD249.99The CAD Equitek e100 Condenser Microphone is a redesign of the popular E100. The Equitek e100 is a high-sensitivity supercardioid condenser mic that excels for live applications, capturing the subtleties of choirs, pianos, and stringed instruments, and performing equally well in high-pressure live percussion applications. A -20dB pad switch and an 80Hz low-cut roll-off switch let you customize response. Provides remarkable transparency and detail. Requires phantom power. |
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CAD e300 Multi-Pattern Condenser Microphone : MusiciansFriend : USD299.99The CAD e300 is a Multi-Pattern Condenser Microphone that captures transparent, airy uppers and mids, coupled with a rich, silky smooth low end. Combining lightning-fast transient response and pinpoint precision with an enormous upfront presence, the e300 offers uparalleled performance from critical studio tracking scenarios to live reinforcement. The 1.1" 24K gold-sputtered dual-diaphragm condenser capsule is hand dampened for consistent frequency response. A hi-pass filter features 6dB octave @ 80Hz, and a 20dB non-capacitive pad. The stainless/brass triple stage pop/EMI filter delivers unmatched ballistic stability, with high SPL characteristics and plosives control. Sophisticated laser trimmed op-amp circuitry provides increased management of fast transient response. Frequency response of 10Hz-20 kHz. Requires phantom power. |
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CAD Pro-4 Drum Microphone Pack : MusiciansFriend : USD99.99The CAD Pro-4-Drum Mic Pack is designed to cover the miking needs of the touring drummer or percussionist with ease, excellence, and economy. The pack consists of one CAD KM 212 dynamic kick drum microphone, 2 CAD TM 211 tom mics, and one CAD SN 210 dynamic snare mic with a frequency response specifically tweaked for snare. The CAD TM 211 tom mics and CAD SN 210 snare mics include integral shockmount mic clips for optimal sound and easy mounting. |
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CAD Premium 7-Piece Drum Microphone Pack : MusiciansFriend : USD219.99The CAD Premium 7-Piece Drum Mic Pack gives you extended frequency response, superior sensitivity, and faster transient response to give your performance the nuanced, powerful amplified reproduction you want.The CAD 7-Piece Drum Mic Pack includes one KBM412, 4 TSM411 mics, 2 ICM417 mics, and 4 DMC-1 mic clips.The KBM412 is a rugged kick mic with powerfully accurate low-end reproduction. The TSM411 neodymium dynamic mic is an excellent and versatile percussion mic that excels for use with toms, snares, cymbals, and congas. With the ICM417 electret condenser mic, you get natural, transparent sound for rich amplification of cymbals and effect percussion. The mic clips offer secure, easy mounting for your mics with effective isolation, adjustable height, and strain relief. |
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CAD Premium 4-Piece Drum Microphone Pack : MusiciansFriend : USD129.99The CAD 4-Piece Drum Microphone Pack includes one KBM412, 3 TSM411 mics, and 3 DMC-1 mic clips.The KBM412 is a rugged kick mic with powerfully accurate low-end reproduction. The TSM411 neodymium dynamic microphone is an excellent and versatile percussion mic that excels for use with toms, snares, cymbals, and congas. The mic clips offer secure, easy mounting for your mics with effective isolation, adjustable height, and strain relief. |
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Blue Snowflake USB Microphone : MusiciansFriend : USD69.99Whether you're recording your newest podcast, talking business on the web, or just narrating your latest great family movie, the Snowflake can capture it with amazing clarity and depth!The Snowflake works on both Mac and PC with no complicated drivers to install: just connect it to your computer's USB port, follow the prompts and you'll have high-fidelity sound in no time. It's perfect for podcasting, voice recognition software, iChat, and VoIP software such as Skype and Vonage. Or use it for dictation, field recording, lecture recording, and narration for slideshows and PowerPoint presentations. The sky's the limit. It's even great for recording music via GarageBand and other multitrack recording software.Designed with the traveler in mind, the Snowflake's unique design allows you to place it on a desk or flat surface near your computer, or mount it to the screen of most laptops. Because it simply connects to your USB port, it offers a wide range of applications coupled with an ease of use never before offered in a professional-quality microphone. In the tradition of Blue's line of renowned studio microphones, the Snowflake features Blue's superior proprietary capsule and circuit design, optimized to make sure that you always get the best sound possible into your computer, and sets a new standard for digital recording on the go! |
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Electro-Voice PolarChoice Desktop Podium Microphone 12 Inch : MusiciansFriend : USD345.0The Electro-Voice PolarChoice Desktop is a high quality desk microphone that can be used with both standard and automatic mixers. The PC Desktop mic features the exclusive EV PolarChoice miniature multi-pattern gooseneck microphone. The multi-pattern versatility of the PolarChoice microphone makes it a true problem solver. With one non-directional and 3 directional polar patterns available, the PolarChoice is an ideal mic for virtually any installation. The Electro-Voice PC Desktop mic also includes a switchable high pass filter that helps reduce any vibration-induced noise pickup.The PC Desktop microphone features a large push button mute switch with much better feel than membrane switches. The mic's mute button can be configured for push-on, push-off, push-to-talk, or push-to-mute function. Switch programming is easily accomplished without disassembling the microphone. A switch on the bottom quickly converts the PC Desktop mic to automatic mixer mode. In this mode, audio is always on. |
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Electro-Voice PolarChoice Desktop Podium Microphone 5 Inch : MusiciansFriend : USD345.0The Electro-Voice PolarChoice Desktop is a high quality desk microphone that can be used with both standard and automatic mixers. The PC Desktop mic features the exclusive EV PolarChoice miniature multi-pattern gooseneck microphone. The multi-pattern versatility of the PolarChoice microphone makes it a true problem solver. With one non-directional and 3 directional polar patterns available, the PolarChoice is an ideal mic for virtually any installation. The Electro-Voice PC Desktop mic also includes a switchable high pass filter that helps reduce any vibration-induced noise pickup.The PC Desktop microphone features a large push button mute switch with much better feel than membrane switches. The mic's mute button can be configured for push-on, push-off, push-to-talk, or push-to-mute function. Switch programming is easily accomplished without disassembling the microphone. A switch on the bottom quickly converts the PC Desktop mic to automatic mixer mode. In this mode, audio is always on. |
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Electro-Voice PolarChoice Desktop Podium Microphone 18 Inch : MusiciansFriend : USD345.0The Electro-Voice PolarChoice Desktop is a high quality desk microphone that can be used with both standard and automatic mixers. The PC Desktop mic features the exclusive EV PolarChoice miniature multi-pattern gooseneck microphone. The multi-pattern versatility of the PolarChoice microphone makes it a true problem solver. With one non-directional and 3 directional polar patterns available, the PolarChoice is an ideal mic for virtually any installation. The Electro-Voice PC Desktop mic also includes a switchable high pass filter that helps reduce any vibration-induced noise pickup.The PC Desktop microphone features a large push button mute switch with much better feel than membrane switches. The mic's mute button can be configured for push-on, push-off, push-to-talk, or push-to-mute function. Switch programming is easily accomplished without disassembling the microphone. A switch on the bottom quickly converts the PC Desktop mic to automatic mixer mode. In this mode, audio is always on. |
