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Heil Sound SM-2 Shockmount for PR-30 and PR-41 Black : MusiciansFriend : USD95.0The SM-2 Shock Mount from Heil Sound is a flexible support system that helps suppress low-frequency rumble on the microphone line by absorbing and damping vibrations picked up from the studio desk or console.The SM-2 shockmount is designed for use with the large-diameter professional-grade Heil Sound microphones, including the PR 30 and PR 40. Its 5/8" threads mount onto the PL-2T "Topless" and other mounts, for easy installation. |
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Heil Sound Replacement Band for the Heil SM-1 : MusiciansFriend : USD8.0The SM band is a direct replacement band for the Heil SM-1 pro shock mount. The SM-1 is designed for use with the slim-line Heil Sound microphones. |
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Heil Sound Replacement Band for the Heil SM-2 : MusiciansFriend : USD8.0The SM band SM-2 is a direct replacement band for the Heil SM-2 pro shock mount. The SM-2 is designed for use with the large-diameter professional-grade Heil Sound microphones, |
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Heil Sound Surface Mount for the PL2T and SB2 : MusiciansFriend : USD20.0The WM-1 is a unique mount for the Heil booms because it allows them to be mounted on a vertical surface. The brass insert of the WM-1 insures a smooth and perfect fit. |
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Heil Sound Boom C-Clamp for the PL2T and SB2 : MusiciansFriend : USD20.0This is a standard "C" clamp mount that will accept an 1.5" thick table. This C-clamp adds functionality to the Heil PL2T and SB2 mic booms. |
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Heil Sound Windscreen for PR20 & PR35 Microphones : MusiciansFriend : USD4.0The WSM windscreen helps eliminate "B" & "P" pops in your vocals. The WSM is designed to snuggly fit the Heil PR20 and PR35 dynamic microphones. |
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Heil Sound Windscreen for PR30 & PR40 Microphones : MusiciansFriend : USD17.0The Heil WSMPR40 is designed to snuggly fit the Heil PR30 and PR40 large-diaphragm microphones. |
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Heil Sound Windscreen for the Handi Mic Microphone : MusiciansFriend : USD4.0The WSHM is designed to snuggly fit Heil Handi Mic microphones. |
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AKG C214 Large Diaphragm Condenser Mic : MusiciansFriend : USD599.0AKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected workhorse for independent artists, broadcasting, and on-stage miking as well.The new C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKG's patented Back-Plate Technology, which results in an outstanding performance very close to the famous C 414 B-XLS.Like the C 414 models, the C 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switch — all in an elegant but rugged package.Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals.The C 214 comes complete with carrying case, windscreen, and spider suspension mount included. |
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AKG D40 Dynamic Cardioid Instrument Mic : MusiciansFriend : USD99.0The D40 Dynamic Cardioid Instrument Mic has a Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no need for tuning resonators, leading to a quantum leap in audio performance.The transducer is protected by a sturdy wire-mesh cap and takes extremely high sound pressure levels with ease. The D40 has a tough all-metal bodyAn integrated stand adapter and standard H 440 mounting bracket for snare drums, tom-toms, etc. make the D40 a highly versatile tool for use on drums, percussion, wind instruments, and guitar amps. |
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ADK Vienna Mk8 Large Diaphragm Condenser Microphone : MusiciansFriend : USD349.0The ADK Vienna MK8 is a large-diaphragm condenser microphone that features a sound character defined by subtle sparkle that tends to put the source material slightly forward in the mix. This ADK mic is great for vocalists who want to add sheen to their voices. Unlike the plethora of bright, brighter, and super-bright mics that flood the market, the ADK Vienna MK8's distinctive sparkle is flattering on pop and rock-style vocals, guitars, pianos, and percussion. |
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ADK Hamburg Mk8 Large Diaphragm Condenser Microphone : MusiciansFriend : USD349.0The large-diaphragm ADK Hamburg MK8 is an upgraded version of the popular Hamburg edition mic with an even more fine-tuned response curve designed to replicate a vintage late 1950s German tube mic. It is the 8th generation of ADK microphones offering a mellow, robust tonality that tends to round out the tone of the source. Great for vocals, reeds, or bass elements. |
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Sterling Audio ST31 Small Diaphragm FET Condenser Mic : MusiciansFriend : USD99.99The Sterling Audio ST31 is an FET small-diaphragm condenser microphone that features a mid-size (3/4") capsule to make it perfect for miking acoustic instruments, amplifiers, drum overheads, and more. The ST31 mic's thin, 6-micron evaporated gold Mylar diaphragm is optimized to capture the most definition and detail from all acoustic instruments like piano, drums, and guitars. Warm FET circuitry gives it low noise and high-quality sonics. Requires phantom power. |
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Sterling Audio ST33 Small Diaphragm Class-A FET Condenser Microphone : MusiciansFriend : USD199.99The Sterling Audio ST33 is a small-diaphragm condenser microphone that incorporates a hand-built capsule with a thin, 6-micron evaporated gold Mylar diaphragm. Optimized to capture the most definition and detail from all acoustic instruments like piano, drums, and guitars, the ST33 mic's FET Class-A electronics provide a level of warmth typically found in much more expensive microphones. Requires phantom power. |
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Sterling Audio ST44 Small Diaphragm Tube Condenser Microphone : MusiciansFriend : USD299.99The Sterling Audio ST44 is a small-diaphragm tube condenser microphone that incorporates a hand-built capsule with a thin, 6-micron evaporated gold Mylar diaphragm. Optimized to capture the most definition and detail from all acoustic instruments like piano, drums, and guitars, the ST44's low-noise GT6205M tube in a Class-A triode circuit provides warmth and detail, adding new dimension to vocal and especially instrument recording. Requires phantom power. |
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Sterling Audio ST55 Large Diaphragm FET Condenser Microphone : MusiciansFriend : USD199.99The Sterling Audio ST55 is an FET condenser microphone that employs a large capsule with an ultra-thin 3-micron evaporated gold Mylar diaphragm. The ST55 mic is built with an exclusive process that extends high frequencies and improves details and depth on both vocal and instrument recordings. The FET Class-A electronics provide smooth, warm sound.Sterling Audio microphones employ several advanced technologies that separate their large-diaphragm condenser mics from the rest of the pack. One of the more important advancements is their Disk Resonator system. With it, Sterling Audio is uniquely able to compensate for the 14kHz frequency roll-off that is inherent in large diaphragm mics. As any good audio engineer knows, this deficiency translates to a lack of sparkle from high-frequency sound sources. Other manufacturers have typically solved this problem by cutting other frequencies and then increasing the entire signal to help even out the frequency range. Unfortunately, this results in increased noise. Disk Resonator Technology incorporates a brass umbrella that protrudes from the center of the diaphragm in Sterling Audio's ST55 microphone. It gently boosts the diaphragm sensitivity to shorter sound waves, allowing it to respond more accurately to those all-important higher frequencies. The result is optimal sensitivity, full frequency response, and a low signal-to-noise ratio. Another piece of audio wizardry comes in the form of the ultra-thin diaphragm membrane made of Mylar. While most modern condenser diaphragms are 6 to 12 microns in thickness, Sterling Audio, in association with 3M, has produced a highly resilient Mylar that measures a mere 3 microns. This allows the ST55 to deliver an extraordinary degree of sensitivity. Requires phantom power. |
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Sterling Audio ST66 Large Diaphragm Tube Condenser Microphone : MusiciansFriend : USD399.99The Sterling Audio ST66 is a tube condenser microphone that employs a large capsule with an ultra-thin 3-micron evaporated gold Mylar diaphragm. Optimized to capture the most definition and detail from all acoustic instruments like piano, drums, and guitars, the ST66 mic's low-noise GT6205M tube in a Class-A triode circuit provides warmth and detail, adding new dimension to vocal and especially instrument recording.The ST66 uses triode wiring on specially selected pentode tubes to yield low noise and a more realistic dynamic response than their competitors. Its power supply is designed with a load-balancing circuitry that allows cable runs of more than 200 feet with no deviation from optimal performance.Sterling Audio microphones employ several advanced technologies that separate their large-diaphragm condenser mics from the rest of the pack. One of the more important advancements is their Disk Resonator system. With it, Sterling Audio is uniquely able to compensate for the 14kHz frequency roll-off that is inherent in large diaphragm mics. As any good audio engineer knows, this deficiency translates to a lack of sparkle from high-frequency sound sources. Other manufacturers have typically solved this problem by cutting other frequencies and then increasing the entire signal to help even out the frequency range. Unfortunately, this results in increased noise. Disk Resonator Technology incorporates a brass umbrella that protrudes from the center of the diaphragm in Sterling Audio's ST66 microphone. It gently boosts the diaphragm sensitivity to shorter sound waves, allowing it to respond more accurately to those all-important higher frequencies. The result is optimal sensitivity, full frequency response, and a low signal-to-noise ratio. Another piece of audio wizardry comes in the form of the ultra-thin diaphragm membrane made of Mylar. While most modern condenser diaphragms are 6 to 12 microns in thickness, Sterling Audio, in association with 3M, has produced a highly resilient Mylar that measures a mere 3 microns. This allows the ST66 to deliver an extraordinary degree of sensitivity. Requires phantom power. |
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Sterling Audio STPF1 Professional Pop Filter : MusiciansFriend : USD49.99The Sterling Audio STPF1 Professional Pop Filter eliminates plosives and protects your microphone from saliva. Compatible with most mic mounts. |
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Sterling Audio STSM4 Shockmount for ST55/ST66 Microphones : MusiciansFriend : USD29.99The STSM4 Shockmount is specially designed for the Sterling Audio ST55 and ST66 microphones. Also fits all mics with similar diameters (2.5"). |
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Peavey PVM 22 Diamond Series Microphone : MusiciansFriend : USD129.99The PVM 22 is a dynamic cardioid microphone that incorporates a special neodymium magnet. This magnet greatly increases sensitivity over conventional microphones, and with this Peavey mic's diamond-coated diaphragm, transient and frequency response are flawless. |