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Galaxy AS-1000 Any Spot Wireless In-Ear Personal Monitor System Channel 1 : MusiciansFriend : USD399.99The Galaxy AS-1000 Any Spot wireless in-ear personal monitor system is a great alternative for performers weary of lugging around heavy, bulky floor monitors and tired of leaving a gig with ringing ears. The AS-1000 Any Spot wireless in-ear personal monitor from Galaxy Audio is effective at eliminating stage noise. In-ear personal monitors are also good for protecting your ears from damage, allowing you to move around a stage, and eliminating feedback.The Any Spot is easy to use and replaces floor wedges and the amplifiers that power them. Simply plug it into a monitor out on a mixing console, create the desired mix, and the AS-1000 is ready to deliver quality sound. It has 64 UHF frequencies from which to choose the best and clearest and the transmitter can operate in either stereo or mono modes. The AS-1000 features a true diversity receiver with 2 antennas. Each antenna seeks the signal from the transmitter individually. This means fewer dropouts than with a non-diversity system. In the rare event of a dropout, an auto-mute feature kicks in so you don't hear any static. The transmitter has RCA, XLR, and 1/4" inputs on the back. It allows simultaneous broadcast of audio signals from a source such as a CD player, tape player, computer, iPod, etc, and a microphone while offering individual level adjustment for each of the 2 sources. This works great for presentations or for a solo performer who wants to monitor a microphone and backing track. |
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Galaxy AS-1000T Any Spot Wireless Transmitter Channel 1 : MusiciansFriend : USD249.99The Galaxy AS-100T transmitter features RCA, XLR, and 1/4" inputs on the back and allows simultaneous broadcast of audio signals from a source such as a CD player, tape player, computer, iPod, etc, and a microphone while offering individual level adjustment for each of the 2 sources. This works great for presentations or for a solo performer who wants to monitor a microphone and backing track. |
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Galaxy AS-1000R Any Spot Wireless Receiver with In-Ear Personal Monitors Channel 1 : MusiciansFriend : USD199.99In-ear personal monitors are effective at eliminating stage noise, protecting users ears from damage, allowing the user to move around a stage or audience and continue to hear, and eliminate feedback.The AS-1000R true diversity receiver has two antennas that seek the signal from the transmitter individually for fewer dropouts than a non-diversity system. In the rare event of a dropout, the 'Auto-Mute' feature kicks in to prevent intermittent static from going into your ears.The ANY SPOT is a great alternative for performers who are tired of lugging around heavy and bulky floor monitors and tired of leaving a gig with ringing ears. The ANY SPOT allows you to move freely around the stage or audience and continue to hear the monitor mix. |
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Astatic by CAD Gooseneck Cardioid Extended Frequency Condenser Mic 15 In : MusiciansFriend : USD169.99The Astatic 910B, 915B and 920B are low-noise, cardioid, condenser, mini-gooseneck microphones. They are ideal for use in houses of worship, government, corporate meeting rooms and public address. Their wide, smooth frequency response characteristics provide natural, articulate and transparent sound. The microphone's cardioid polar pattern minimizes annoying feedback when used close to sound reinforcement speakers and monitors, while reducing the pickup of unwanted off-axis sources. Their advanced, transformless electronics are self-contained to simplify installation.The Astatic 910B, 915B and 920B microphones include a solid center section with flexible goosenecks at the top and bottom. The top gooseneck is 1/4" [6mm] in diameter and the bottom gooseneck is 19/32" [8mm] in diameter. The 910B mic utilizes a single 1/4" [6mm] diameter gooseneck. The goosenecks are well-lubricated, silent in operation while maintaining strong positional memory. The overall length of the 910B is 10 15/16" [262mm], the 915B is 15 9/16" [395mm] and the 920B is 20 7/16" [519mm]. The durable matte-black non-reflective paint assures an unobtrusive installation. The foam windscreen is included. Standard P12, P24, or P48 phantom power is required. |
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Astatic by CAD Gooseneck Cardioid Extended Frequency Condenser Mic 20 In : MusiciansFriend : USD169.99The Astatic 910B, 915B and 920B are low-noise, cardioid, condenser, mini-gooseneck microphones. They are ideal for use in houses of worship, government, corporate meeting rooms and public address. Their wide, smooth frequency response characteristics provide natural, articulate and transparent sound. The microphone's cardioid polar pattern minimizes annoying feedback when used close to sound reinforcement speakers and monitors, while reducing the pickup of unwanted off-axis sources. Their advanced, transformless electronics are self-contained to simplify installation.The Astatic 910B, 915B and 920B microphones include a solid center section with flexible goosenecks at the top and bottom. The top gooseneck is 1/4" [6mm] in diameter and the bottom gooseneck is 19/32" [8mm] in diameter. The 910B mic utilizes a single 1/4" [6mm] diameter gooseneck. The goosenecks are well-lubricated, silent in operation while maintaining strong positional memory. The overall length of the 910B is 10 15/16" [262mm], the 915B is 15 9/16" [395mm] and the 920B is 20 7/16" [519mm]. The durable matte-black non-reflective paint assures an unobtrusive installation. The foam windscreen is included. Standard P12, P24, or P48 phantom power is required. |
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Astatic by CAD Gooseneck Cardioid Extended Frequency Condenser Mic 10 In : MusiciansFriend : USD169.99The Astatic 910B, 915B and 920B are low-noise, cardioid, condenser, mini-gooseneck microphones. They are ideal for use in houses of worship, government, corporate meeting rooms and public address. Their wide, smooth frequency response characteristics provide natural, articulate and transparent sound. The microphone's cardioid polar pattern minimizes annoying feedback when used close to sound reinforcement speakers and monitors, while reducing the pickup of unwanted off-axis sources. Their advanced, transformless electronics are self-contained to simplify installation.The Astatic 910B, 915B and 920B microphones include a solid center section with flexible goosenecks at the top and bottom. The top gooseneck is 1/4" [6mm] in diameter and the bottom gooseneck is 19/32" [8mm] in diameter. The 910B mic utilizes a single 1/4" [6mm] diameter gooseneck. The goosenecks are well-lubricated, silent in operation while maintaining strong positional memory. The overall length of the 910B is 10 15/16" [262mm], the 915B is 15 9/16" [395mm] and the 920B is 20 7/16" [519mm]. The durable matte-black non-reflective paint assures an unobtrusive installation. The foam windscreen is included. Standard P12, P24, or P48 phantom power is required. |
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Astatic by CAD 827A Gooseneck Cardioid Speech-Tailored Condenser Mic 17 In : MusiciansFriend : USD99.99The Astatic 827A is a cost-effective, cardioid, mini-gooseneck, electret condenser microphone with a controlled low frequency roll-off, smooth mid-range, and slightly peaked upper range to give a natural sound in all applications requiring voice reproduction. The superior and uniform unidirectional pattern minimizes feedback, reverberation, off-axis coloration, background noise, and placement problems. The 827A microphone from Astatic has an extremely durable satin black finish and built-in circuitry for phantom powering. This unobtrusive gooseneck microphone is ruggedly constructed to provide years of dependable service. The 827A is supplied with a miniature windscreen to control wind noise and breath "pop" during close talk situation and an A3M connector at the equipment end of the gooseneck. |
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Astatic by CAD 827A Gooseneck Cardioid Speech-Tailored Condenser Mic 13 In : MusiciansFriend : USD99.99The Astatic 827A is a cost-effective, cardioid, mini-gooseneck, electret condenser microphone with a controlled low frequency roll-off, smooth mid-range, and slightly peaked upper range to give a natural sound in all applications requiring voice reproduction. The superior and uniform unidirectional pattern minimizes feedback, reverberation, off-axis coloration, background noise, and placement problems. The 827A microphone from Astatic has an extremely durable satin black finish and built-in circuitry for phantom powering. This unobtrusive gooseneck microphone is ruggedly constructed to provide years of dependable service. The 827A is supplied with a miniature windscreen to control wind noise and breath "pop" during close talk situation and an A3M connector at the equipment end of the gooseneck. |