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Peavey PVM 46 Diamond Series Microphone : MusiciansFriend : USD129.99The Peavey PVM 46 is a dynamic hypercardioid microphone with a broad frequency response that is well suited for both vocal and instrument use. High-quality neodymium magnet and diamond-coated diaphragm provide increased sensitivity and incredibly accurate response. |
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Peavey PVM DMS-5 Drum Mic System : MusiciansFriend : USD299.99The Peavey PVM DMS-5 Drum Mic System is for the professional drummer who wants an all-in-one package, onstage or in the studio. System includes a PVM 321 kick drum mic, a PVM 325 snare mic, 3 PVM 328 tom mics, 4 drum mount clips, 4 mic cables with 90° XLR connectors, a mic cable with a straight XLR connector, and carrying case. Each mic features a dynamic supercardioid polar pattern for greater directional sensitivity. The PVM 321 offers a frequency response of 20Hz-10kHz and a 140dB max SPL. The PVM 325 has a frequency response of 50Hz-16kHz. The PVM 328 response is 20Hz-12.5kHz. Both the PVM 325 and PVM 328 deliver 134dB max SPL. |
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Peavey VCM 3 Choir Mic Black : MusiciansFriend : USD129.99This low-profile Peavey VCM 3 Choir Microphone is designed primarily to be suspended above choirs, ensembles, or stage areas. Premium sound reinforcement with virtually no visual distraction! The microphone's back- electret condenser capsule offers a smooth, tailored frequency response with a cardioid pickup pattern that is highly effective in suppressing feedback and unwanted noise. The flexible steel-spring hanging adapter facilitates positioning when the mic is suspended by its cable. Peavey's VCM 3 microphone comes with a 33', small-diameter cable, so it's barely noticeable. The cable connects to a compact output module that adapts the smaller QG-type connector to a typical 3-pin XLR for use with a standard mic cable. The adapter runs on 9V-52V phantom power. |
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Peavey VCM 3 Choir Mic White : MusiciansFriend : USD129.99This low-profile Peavey VCM 3 Choir Microphone is designed primarily to be suspended above choirs, ensembles, or stage areas. Premium sound reinforcement with virtually no visual distraction! The microphone's back- electret condenser capsule offers a smooth, tailored frequency response with a cardioid pickup pattern that is highly effective in suppressing feedback and unwanted noise. The flexible steel-spring hanging adapter facilitates positioning when the mic is suspended by its cable. Peavey's VCM 3 microphone comes with a 33', small-diameter cable, so it's barely noticeable. The cable connects to a compact output module that adapts the smaller QG-type connector to a typical 3-pin XLR for use with a standard mic cable. The adapter runs on 9V-52V phantom power. |
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ADK S-7 Large Diaphragm Condenser Microphone : MusiciansFriend : USD299.0The large diaphragm ADK S-7 Condenser Microphone was designed as a high-SPL, reliable and robust microphone with a linear response. The S-7 mic boasts a life-like, detailed, transient-rich sound. The dynamic range was set to allow relatively heavy sound pressure levels, and the 2-way pad enables this microphone to be used with sources up to 150dB SPL. Keeping digital recording in mind, the noise floor is also low. The ADK S-7 microphone is useful in any moderate-to-high SPL environment, and whenever a fast, detailed recording is desired. This mic can be used for pop and rock vocals (with a pop filter), brass (with a pop filter), drum kits (toms, floor tom, overhead and spot miking — including kick drum), any amplified instruments, any percussion instrument, stereo/ambient recording, all stringed instruments, solo/spot recording, and woodwinds. |
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ADK A-6 Large Diaphragm Condenser Microphone : MusiciansFriend : USD249.0The large-diaphragm ADK A6 Condenser Microphone was designed to be reliable and robust with relatively neutral sound coloration. This means that you can use the A6 on almost anything and get a great sound. The dynamic range was set to allow moderately heavy sound pressure levels. but keeping digital recording in mind, the noise floor is also low. The ADK A6 is a reliable, all-around studio microphone that can be also used live. It is ideal for vocals (including voice-over work when a natural tone is desired), brass, stereo/ambient recording, all stringed instrument, harmonica, accordion, amplified instruments, drum kit overheads, solo/spot recording, reeds, woodwinds, and organs. |
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ADK TT Large Diaphragm Tube Condenser Microphone : MusiciansFriend : USD989.0The large diaphragm ADK TT is a multi-pattern remotely-variable tube microphone that is ideal for male and female lead vocals, acoustic and electric guitar, reed instruments, strings, drum overheads, or any recording you want to have vintage tube warmth. It's also a great broadcast mic. 9 polar patterns include omni, cardioid, figure 8, and six Intermediate patterns.The ADK TT includes a Turbo-Tube power supply, super mount, multi-pin cable, foam windscreen, premium flight case, and a stock military-grade 6072A tube. |
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Peavey PVi2 Dynamic Microphone : MusiciansFriend : USD44.99The Peavey PVi2 Dynamic Microphone gives you astonishingly high-quality sound delivery with clean, natural sound. Cardioid unidirectional dynamic mic with on/off switch, rugged, die-cast steel case; low pop and handling noise; and low-gloss black finish. Peavey includes an XLR cable with your PVi2 mic. |