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Astatic by CAD 900 Overhead Hanging Microphone Black : MusiciansFriend : USD189.99The Astatic 900 is a superior low noise, electret condenser cardioid choir microphone.The hanging microphone has a wide, flat frequency response which provides unsurpassed, natural, transparent sound quality. Its cardioid pickup pattern minimizes annoying feedback when used close to sound reinforcement speakers and monitors, while reducing the pickup of unwanted off axis sounds.The 900's electronics are located externally in a housing that also contains the professional three-pin male XLR connector. The Astatic 900 is attached to this with a 30' cable terminated with a mini three-pin XLR. It is finished in durable black urethane paint. The 900 mic features a .022"-diameter hole placed directly behind the microphone head that facilitates the use of monofilament line to inconspicuously fix the position of one or a series of microphones. |
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Astatic by CAD 900 Overhead Hanging Microphone White : MusiciansFriend : USD189.99The Astatic 900 is a superior low noise, electret condenser cardioid choir microphone.The hanging microphone has a wide, flat frequency response which provides unsurpassed, natural, transparent sound quality. Its cardioid pickup pattern minimizes annoying feedback when used close to sound reinforcement speakers and monitors, while reducing the pickup of unwanted off axis sounds.The 900's electronics are located externally in a housing that also contains the professional three-pin male XLR connector. The Astatic 900 is attached to this with a 30' cable terminated with a mini three-pin XLR. It is finished in durable black urethane paint. The 900 mic features a .022"-diameter hole placed directly behind the microphone head that facilitates the use of monofilament line to inconspicuously fix the position of one or a series of microphones. |
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Astatic by CAD 201R Mini Cardioid Installation Boundary Microphone Black : MusiciansFriend : USD189.99The Astatic 201R microphones are miniature, high performance electret condenser microphones designed for low-profile mounting in panels, tables, or ceilings. They have been redesigned with improved RF immunity to greatly reduce susceptibility to radio interference from GSM based cell phones, PDA/cell phones, cell phones with walkie-talkie capability and other similar devices. The microphone is an excellent choice for teleconferencing, voice-lift, professional recording, courtrooms, surveillance and many other critical applications.These Astatic mics are 1.1" in diameter at the largest point and mount in a 13/16" opening in panels up to 2" thick. The 201Rs are extremely rugged and feature a solid machined brass body and Astatic Flex-Form hardened grille screens. The microphone also has a built in 80Hz, 12dB/octave high-pass filter and are terminated with a standard male 3-pin XLR connector. Color-matched shockmount isolators are also included with each microphone. (15/16" mounting hole required when using shock isolators). 201Rs feature self-contained low noise electronics and operate from standard P12, P24 and P48 phantom power. The cardioid (half cardioid above mounting surface) pickup of the 201R pattern minimizes annoying feedback when used close to sound reinforcement speakers and monitors, while reducing the pickup of unwanted off axis sounds. The front of the microphone is located by the Astatic logo in the cut-out section of the microphone bezel. |
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Astatic by CAD 201R Mini Cardioid Installation Boundary Microphone White : MusiciansFriend : USD189.99The Astatic 201R microphones are miniature, high performance electret condenser microphones designed for low-profile mounting in panels, tables, or ceilings. They have been redesigned with improved RF immunity to greatly reduce susceptibility to radio interference from GSM based cell phones, PDA/cell phones, cell phones with walkie-talkie capability and other similar devices. The microphone is an excellent choice for teleconferencing, voice-lift, professional recording, courtrooms, surveillance and many other critical applications.These Astatic mics are 1.1" in diameter at the largest point and mount in a 13/16" opening in panels up to 2" thick. The 201Rs are extremely rugged and feature a solid machined brass body and Astatic Flex-Form hardened grille screens. The microphone also has a built in 80Hz, 12dB/octave high-pass filter and are terminated with a standard male 3-pin XLR connector. Color-matched shockmount isolators are also included with each microphone. (15/16" mounting hole required when using shock isolators). 201Rs feature self-contained low noise electronics and operate from standard P12, P24 and P48 phantom power. The cardioid (half cardioid above mounting surface) pickup of the 201R pattern minimizes annoying feedback when used close to sound reinforcement speakers and monitors, while reducing the pickup of unwanted off axis sounds. The front of the microphone is located by the Astatic logo in the cut-out section of the microphone bezel. |
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Astatic by CAD 202R Mini Omni Installation Boundary Microphone Black : MusiciansFriend : USD189.99The Astatic 202R microphones are miniature, high performance electret condenser microphones designed for low-profile mounting in panels, tables, or ceilings. They have been redesigned with improved RF immunity to greatly reduce susceptibility to radio interference from GSM based cell phones, PDA/cell phones, cell phones with walkie-talkie capability and other similar devices. They are excellent choices for teleconferencing, voice-lift, professional recording, courtrooms, surveillance and many other critical applications. The microphone is 1.1" in diameter at the largest point and mounts in a 13/16" opening in panels up to 2" thick. The 202Rs mics are extremely rugged and feature a solid machined brass body and Astatic Flex-FormTM hardened grille screens. It also has a built-in 80Hz, 12dB/octave high pass filter and are terminated with standard male 3-pin XLR connectors. Color-matched shockmount isolators are also included with each microphone. (15/16" mounting hole required when using shock isolators). It features self-contained low noise electronics and operate from standard P12, P24 and P48 phantom power. The front of the boundary microphone is located by the Astatic logo in the cut out section of the microphone bezel. The mic features an omnidirectional (half hemisphere above mounting surface) pickup which is useful when a directional pattern is not desired. No special orientation is required when mounting the 202R. |
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Astatic by CAD 202R Mini Omni Installation Boundary Microphone White : MusiciansFriend : USD189.99The Astatic 202R microphones are miniature, high performance electret condenser microphones designed for low-profile mounting in panels, tables, or ceilings. They have been redesigned with improved RF immunity to greatly reduce susceptibility to radio interference from GSM based cell phones, PDA/cell phones, cell phones with walkie-talkie capability and other similar devices. They are excellent choices for teleconferencing, voice-lift, professional recording, courtrooms, surveillance and many other critical applications. The microphone is 1.1" in diameter at the largest point and mounts in a 13/16" opening in panels up to 2" thick. The 202Rs mics are extremely rugged and feature a solid machined brass body and Astatic Flex-FormTM hardened grille screens. It also has a built-in 80Hz, 12dB/octave high pass filter and are terminated with standard male 3-pin XLR connectors. Color-matched shockmount isolators are also included with each microphone. (15/16" mounting hole required when using shock isolators). It features self-contained low noise electronics and operate from standard P12, P24 and P48 phantom power. The front of the boundary microphone is located by the Astatic logo in the cut out section of the microphone bezel. The mic features an omnidirectional (half hemisphere above mounting surface) pickup which is useful when a directional pattern is not desired. No special orientation is required when mounting the 202R. |