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ADK TC Large Diaphragm Tube Condenser Microphone : MusiciansFriend : USD599.0The ADK TC is a large-diaphragm tube condenser microphone that is ideal for lead male and female vocals, acoustic and electric guitar, reed instruments, strings, or drum overheads. It is one of the most versatile mics in the studio and always imparts warmth and clarity. Includes 6072A tube, external power supply, shock mount and a premium aluminum flight case. |
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Rode Microphones NTG3 Shotgun Microphone : MusiciansFriend : USD699.0The NTG-3 Shotgun Microphone is the result of years of development by RODE engineers, providing the professional broadcast and film industries with an affordable yet uncompromising microphone.Using a technology known as RF-bias, the RODE NTG-3 is almost completely resistant to moisture, making the microphone an ideal option when recording in any demanding environments where condensation is an issue.In addition to its robust properties it combines very low weight (163g), a durable antiglare finish and incredibly low handling and self-noise (13dBA) to become RODE's premier A/V microphone.When not in use the NTG-3 microphone can be stored away in the included weather resistant aluminum storage cylinder, providing additional protection when traveling and storing the microphone. |
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Rode Microphones Procaster Dynamic Mic : MusiciansFriend : USD229.0The RODE Procaster is a professional broadcast quality dynamic microphone, specifically designed to offer uncompromising performance for voice applications in the broadcast environment. Featuring a tight polar pattern and tailored-for-voice frequency response, the Procaster microphone is great for every application where a great-sounding, rugged microphone with great ambient noise rejection is demanded. |
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Rode Microphones M2 Handheld Condenser Microphone : MusiciansFriend : USD199.0The M2 Live Performance Condenser Microphone benefits from RODE's extensive experience in crafting premium condenser microphones for studio, live and location use and is a direct result of the foundation set by the award winning S1. Combining sound quality equal to that of the finest studio microphones with features such as integrated shock mounting to reduce handling noise and a tailored response to reduce feedback, the M2 is a sturdy and versatile addition to your live microphone kit. |
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Rode Microphones WS6 Windscreen for NTG-1/NTG-2 and Shotgun Mics : MusiciansFriend : USD99.0Deluxe Windshield comprised of open cell foam and fur sleeve. For NTG-1, NTG-2, and shotgun microphones with a maximum slot length of 160.5mm (6-1/4") and a diameter of 21-22.5mm. |
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Rode Microphones WS7 Windscreen for NTG-3 and Shotgun Mics : MusiciansFriend : USD99.0Deluxe Windshield comprised of open cell foam and fur sleeve. For NTG-3 and shotgun microphones with a maximum slot length of 186.5mm (7-1/4") and a diameter of 19-20mm. |
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Rode Microphones PG1 Mount : MusiciansFriend : USD29.95The PG1 Cold Shoe Pistol Grip is a convenient and ergonomic way to operate your RODE VideoMic or Stereo VideoMic independently of your video camera. A convenient 3/8" thread on the base allows connection to a boompole or microphone stand, while the spine features handy cable management. |
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Rode Microphones PG2 Mic Mount : MusiciansFriend : USD99.0The PG2 mic mount supports microphones with a diameter of 19 - 20mm or 21 - 22.5mm using the supplied interchangeable mounts, and a handy release lever on the mount allows for quick and easy adjustment of the microphone angle.Cable management is an integral design feature of the PG2 pistol grip, with the cable running through the handle assembly to minimize any handling noise or clutter. Additional cable security is provided on either side of the rubber shock mount. Can be operated by hand or attached to a boompole via the 3/8" thread attachment at the base. |
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Rode Microphones Boompole : MusiciansFriend : USD149.0The RODE Boompole is a high grade professional boom arm for location recording, machined from high grade aluminum. The boom pole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions and follow your sound source.Compatible microphones: NTG-1, NTG-2, NTG-3, NT4, NT5, NT55, M3 |
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Rode Microphones Mini Boompole : MusiciansFriend : USD129.0The RODE Mini-Boompole is a lightweight, high grade professional boom pole. The Mini-Boompole allows you to mount your microphone securely and swivel it in a range of directions that will allow you to easily change positions to follow your sound source. Extends from 0.84m (33") to 2.05m (81"). Compatible microphones : NTG-1, NTG-2, NTG-3, NT4, NT5, NT55, M3 |
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Tour Grade Black Ball End Microphone Wind Screen Black : MusiciansFriend : USD2.95The Tour Grade Ball End Wind screen eliminates annoying microphone breath sounds and pops from plosive hard syllables. Made of high quality foam, the ball end microphone windscreen protects your favorite mic from moisture and dents. The mic cover's unobtrusive black color looks great on any stage.Tour Grade products combine practical, state-of-the-art features with long term dependability. They're designed in the USA and crafted with the finest quality materials and tried-and-true production methods, Tour Grade has what it takes to live up to its name. One microphone cover per package. |