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Astatic by CAD AMC Omni Dynamic Microphone With Push-to-Talk Switch : MusiciansFriend : USD79.99This Astatic microphone is from the AMC Series and is a push-button omnidirectional dynamic mic designed specially for fixed or gooseneck mounting in quality sound installations. The AMC1055NO microphones are extremely rugged and reliable and will stand up under the most strenuous handling conditions to provide years of dependable service. A smooth wide-band frequency response with a slight, intentional presence boost at 2000 Hz gives a natural, crisp, highly intelligible sound. All models are furnished with 5/8" 27-thread mounting and 7' of rugged synthetic jacketed four-conductor (two shielded) cable. Finished with a chrome-plated screen and black Cycolac cap and housing. 19" gooseneck.The AMC Series of gooseneck mounted, omnidirectional microphones are constructed of high-impact ABS Plastic and are excellent choices when cost-effective, rugged dependability and excellent intelligibility are required. Astatic's AMC mics are available with momentary switches for single- and dual-zone applications (dual zone operation requires an external relay for signal routing). |
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Astatic by CAD AMC Omni Dynamic Mic With Push-to-Talk Switches : MusiciansFriend : USD99.99The Astatic AMC105-2 is a dual-zone omnidirectional microphone designed especially for fixed or gooseneck mounting in quality sound installations. A smooth, wide band frequency response with a slight presence boost at 2kHz, gives a natural, crisp, highly intelligible sound. Two DPDT sealed micro switches, with color-coded buttons for easy identification, permits paging in two areas, and an all-call feature is obtained by depressing both buttons simultaneously. The AMC105-2 microphone is extremely rugged and reliable, and will stand up under the most strenuous handling conditions to provide years of dependable service.The dynamic mic is supplied with 5/8" 27-thread mounting, 7' of rugged, synthetic jacketed four-conductor, two-shielded cable. Black Cycolac cap, chrome-plated screen and black Cycolac housing. A removable set screw is used to secure the front cap to the microphone housing and microphone to the gooseneck. |
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Astatic by CAD 119L Gooseneck Cardioid Dynamic Microphone : MusiciansFriend : USD89.99The Astatic 119L is a dynamic cardioid microphone, designed especially for gooseneck mounting in quality sound reinforcement and communication installations. A slightly rising high-frequency response and a gentle low-frequency roll-off assure excellent voice reproduction. The mic's cardioid directional pattern minimizes feedback, background noise, reverberation, off-axis coloration and placement problems. An internal-vibration isolation system, consisting of a special rubber-mounting ring as a support for the element, reduces gooseneck, stand, and handling noise. The 119L microphone has an effective multi-stage blast filter controls breath pop and wind disturbances.This gooseneck mic by Astatic has a low-impedance output and is supplied with 5-1/2' of rugged two-conductor shielded cable. It's extremely rugged and reliable and will stand up under the most strenuous handling conditions to provide years of dependable service. |
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Astatic by CAD 119S Gooseneck Cardioid Dynamic Mic Push-to-Talk Switch : MusiciansFriend : USD99.99The 119S is a dynamic cardioid microphone with a momentary push button switch, designed especially for gooseneck mounting in quality sound reinforcement and communication installations. A slightly rising high frequency response and a gentle low frequency roll-off, assure excellent voice reproduction. The 119S mic's superior cardioid directional pattern minimizes feedback, background noise, reverberation, off-axis coloration and placement problems. An internal vibration isolation system, consisting of a special rubber mounting ring as a support for the element, reduces gooseneck, stand and handling noise. An effective multi-stage blast filter controls breath pop and wind disturbances. The gooseneck mic has a high quality push-to-talk switch. The momentary push button switch is a double-pole, double-throw snap action type with gold-plated contacts. The microphone element is wired normally open. The push button switch also connects to an extra pair of leads in the cable for any additional switching requirements.The 119 Series microphones by Astatic feature all metal construction and are extremely rugged and reliable. They will stand up under the most strenuous handling conditions to provide years of dependable service. The 119 Series features balanced line wiring to allow use with long runs of cable without hum or noise pickup. The cable length for the 119S-19 is 5-1/2'. The 119S-19 is finished in satin chrome and includes a 20" chrome gooseneck and flange. |
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Astatic by CAD 611L Omni Dynamic Handheld Microphone with Switch : MusiciansFriend : USD59.99The 611L dynamic microphone is designed for palmheld communication. The frequency response, especially tailored for voice communications, provides a crisp, clear, highly intelligible sound. The 611L handheld mic, with modern tear drop styling, offers extreme reliability, convenient handling, rugged construction and high performance for years of dependable service. The dynamic cartridge has a strong polyester diaphragm that resists moisture, temperature extremes, most acids, alkalines, and solvents. Molded in high impact Cycolac, the Astatic 611L comes with a permanently attached, heavy-duty, four-conductor, double-shielded, coil cord. The low impedance 611L has a DPDT long life, trouble-free switch and is factory wired normally open. |
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Astatic by CAD Noise-Canceling Omnidirectional Dynamic Handheld Microphone with Switch : MusiciansFriend : USD69.99The Astatic Noise-Canceling microphone is designed for close talking, handheld applications in quality sound installations where background noise is a problem. The omnidirectional dynamic microphone's frequency response, especially tailored for voice communications, provides a crisp, clear, highly intelligible sound with 360° minimization of background noise. A soft lip-guard is positioned to assure proper close-talk voice spacing by the microphone's operator. The dynamic cartridge has a rugged polyester diaphragm that resists moisture, temperature extremes, most acids, alkalines, and solvents. Molded in high-impact Cycolac, the 631L microphone comes with a permanently attached, heavy-duty, four-conductor, two-shielded coil cord. The low impedance Astatic Noise-Canceling Microphone is simple to operate. A trouble-free DPDT long-life switch is factory-wired normally open. |
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Astatic by CAD Small Format Omnidirectional Dynamic Handheld Microphone with Switch : MusiciansFriend : USD99.99The Astatic 651 is a small-format squeeze-to-talk, dynamic microphone for critical communications applications. The omnidirectional 651 mic has a tailored frequency response providing clear transmission and maximum intelligibility of speech. The microphone's housing is built to withstand rough mechanical impact while the transducer resists atmospheric extremes. The 651 microphone has a simple-to-operate DPDT long-life, trouble-free, leaf switch. It has a low-impedance output and is factory wired normally open. The 651 mic may be rewired in the field if a line shorting function is desired.The Astatic 651 mic is an excellent choice for any application requiring a small-format palm-held microphone for discrete or tight mounting spaces such as life-safety systems or paging stations where small size is required. The 651 microphone is also suited to most public address and general, multiple-use, commercial paging applications such as factories, airports, lobbies, restaurants, warehouses, etc. |
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Astatic by CAD Omnidirectional Dynamic Desktop Microphone with Locking Switch : MusiciansFriend : USD99.99This omnidirectional Astatic desktop microphone is a dual impedance, dynamic mic that offers modern styling and features in a rugged Cycolac housing. For all industrial and commercial public address and paging applications. A slight rise above 200 Hz gives the 878HL microphone a natural and highly intelligible sound. The 878HL mic offers a long-life DPDT leaf switch with three types of switch activation: a momentary push bar, a locking on/off switch, and lift-to-talk operation. The microphone's lift-to-talk operation can be disabled with a slide switch located under the microphone base.The Astatic Desktop Mic is manufactured to take abuse and retain its performance and appearance over a long life. Four molded, non-skid, non-marring, permanently resilient shock isolation feet are located under the base. The high or low impedance selector switch is located on the bottom of the microphone. The 878HL mic is supplied with a 7' four-conductor, two-shielded, cable wired normally open for relay control. If a line-shorting switch function is desired, the Astatic 878HL can be easily rewired in the field. The wide band frequency response is smooth and peak free.Impedance The Astatic Model 877HL is a dual impedance microphone. The high impedance position is 40,000 ohms and the low impedance is 400 ohms. The low impedance position is recommended for long cable length requirements. Cable lengths of 100' or more can be used in this position without loss of level or deterioration of high-frequency response |