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Audix OM-2 Limited Edition Hypercardioid Microphone Skulls : MusiciansFriend : USD99.0These Audix OM-2 hypercardioid mics are a limited-edition that offer a bit of eye candy onstage in their new duds.The American-made Audix OM-2 is a hand-held dynamic vocal microphone designed primarily for live performance. With a hypercardioid pickup pattern and a frequency response of 50-16k Hz, the OM-2 mic has the same well-balanced, comfortable profile as Audix's high-end touring vocal microphones. The OM-2 featuries a low reflective black e-coat finish. Transformerless design, low impedance, and balanced output allow interference-free performance even with long cable runs. A dent-resistant spring-steel grill and sound pressure handling capabilities in excess of 140dB add to the Audix OM-2 microphone's road-worthiness. |
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Audix OM-2 Limited Edition Hypercardioid Microphone Jungle Camo : MusiciansFriend : USD99.0These Audix OM-2 hypercardioid mics are a limited-edition that offer a bit of eye candy onstage in their new duds.The American-made Audix OM-2 is a hand-held dynamic vocal microphone designed primarily for live performance. With a hypercardioid pickup pattern and a frequency response of 50-16k Hz, the OM-2 mic has the same well-balanced, comfortable profile as Audix's high-end touring vocal microphones. The OM-2 featuries a low reflective black e-coat finish. Transformerless design, low impedance, and balanced output allow interference-free performance even with long cable runs. A dent-resistant spring-steel grill and sound pressure handling capabilities in excess of 140dB add to the Audix OM-2 microphone's road-worthiness. |
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Audix OM-2 Limited Edition Hypercardioid Microphone Forest Camo : MusiciansFriend : USD99.0These Audix OM-2 hypercardioid mics are a limited-edition that offer a bit of eye candy onstage in their new duds.The American-made Audix OM-2 is a hand-held dynamic vocal microphone designed primarily for live performance. With a hypercardioid pickup pattern and a frequency response of 50-16k Hz, the OM-2 mic has the same well-balanced, comfortable profile as Audix's high-end touring vocal microphones. The OM-2 featuries a low reflective black e-coat finish. Transformerless design, low impedance, and balanced output allow interference-free performance even with long cable runs. A dent-resistant spring-steel grill and sound pressure handling capabilities in excess of 140dB add to the Audix OM-2 microphone's road-worthiness. |
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Neumann TLM 103 Condenser Microphone : MusiciansFriend : USD999.0The award-winning TLM 103 is an ideal large-diaphragm mic for all professional and semi-professional applications. By utilizing the tried-and-true transformerless circuit found in numerous Neumann microphones, the TLM-103 features very low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced, and provides extraordinary attenuation of signals from the rear.Includes an SG 103 swivel mount and a wooden jeweler's box.Polar patternThe TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern - used in most recording situations - the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.The capsule has a flat frequency response up to about 5kHz, and above that, a wide, flat 4dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.Electrical featuresWith just 7dB-A/17.5dB CCIR the self-noise level is so low that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138dB without distortion, the TLM 103 provides a dynamic range of 131dB.Operational safetyThe entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount.The frequency range reaches below 20Hz and thus even very low bass signals are reproduced without coloration. Due to this low frequency extension, the TLM 103 is more sensitive to structure borne interference and wind noise. Requires phantom power. |
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Neumann TLM-103 Microphone : MusiciansFriend : USD999.0The large diaphragm Neumann TLM-103 Microphone is at home in even the finest project studios. Provides platinum-quality sound on a bronze budget. Neumann uses transformerless circuitry for ultralow self-noise and this mic handles sound pressure levels up to 138dB. Cardioid polar pattern optimizes attenuation of unwanted sound and suppresses feedback. The TLM-103 Microphone has a protective wire mesh grille that protects the capsule and prevents pop noises. Frequency range: 20Hz to 20kHz. Impedance: 50 ohms. Requires phantom power. |
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Neumann TLM-193 Cardioid Condenser Microphone : MusiciansFriend : USD1599.0The Neumann TLM-193 is a front-addressed cardioid-pattern microphone ideal for professional recording, live productions, and project studios.Acoustic features The large diaphragm capsule inside the head grille has a very smooth frequency response over a wide acceptance angle. The curves are flat and parallel to the 0° frequency curve up to 10kHz within a pickup angle of ±100°.The TLM 193 differs from omnidirectional pressure transducers where, due to physical reasons, the diffuse-field and free-field responses never agree. This microphone has a very even diffuse-field response for all polar patterns. This is important in a reverberant environment, as more reflections arrive at the microphone from different directions.The acoustic information is not affected in its tonal quality when recorded by the microphone. This characteristic is achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response reproducing all transient phenomena of music and speech without coloration. Electrical featuresThe letters TLM stand for "transformerless microphone." With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference, that may influence the balanced audio signal. Compared to other microphones the self noise level of the TLM 193 is considerably reduced. As it is capable of handling sound pressure levels up to 140dB without distortion, the TLM 193 provides a dynamic range of 130dB, according to DIN/IEC 651.Operational safetyAll exposed surfaces of the microphone capsule, including the diaphragms, are at ground potential. This technology makes them highly immune to electrical and atmospheric interference and contamination through microscopic dust particles. The capsule is elastically mounted to avoid any structure-borne noise that could interfere with its operation. The frequency response of the TLM 193 amplifier is linear down to 20Hz. Even very low bass signals are reproduced without coloration. This implies that the microphone becomes more sensitive to subsonic frequencies, from structure-borne noise or pop-and-wind noise. To avoid any LF interference, we recommend using the EA-1 elastic suspension mount and a windscreen or pop filter. Requires phantom power. |
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Neumann SKM184 Stereo Microphone Pair : MusiciansFriend : USD1699.0Stereo Neumann SKM184 microphones are no-frills, small-diaphragm condenser mics based on Neumann's KM84. The SKM184 mic strikes a perfect balance between excitement and accuracy for crisp tone that isn't thin or brittle. Full low and midrange response as well for fat sound on most instruments. Smooth and accurate mids and upper mids. Virtually silent operation with almost no self-noise. The SKM184 microphones handle SPLs of 138dB. Cardioid pattern, 20Hz to 20kHz response. 50 ohms rated impedance. This pair of Neumann microphones comes in a custom wooden case. |
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Neumann U87 Ai Shockmount Set Z Microphone with Box : MusiciansFriend : USD3429.0The Neumann U87 studio Microphone is famous for its warm sound and well-balanced characteristics. Equipped with a large dual-diaphragm capsule with 3 selectable directional patterns: omnidirectional, cardioid, and figure-8, it offers a 6dB improvement in signal-to-noise over its predecessor. A 10dB attenuation switch enables the U87 to handle sound levels up to 127dB without distortion; and the low frequency response can be reduced to compensate for proximity effect. The preferred studio vocal mic for decades, the Neumann U87 also makes a great main mic for band or home studio recordings, as well as a spot mic for single instruments. Frequency range: 20Hz to 20kHz; impedance rated at 200 ohms. The Shockmount includes a windscreen, cable, EA87 elastic suspension and comes in a wooden jeweler's box.Requires phantom power. |
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Neumann EA1 Elastic Suspension Microphone Mount : MusiciansFriend : USD259.0The EA 1 is designed for the TLM 103, TLM 127, TLM 193 and M 147 Tube microphones. It has a swivel mount with a 5/8"-27 female thread, plus a thread adapter to connect to 1/2" and 3/8" stands. |
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Neumann KMS105 Microphone Nickel Silver : MusiciansFriend : USD699.0The Neumann KMS105 Microphone provides superior voice resolution with extended frequency response and accurate transient detail. A studio condenser capsule delivers vocal nuances with focus and power. This Neumann microphone features a supercardioid polar pattern, low self-noise, and colorless off-axis pickup complement in-ear personal monitor systems. The KMS105 mic has a 4-layer acoustic filter that virtually eliminates unwanted pops and handling noise. Requires phantom power. |
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Neumann KMS105 Microphone Black : MusiciansFriend : USD699.0The Neumann KMS105 Microphone provides superior voice resolution with extended frequency response and accurate transient detail. A studio condenser capsule delivers vocal nuances with focus and power. This Neumann microphone features a supercardioid polar pattern, low self-noise, and colorless off-axis pickup complement in-ear personal monitor systems. The KMS105 mic has a 4-layer acoustic filter that virtually eliminates unwanted pops and handling noise. Requires phantom power. |
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Neumann BCM 104 Broadcast and Studio Condenser Microphone : MusiciansFriend : USD1079.0The large-diaphragm condenser capsule used in the BCM 104 has a cardioid pattern with internally switchable proximity effect compensation. A second switch allows the sensitivity to be reduced by 14dB. The BCM 104 features an exceptionally low self-noise of 7 dB(A) and an overload capability extending to 138dB SPL and a dynamic range of 131dB (DIN/IEC 651). Smooth, full response is ideal for vocals. The grille twists off easily for quick cleaning. Optional, color-coded head grilles. Built-in popscreen. The elastic mount handles structure-borne noise and is compatible with standard broadcast-segment microphone arms. Requires phantom power. |