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Nady USB-1CMS USB Condenser Microphone with Sony Acid Music Studio : MusiciansFriend : USD99.95Give your DAW a boost of quality tools to utilize with this package deal that includes the top-notch Nady USB-1C Condenser Mic with Sony's ACID Music Studio 7 software. You'll get incredible clarity of sound from the USB-1C and all the tools you need to turn your ideas into something special with the versatile software.Nady USB-1C Condenser Microphone The Nady USB-1C Condenser Microphone is perfect for recording studio vocals, acoustic instruments, podcasts, ambient instrument audio, or any audio source to your preferred DAW (Digital Audio Workstation). Just connect the mic to your computer's USB port with the supplied cable and launch your DAW. You are now ready to record! Powerful and versatile, the USB-1C microphone meets the stringent requirements of even the most demanding digital recording and live broadcasting applications.Sony ACID Music Studio 7 Sony ACID Music Studio 7 software gives you the kind of quality music recording, mixing, and effects processing that you're used to with the ACID series. And there are several new features, especially in the MIDI editing and sequencing area, that make ACID Music Studio once again a worthwhile investment for budding home studio musicians. Built-in tutorials guide you on how to utilize the powerful composing, mixing and mastering tools. So even if it's your first time using ACID, you'll be an old pro before you know it. With ACID Music Studio, live recording is a snap. Simply plug your microphone or instrument into your PC sound card and click record to capture vocals, guitars, keyboards, MIDI and more. After you've laid down your original ideas, work out the kinks with the included professional mixing tools and audio effects. From volume and panning to auto routing and effects processing, reverb and delay to distortion and echo, there's plenty of ways to play with your song to get the right sound. You can also use VST and DirectX audio effects, and VST instruments or any of the 3,000 ACIDized music loops, 1,000 MIDI files, and other tools to spice things up. When you're satisfied with the final product, ACID Music Studio 7 provides you the tools to create your own CDs, upload it for a particular website or for podcasting, convert songs to MP3 format, or add your music to the soundtrack of a video. When you're ready to record, ACID Music Studio 7 is an affordable way to take your abstract ideas and make them more concrete. |
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AKG Perception 120 Condenser Microphone : MusiciansFriend : USD99.0The Perception 120 is a general-purpose condenser microphone. Its 2/3" cardioid capsule delivers beautifully balanced response with excellent transients. It features AKG's design and logo style, True Condenser capsule technology, switchable 20 dB pre attenuation, and switchable bass-cut filter. The condenser is housed in a rugged die-cast chassis and dent-resistant stainless steel grille screen.In 2005, AKG launched Perception microphones models 100 and 200 and it marked the beginning of a big success story. With Perception, AKG created a new series of microphones with legendary AKG sound and quality at an outstanding price/performance level. AKG's Perception mics are among the best wired condenser microphones at their price point.Requires phantom power. |
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AKG Perception 170 Condenser Microphone : MusiciansFriend : USD149.0The Perception 170 is a 1/2" small-diaphragm instrument microphone. It delivers incredibly precise sound with beautifully-detailed transients. It features AKG's new design and logo style, true condenser capsule technology, 20 dB preattenuation pad, and a cardioid pickup which minimizes off-axis sound. The diaphragm is housed in a rugged die-cast chassis. In 2005, AKG launched the Perception microphone models 100 and 200 and it marked the beginning of a big success story. With Perception, AKG created a new series of microphones with legendary AKG sound and quality at an outstanding price/performance level. AKG's Perception Microphones are among the best in wired condenser microphones in their price point.Requires phantom power. |
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AKG Perception 220 Condenser Microphone : MusiciansFriend : USD179.0The Perception 220 is a large-diaphragm True Condenser microphone. It features AKG's new design and logo style, True Condenser capsule technology, switchable 20 dB attenuation pads, and switchable low-cut filter. The condenser is housed in a rugged die-cast chassis. Spider-type shock mount and metal mic case included.In 2005, AKG launched the Perception models 100 and 200 and it marked the beginning of a big success story. With Perception, AKG created a new series of microphones with legendary AKG sound and quality at an outstanding price/performance level. AKG's Perception Microphones are among the best for wired condenser microphones for their price point. Requires phantom power. |
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AKG Perception 420 Condenser Microphone : MusiciansFriend : USD299.0In the Perception 420, 2 back-to-back large-diaphragm capsules create a flexible multi-pattern microphone capable of cardioid, omni, and figure-8 recording patterns. It features AKG's new design and logo style, True Condenser capsule technology, a switchable -20 dB preattenuation pad, and a switchable bass-cut filter to minimize noise and boominess. The condenser microphone is housed in a rugged chassis with a gold-plated XLR-type output. Spider-type shock mount and metal case included.In 2005, AKG launched the Perception models 100 and 200. This was the beginning of a big success story. With Perception, AKG created a new series of microphones with legendary AKG sound and quality at an outstanding price/performance level. AKG's Perception Microphones are among the best wired condenser microphones for their price point. Requires phantom power. |
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Musicians Gear Studio Microphone Shock Mount Champagne Condenser : MusiciansFriend : USD14.99The MY-410 is a studio microphone shock mount that fits most large diaphragm condenser mics (42-48mm diameter) including the OSM-800. The die-cast steel adapter with 5/8"-27 threads features an angle adjustment with locking knob and will attach to any microphone boom. |
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Musicians Gear Studio Microphone Shock Mount Black Condenser : MusiciansFriend : USD14.99The MY-410 is a studio microphone shock mount that fits most large diaphragm condenser mics (42-48mm diameter) including the OSM-800. The die-cast steel adapter with 5/8"-27 threads features an angle adjustment with locking knob and will attach to any microphone boom. |
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Musicians Gear Symmetrical Studio Microphone Shock Mount Black Pencil Mic : MusiciansFriend : USD19.99The MY-420 is ideal for the stage or studio and fits most pencil-style condenser microphones, most dynamic or condenser handheld mics and some cylindrically-shaped ribbon mics. Features a symmetrical shock-mount design, an angle adjustment with locking knob and a pre-tested suspension cord with expandable woven jacket. Black powder coat finish. |
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Musicians Gear Drum Microphone Mount Kit 5 - Pack : MusiciansFriend : USD69.99This Musician's Gear Drum Mic Mount Kit includes 4 DM50 Drum Rim Mic Clips and one MS7920B Kick Drum/Amp Mic Stand.The Drum Rim Mic Clips fit standard 5/8"-27 threads and are height adjustable, allowing you to place them in the best location for sound and convenience. Rubber isolation cylinders dampen unwanted vibrations from reaching the mic. The clamp adjusts to fit rims as tall as 1-3/8" and features a protective rubber coating on all contact surfaces.The Kick Drum/Amp Mic Stand adjusts from 8" - 14" high and features a 16" boom. The die-cast U-shaped base is compact but has plenty of weight to keep it in place. A mid-point clutch makes boom adjustments quick and easy. |