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Neumann TLM 103 Anniversary Condenser Microphone : MusiciansFriend : USD1299.0The Neumann TLM 103 Anniversary Condenser Microphone is an ideal large-diaphragm mic for all professional and semi-professional applications. By utilizing the tried-and-true transformerless circuit found in numerous Neumann microphones, the TLM 103 features very low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced, and provides extraordinary attenuation of signals from the rear.Includes an aluminum mic briefcase and EA-1 elastic suspension mount.Polar patternThe TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern - used in most recording situations - the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.The capsule has a flat frequency response up to about 5kHz, and above that, a wide, flat 4dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.Electrical featuresWith just 7dB-A/17.5dB CCIR the self-noise level is so low that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138dB without distortion, the TLM 103 provides a dynamic range of 131dB.Operational safetyThe entire internal construction is elastically mounted to attenuate any structure-borne noise that could interfere with the TLM 103's operation. Furthermore the capsule is set on an elastic mount.The frequency range reaches below 20Hz and thus even very low bass signals are reproduced without coloration. Because of this low frequency extension, the TLM 103 is more sensitive to structure-borne interference and wind noise. Requires phantom power. |
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Neumann BCM 705 Dynamic Studio Microphone : MusiciansFriend : USD719.0With its hypercardioid directional pattern and tailored frequency response, the BCM 705 is a powerful addition to any recording studio. Perfect for vocal recording, it features an integrated pop filter, multi-level isolation to keep out unwanted noise, and a light treble boost in the frequency response from 2kHz to 9kHz that improves vocal clarity. Pop screens and grilles are replaceable for different users and easily removed for cleaning. Includes thread adapter for different sized threads. |
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Neumann TLM 49 Condenser Studio Microphone : MusiciansFriend : USD1499.0The Neumann TLM 49 is a large-diaphragm studio microphone with a cardioid directional characteristic and a warm sound. The TLM 49 is specially optimized for vocal performance. It is supplied as a set, with an elastic suspension.The Neumann TLM 49's design is inspired by that of the legendary M 49 and M 50 microphones of the 1950s. Naturally the TLM 49 has the typical Neumann fine matte nickel finish. The sound design is also oriented toward that of the M 49 and the U 47. By combining its retro look with proven Neumann transformerless circuit technology, this microphone ensures low self-noise and the use of high gain levels.Applications During the development phase, the sound was adjusted in extensive practical tests, so as to make the TLM 49 ideal particularly for vocal and speech recording. However, in addition, it is also suitable for instrumental applications in professional production studios and demanding home recordings.Polar pattern The large-diaphragm capsule of the TLM 49 provides a cardioid directional characteristic with a tendency toward supercardioid, due to the special capsule construction. Following the example of the M 49, high frequencies are more directional. The capsule diameter is 34 mm.The front of the microphone is indicated by the red Neumann logo on the microphone body. The capsule is oriented so that the microphone is addressed from the front.Acoustic features The TLM 49 uses the famous K 47 capsule, which was also used in the M 49 and the U 47. The capsule has a linear frequency response up to the upper mid-range. Above 2 kHz there is a gentle presence boost up to 3dB.The capsule is enclosed by a large microphone head grille, which is acoustically very open and is hence neutral with regard to the sound.Electrical features The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.Noise signals which affect the balanced modulation line are therefore effectively suppressed. The microphone can operate at sound pressure levels of up to 114 dB without distortion, and provides a dynamic range of 102 dB (A-weighted).Operational safety The entire interior structure is mounted elastically, to prevent the transmission of structure-borne noise. In addition, the capsule is mounted with a rubber shock mount. Due to the wide frequency response, the TLM 49 can also transmit extremely low-frequency signals without coloration. Of course this means that the microphone is also sensitive to noise signals such as vibration noise and wind noise in this frequency range. The TLM 49 is therefore supplied with the elastic suspension EA 3, which effectively protects the microphone from structure-borne noise. If the microphone is addressed at extremely close range, pop screen PS 15 or PS 20 a can be used in |
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Neumann KMS 104 Handheld Vocal Condenser Microphone Black : MusiciansFriend : USD699.0The Neumann KMS 104 Microphone provides superior voice resolution with extended frequency response and accurate transient detail. A studio condenser capsule delivers vocal nuances with focus and power. Cardioid polar pattern, low self-noise, and colorless off-axis pickup complement in-ear personal monitor systems. The KMS 104 mic has a 4-layer acoustic filter that virtually eliminates unwanted pops and handling noise. Requires phantom power. |
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Neumann KMS 104 Handheld Vocal Condenser Microphone Nickel : MusiciansFriend : USD699.0The Neumann KMS 104 Microphone provides superior voice resolution with extended frequency response and accurate transient detail. A studio condenser capsule delivers vocal nuances with focus and power. Cardioid polar pattern, low self-noise, and colorless off-axis pickup complement in-ear personal monitor systems. The KMS 104 mic has a 4-layer acoustic filter that virtually eliminates unwanted pops and handling noise. Requires phantom power. |