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Line 6 X2 XDR955 Digital Handheld Wireless Mic System : MusiciansFriend : USD499.99X2 XDR955 Rackmount Wireless Microphone System from Line 6 is a breakthrough in digital wireless technology. It features award-winning solutions for vocalists, public speakers, and presenters that traditional analog wireless systems simply cannot deliver. X2 XDR955 features 24-bit analog-to-digital conversion to capture and reproduce all the important dynamics and nuances of your vocal performance. The extended frequency response of 10Hz–20kHz produces clear and commanding voices at up to 300 feet, the entire length of a football field. And the expanded dynamic range of more than 115dB, which outperforms that of any comparable analog wireless systems, provides crystal-clear voices with ample headroom. The historically squashed sound of analog wireless is a thing of the past.X2 XDR955 delivers a 100% compression-free broadcast to preserve the rich tone and feel that are characteristic of a high-quality audio cable connection. Performers will fall for the wired sound of X2 XDR955 instead of tripping over dozens of feet of tangled cable. X2 XDR955 provides multiple layers of protection to protect its strong signal. It uses dual-RF anti-jam technology and a proprietary digital data stream to shield against static, interference, and dropouts. Free of complicated setup, X2 XDR955 is the apex of simplicity. It delivers instant out-of-the-box usability throughout all of the United States and Canada and eliminates the need for an FCC operator s license. Plus, it includes all necessary batteries, antennas, and accessories. The microphone boasts many pro advantages. The cardioid capsule offers excellent isolation and feedback rejection, and the built-in transmitter provides the ultimate in convenience. Performers can finally keep their attention on their performances instead of on their wireless system. X2 XDR955 provides the kind of revolutionary support that wireless users have always dreamed of. |
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Line 6 X2 XDS-PLUS Digital Wireless Instrument System : MusiciansFriend : USD279.99The X2 XDS-PLUS is a rugged, digital instrument wireless system sporting many features of the XDR Series. It's packed into a rugged metal chassis receiver. Thanks to its digital technology you get an extended frequency response and operating range.Providing guitarists with total freedom, superior tone and refreshing simplicity, X2 XDS-Plus, allows a completely uninhibited musical experience. Performers can keep their energy and attention on their performance, not on their rig. Boasting extended frequency response and dynamic range, X2 XDS-Plus produces brilliant sound quality comparable to that of high-quality audio cables. Instead of tripping over dozens of feet of tangled cable, performers will fall for X2 XDS-Plus's clear and powerful tone.Featuring an extended range of 200 feet, the length of a hockey rink, X2 XDS-Plus provides at maximum range the same blazing signal and brilliant, uncompressed tone that it provides at the source. Analog wireless systems, notorious for rolling off low end, force players, especially bass players, to sacrifice tone for wireless functionality. With X2 XDS-Plus, players can easily interact with the crowd at the foot of the stage without any loss in sound quality. Extremely versatile, X2 XDS-Plus even simplifies the recording process. The extended frequency response, 10 Hz – 20 kHz, satisfies the expectations guitarists have come to demand from high-quality cable, but without the tangled mess. With their rigs cranked to 11 in the iso-booth, guitarists can play near the band and keep the all-important vibe and that ensures a great take. Eradicating common issues that adversely affect traditional analog wireless systems, X2 XDS-Plus utilizes exclusive Line 6 dual-RF technology to guarantee a strong and constant signal and to neutralize issues of static, interference and jamming caused by cell phones, wireless networks and other unforeseen or unknown sources of RF energy. Made in the USA, the X2 XDS-PLUS wireless system features X2's companderless technology, and dual digital transmission, for the sound and feel of a direct wire connection. It also has an incredible level of interference protection only available from X2. This wireless system contains an XDT4 digital UHF bodypack transmitter, an XDR2 digital UHF receiver, an instrument cable and 9V DC power supply. Users guide and all necessary batteries included. |
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Roland DR-30 Hand-Held Dynamic Vocal Microphone : MusiciansFriend : USD95.0The affordable DR-30 is a hand-held stage microphone that's perfect for amateur applications. Dynamic vocal mic features a cardioid pattern, built-in shock absorption, and a silent switch for quiet ons and offs. The power switch also has a lock to prevent mishandling. |
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Roland DR-50 Dynamic Microphone : MusiciansFriend : USD145.0The Roland DR-50 is decidedly a pro-quality microphone. It has a hypercardioid pattern,. enhanced shock-absorption to reduce handling noise, and a double windscreen to minimize breath noise. |
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Roland DR-80C Studio Condenser Microphone : MusiciansFriend : USD295.0The Roland DR-80C is a large diaphragm condenser microphone that has the low-noise and high-input capability needed in the studio. IThe DR-80C mic's extended response range allows you to capture the full sound, while a low-cut switch and pad offer flexibility and ease of use with difficult sources. Includes shockmount holder. Requires phantom power. |
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Sony ECM-957PRO Stereo Condenser Microphone : MusiciansFriend : USD385.0The ECM-957PRO is a mid-side (MS) stereo electret condenser microphone with switchable directional characteristics (90° or 120°) and greatly improved sensitivity. This microphone offers a unique adjustable capsule that allows for a choice of vertical or horizontal sound pick-up. The ECM-957PRO has a built-in MS decoder providing a conventional left and right stereo output. The Mid-Side stereo mic capsules offer natural sound pick up with superb clarity. The supplied mic cable includes a 5-pin XLR (on the mic end) with a stereo mini (1/8") connector on the output end. The ECM-957PRO operates on a single AA size battery with a battery life of approximately 200 hours. Requires phantom power. |
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Line 6 X2 XDR-954 Digital Cardioid Lavalier Wireless Mic System : MusiciansFriend : USD599.99The Line 6 X2 XDR-954 is a breakthrough in wireless sound and performance. It is 2009 compliant and features a cardioid lavalier microphone. Cardioid microphones are the number one choice for vocal and speaking applications where maximum isolation for the performer is desired without the complications of wearing equipment on your head. Simply attach the supplied tie-clip to your clothing and free up your hands for other tasks. The cardioid microphone will greatly reduce feedback problems. This wireless mic system includes a digital UHF bodypack transmitter, and rackmount receiver. An AT831-X microphone, front mounted antenna kit, rack-mounting hardware, and users guide and batteries.Boasting extended frequency response and dynamic range, X2 XDR954 produces brilliant sound quality comparable to that of high-quality audio cables. Instead of tripping over dozens of feet of tangled cable, performers will fall for X2 XDR954's clear and commanding tone.Featuring an extended range of 300 feet, the length of an entire football field, X2 XDR954 provides at maximum range the same blazing signal and brilliant, uncompressed tone that it provides at the source. Analog wireless systems, notorious for rolling-off low end, force public speakers to sacrifice tone for wireless functionality. Extremely versatile, X2 XDR954 even simplifies the recording process. The extended frequency response, 10 Hz – 20 kHz, satisfies the expectations speakers have come to demand from high-quality cable, but without the tangled mess. |
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Line 6 X2 XDR-953 Digital Headset Wireless Mic System : MusiciansFriend : USD599.99The Line 6 X2 XDR-953 Headworn Microphone System is a breakthrough in wireless sound and performance. It is 2009 compliant and features a cardioid microphone. Cardioid microphones are the number one choice for vocal and speaking applications where maximum isolation for the performer is desired. Cardioid microphones will greatly reduce feedback problems. This wireless system includes a digital UHF bodypack transmitter, and rack-mount receiver. An ATM75-X microphone, front mounted antenna kit, rack-mounting hardware, and users guide and batteries.Featuring an extended range of 300 feet, the length of an entire football field, X2 XDR953 provides at maximum range the same blazing signal and brilliant, uncompressed tone that it provides at the source. Analog wireless systems, notorious for rolling-off low end, force public speakers and vocalists to sacrifice tone for wireless functionality. Extremely versatile, X2 XDR953 even simplifies the recording process. The extended frequency response, 10 Hz – 20 kHz, satisfies the expectations speakers and vocalists have come to demand from high-quality cable, but without the tangled mess. Eliminating common issues that adversely affect traditional analog wireless systems, X2 XDR953 utilizes exclusive Line 6 dual-RF technology to guarantee a strong and constant signal and to neutralize issues of static, interference and jamming caused by cell phones, wireless networks and other unforeseen sources of RF energy. |
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Line 6 X2 XDR-952 Digital Omni Lavalier Wireless Mic System : MusiciansFriend : USD599.99The Line 6 X2 XDR-952 Omni Lavalier Mic System is a breakthrough in wireless sound and performance that's 2009 compliant and features an omni lavalier microphone. Omni microphones are the number one choice for theatrical performances, houses of worship and other venues where two or more microphones will be used in relatively close proximity thus avoiding phase-canceling drops in volume. This wireless mic system includes a digital UHF bodypack transmitter, and rack-mount receiver. An AT830-X microphone, front mounted antenna kit, rack-mounting hardware, and users guide and batteries.Boasting extended frequency response and dynamic range, X2 XDR952 produces brilliant sound quality comparable to that of high-quality audio cables. Instead of tripping over dozens of feet of tangled cable, performers will fall for X2 XDR952's clear and commanding tone.Featuring an extended range of 300 feet, the length of an entire football field, X2 XDR952 provides at maximum range the same blazing signal and brilliant, uncompressed tone that it provides at the source. Analog wireless systems, notorious for rolling-off low end, force public speakers to sacrifice tone for wireless functionality. Extremely versatile, X2 XDR952 even simplifies the recording process. The extended frequency response, 10 Hz – 20 kHz, satisfies the expectations speakers have come to demand from high-quality cable, but without the tangled mess. Eradicating common issues that adversely affect traditional analog wireless systems, X2 XDR952 utilizes exclusive Line 6 dual-RF technology to guarantee a strong and constant signal and to neutralize issues of static, interference and jamming caused by cell phones, wireless networks and other unforeseen or unknown sources of RF energy. |
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Line 6 X2 XDR-957 Digital Clip-On Instrument Wireless Mic System : MusiciansFriend : USD649.99The Line 6 X2 XDR-957 Wireless Mic System for brass and woodwind instruments is a breakthrough in wireless sound and performance that's 2009 Compliant, and features a specialized cardioid clip-on instrument microphone. This microphone provides maximum isolation for the performer, while capturing the full energy of your brass or woodwind instrument. Cardioid microphones will greatly reduce feedback problems and the adjustable boom allows you to position the capsule in the optimum pickup position.Boasting extended frequency response and dynamic range, X2 XDR957 produces brilliant sound quality comparable to that of high-quality audio cables. Instead of tripping over dozens of feet of tangled cable, performers will fall for X2 XDR957's clear and commanding tone.Featuring an extended range of 300 feet, the length of an entire football field, X2 XDR957 provides at maximum range the same blazing signal and brilliant, uncompressed tone that it provides at the source. Analog wireless systems, notorious for rolling-off low end, force acoustic instrumentalists to sacrifice tone for wireless functionality. Extremely versatile, X2 XDR957 even simplifies the recording process. The extended frequency response, 10 Hz – 20 kHz, satisfies the expectations brass, string and wind players have come to demand from high-quality cable, but without the tangled mess. Eliminating common issues that adversely affect traditional analog wireless systems, X2 XDR957 utilizes exclusive Line 6 dual-RF technology to guarantee a strong and constant signal and to neutralize issues of static, interference and jamming caused by cell phones, wireless networks and other unforeseen sources of RF energy. |
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Audio-Technica M4000S Handheld Dynamic Microphone : MusiciansFriend : USD49.99The Audio-Technica M4000S Handheld dynamic microphone has professional features with a ridiculously affordable price tag! Its frequency response is tailored for crystal-clear vocal reproduction. Great feedback rejection and focused pick up are due to the unidirectional polar pattern. It also features a handy on/off switch for ease of use. Professional features include a balanced XLR output and a rugged stand clamp. Whether you're on the road, in the studio, or just performing at local gigs, its all-metal design helps provide years of trouble free use. |
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Heil Sound PR 35 Dynamic Microphone : MusiciansFriend : USD249.0The Heil Sound PR 35 is an incredibly versatile vocal mic. It has an amazing amount of rear rejection but exhibits no off-axis coloration, so it is like having a supercardioid and omni mic in one! It works well for commercial broadcast, recording, and live sound reinforcement applications. When you need a smooth, flat response over a wide frequency range the Heil PR 35 is your mic. The PR 35 was designed around the acclaimed PR 30 element and incorporates a sorbothane shock mount to give you the best possible results.The PR 35 mic achieves its exceptional performance by using a special magnet structure and a large aluminum 1-1/2" low-mass voice coil assembly. A carefully wound and placed hum bucking coil allows the Heil PR 35 to be placed near video monitors without unwanted hum or buzz. Special attention has been paid to the phasing plug assembly with equally placed ports that sense audio from behind the source. It then enters them out of phase, thus producing a very linear cardioid pattern. This reduces the proximity effect while achieving the extreme articulation across its smooth 40 Hz - 18 kHz frequency response. The Heil element can be used in extreme high sound pressure levels and is immune to overload conditions. It produces a beautifully smooth audio response without the inconvenience of phantom or outside DC powering.The PR 35 microphone is equipped with a three-position roll-off switch. The first position is flat, the second position rolls off at approximately -3 dB and the last position rolls off at approximately -6 dB.The Heil PR 35 mic's cardioid pattern offers the greatest rejection of unwanted audio at 180° off axis, which is directly behind the microphone; there is virtually no off-axis coloration.Supplied with a microphone clip that mounts to any 5/8" 27-thread mic stand. It also comes with a leatherette carrying case and wind screen.For amateur radio, a CC-1 XLR cable is required to interface with a transceiver. |
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MXL USB.009 24/96 Digital USB Condenser Microphone : MusiciansFriend : USD399.95The MXL USB.009 24/96 is a digital gold diaphragm USB condenser microphone is one of the solutions for the professional broadcast and music industries. It features a large diaphragm, 32mm capsule similar to what's found on the world's best analog microphones. This mic delivers zero latency monitoring, and provides analog rotary knobs to dial in the perfect mix. When its time to listen back to the tracks you've recorded, the MXL USB.009 24/96 will impress with its amazing detail and punch. It is a simple, feature-rich, elegant all-in-one recording solution that is completely professional. |
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MXL 990 Ribbon Microphone : MusiciansFriend : USD99.95A modern classic, the MXL 990 Ribbon mic is the result of great engineering. With an amazingly smooth and natural frequency response, the 990 Ribbon mic excels in the most demanding recording applications. It can be used to enhance string and woodwind instruments, along with mellow, edgy vocals and overly bright horns. It is equally at home when used in conjunction with a grand piano or even in front of a guitar cabinet pushing high SPL levels. When it comes to unprecedented versatility, the MXL 990 ribbon mic is a top-notch choice.The MXL 990 Ribbon microphone uses an aluminum ribbon transducer, which by nature is a bidirectional (figure-8) pickup pattern. A figure-8 pattern will pick up sounds from the front and back sides of the microphone with equal sensitivity while maintaining a large amount of rejection 90 degrees off access. The front of the microphone is indicated by the MXL logo where the audio signal is in-phase while the backside has an inverted phase. Ribbon mics typically have a lower output than condenser microphones and may require a preamplifier with a lot of gain. It is highly recommended to use a preamp with low noise, high gain, and an input impedance of 1500 or greater. It is strongly advised to experiment with placement and isolation requirements with the gain initially set low to avoid possible equipment (and hearing) damage.Important Power Requirements This microphone does not require a power supply. Use of phantom power with this microphone is not recommended as it can severally damage the ribbon element and causes the microphone to be unusable. |
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Sterling Audio Sterling Audio ST79 Multi-Pattern FET Studio Condenser Mic : MusiciansFriend : USD599.99The Sterling ST79 Dual-Diaphragm Multi-Pattern Condenser Microphone is designed around a Class-A discrete FET mic amp specially chosen to match its large dual-diaphragm capsule. The ST-79 offers 3 different pickup patterns: Omni-directional, Cardioid and Figure-8, providing complete mic placement flexibility. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm midrange reminiscent of vintage microphones. Hand-selected internal components create a sound that enhances both vocal and instrument performances. |
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VocoPro The Bridge FM Transmitter Wireless Mic System : MusiciansFriend : USD199.0The Bridge from VocoPro is an FM transmitter and wireless mic system that brings portable karaoke technology up to date. With 2 wireless microphones, stereo RCA inputs, 1/8" audio input and an FM transmitter, it allows you to sing along to your favorite discs or Mp3s in the car or bus for hours of on-the-road fun. It also has a 1/8" audio input to connect your portable DVD Player, iPod, Laptop, or other audio device, for a total Mobile Karaoke Experience. |
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Audix D-Clip Narrow Body Mic Clip : MusiciansFriend : USD9.95Stand adapter for D-Series, SCX series, ADX50, and TR40 microphones. Has standard 5/8" threads and also includes a 3/8" thread adapter for European stands. |
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Audio-Technica M4000S Microphone - Buy One, Get One Free : MusiciansFriend : USD39.99Get two Audio-Technica M4000S Handheld dynamic microphones for the price of one! These microphones have professional features for a ridiculously affordable price. Their frequency responses are tailored for crystal-clear vocal reproduction. Great feedback rejection and focused pick up are due to their unidirectional polar patterns. They also feature handy on/off switches for ease of use. Their professional features include balanced XLR outputs and rugged stand clamps. Whether you're on the road, in the studio, or just performing at local gigs, their all-metal design helps provide years of trouble-free use. |
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Heil Sound PR 22 Noise-Rejection Microphone : MusiciansFriend : USD165.0The Heil PR 22 represents completely redesigned dynamic microphone technology designed for a wide range of professional applications such as live sound, commercial broadcast, and sophisticated recording. The microphone's wide frequency range and outstanding low handling noise outperforms the tired, 30+ year old industry technology and can withstand huge amounts of SPL. The end result is a microphone that can answer the call to any application. For example, the gorgeous upper mid range makes the PR 22 among the best live vocal microphones, while its outstanding frequency response and superb dynamic range suit it perfectly for use with a snare drum.Since 1982, Heil Sound has been a leading manufacturer of communications microphones and has a paramount understanding of phasing. When properly applied, this knowledge creates outstanding cardioid patterns with unbelievable rear rejection that removes unwanted sounds that try to enter from the off axis rear. It's pattern control is outstanding. This exceptional performance is achieved by using the ideal combination of materials for the large low mass diaphragm and a special mixture of neodymium, iron, and boron that gives the PR 22 the strongest magnet structure available.In addition to the special magnet structure, the PR 22 microphone achieves its exceptional performance by using a large 1-1/8" low mass voice coil assembly with a very unique internal sorbothane suspension system that has been designed to reduce undesirable handling noise. Special attention has been paid to the phasing plug assembly with equally placed ports that sense audio from behind, entering them out of phase. Thus, it produces a very linear cardioid pattern and reduces the proximity effect while achieving perfect articulation. This new Heil element is usable in extreme high sound pressure levels and is immune to overload conditions making it perfect for vocal and live sound applications. |
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Astatic by Hohner JT30 Roadhouse Harmonica Microphone : MusiciansFriend : USD69.99The JT30 Roadhouse Harmonica Microphone is an exclusive version of this Astatic by Hohner hand-held mic with volume control. The JT30 Roadhouse Microphone produces that classic, dirty Chicago blues harp tone. Includes 20' cable with XLR female connection designed to fit the threads of the JT30 and a 1/4" male adapter that plugs directly into a guitar amp. |
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CAD U7 USB Desktop Boundary Microphone : MusiciansFriend : USD69.99The CAD U7 is a USB desktop boundary microphone is designed for home and office use. It is excellent for laptops, for dictating meeting notes, or adding audio to slide presentations. Windows and Macintosh compatible. |
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CAD U37 USB Condenser Microphone : MusiciansFriend : USD69.99The CAD U37 USB condenser microphone is excellent for vocals and instruments. Use it to podcast on the the internet, to create your own audio for videos, or record your own songs. It's easy. Simply plug it into your computer's USB port with the supplied cable and start recording. Windows and Macintosh compatible. |
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CAD CM217 Small Diaphragm Condenser Microphone : MusiciansFriend : USD59.99The CAD CM217 is a small diaphragm condenser microphone that was designed for overhead miking of drums. Features include hi-pass filter and attenuator. Mic clip included. |
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CAD CM217 Condenser Mic - Buy One, Get One Free : MusiciansFriend : USD49.99Get 2 CAD CM217 Condenser mics for the price of one! Designed for drum overheads. Features include hi-pass filter and attenuator. Mic clip included. |
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Heil Sound CB-1-PTT Classic Base With Cough Switch : MusiciansFriend : USD70.0The CB-1 PTT is a heavy, polished-chrome base stand that includes a Soft Touch" Push-To-Talk (PTT) switch on the base that may be used as a "Cough Switch" in broadcast and other live sound applications. A 24" jumper cable is included for connection to the PTT control jack.The CB-1 PTT uses standard 5/8" - 27 threading, as do all of the Heil Sound Booms and Stands, for compliance with industry standards. The base also includes a 2" riser that sets the microphone at a comfortable, convenient height. |
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Heil Sound SM-2 Shockmount for PR 30 and PR 40 Champagne : MusiciansFriend : USD95.0The SM-2 Shockmount is a flexible support system that helps repress low-frequency rumble on the microphone line by absorbing and damping vibrations picked up from the studio desk or console.The SM-2 mount is designed for use with the large-diameter professional-grade Heil Sound microphones, including the PR 30 and PR 40. Its 5/8" threads mount onto the PL-2T "Topless" and other mounts for easy installation. |
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