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Nady UWS-1K Handheld Wireless MIcrophone System Band 4 : MusiciansFriend : USD299.95The Nady UWS-1K Handheld Wireless Microphone System is a terrific blend of price, value, and performance. Nady wireless mic systems offer clear channel operation on the wide-open, uncluttered UHF band for interference free performance in any application or locale. The UWS-1K series delivers 1000 user switchable channels, frequency synthesized in 25 groups and 40 channels in each frequency band. Band-1 748 - 773 MHz, Band-2 795 820 MHz, band-3 846 871MHz. The UWS-1K series System features Nady's proprietary companding and low noise circuit for an industry best 120dB dynamic range, and the clearest, most natural sound available in wireless today.Nady UH-1K Handheld Microphone Transmitter: The handheld Nady UH-1K is a sleek, durable wireless transmitter with an internal antenna and the superior Nady DM-10D neodymium cartridge for clear, powerful audio. The powerful audio section provides maximum feedback rejection and minimal handling noise. An input level control allows optimal audio gain adjustment. IR link features Infrared downloading of selected group/channel information from the receiver for easy channel programming. Controls include a touch power ON/OFF and Mute control button, Low battery status and Mute LED indicator. Requires 2 AA batteries for the longest reliable, economical battery life. |
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Nady UWS-1K Uni Lavalier Wireless Microphone System Band 4 : MusiciansFriend : USD299.95The Nady UWS-1K Uni Lavalier Wireless Micrphone System is a great matchup of price and value. The Nady UHF wireless mic system offers clear channel operation on the wide-open, uncluttered UHF band for interference free performance in any application or locale. The Nady UWS-1K wireles system delivers 1000 user switchable channels, frequency synthesized in 25 groups and 40 channels in each frequency band. Band-1 748-773 MHz, Band-2 795 820 MHz, band-3 846 871MHz. The UWS-1K series System features Nady's proprietary companding and low noise circuit for an industry best 120dB dynamic range, and the clearest, most natural sound available in wireless today. Nady UB-1K Bodypack Transmitter: The Nady UB-1K bodypack is versatile with a unique 3-pin Mini XLR input connector for instrument, lavalier mic, or headworn mic (with convenient DC phantom powering). An input level control allows optimal audio gain adjustment. IR link features Infrared downloading of selected group/channel information from receiver for easy channel programming. Controls include Touch power ON/OFF and Mute control button, Low battery status and Mute LED indicator. Requires 2 AA batteries for the longest reliable, economical battery life |
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Nady UWS-1K Omni Lavalier Wireless System Band 4 : MusiciansFriend : USD299.95The Nady UWS-1K Omni Lavalier Wireless Microphone System is a great performance and price value. This Nasy UHF wireless system offers clear channel operation on the wide-open, uncluttered UHF band for interference free performance in any application or locale. The Nasy UWS-1K delivers 1000 user switchable channels, frequency synthesized in 25 groups and 40 channels in each frequency band. Band-1 748-773 MHz, Band-2 795 820 MHz, band-3 846 871MHz. The UWS-1K lavalier mic system features Nady's proprietary companding and low noise circuit for an industry best 120dB dynamic range, and the clearest, most natural sound available in wireless today. Nady UB-1K Bodypack Transmitter: The Nady UB-1K bodypack is versatile with a unique 3-pin Mini XLR input connector for instrument, lavalier mic, or headworn mic (with convenient DC phantom powering). An input level control allows optimal audio gain adjustment. IR link features Infrared downloading of selected group/channel information from receiver for easy channel programming. Touch power ON/OFF and Mute control button, Low battery status and Mute LED indicator. Requires 2 AA batteries for the longest reliable, economical battery life |
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Nady UWS-1K Guitar Wireless System Band 4 : MusiciansFriend : USD299.95Nady's UWS-1K wireless systems delivers solid performance, making them an excellent value for professional UHF wireless. They offer clear channel operation on the wide-open, uncluttered UHF band for interference free performance in any application or locale. The UWS-1K guitar wireless system delivers 1000 user switchable channels, frequency synthesized in 25 groups and 40 channels in each frequency band. Band-1 748-773 MHz, Band-2 795 820 MHz, band-3 846 871MHz. The UWS-1K wireless system features Nady's proprietary companding and low noise circuit for an industry best 120dB dynamic range, and the clearest, most natural sound available in wireless today. UB-1K Bodypack Transmitter: UB-1K bodypack is versatile with a unique 3-pin Mini XLR input connector for instrument, lavalier mic, or headworn mic (with convenient DC phantom powering). An input level control allows optimal audio gain adjustment. IR link features Infrared downloading of selected group/channel information from receiver for easy channel programming. Touch power ON/OFF and Mute control button, Low battery status and Mute LED indicator. The wireless transmitter requires 2 AA batteries for the most reliable operation. |
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Sterling Audio STSM3 Shockmount for ST31/ST33/ST44 Microphones : MusiciansFriend : USD23.99The STSM3 shockmount is specially designed for the Sterling Audio ST31, ST33 and ST44 microphones but also works with all thin-bodied mics with a diameter between .65" and 1.25" |
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Groove Tube GT-57 Studio FET Condenser Microphone Multi Pattern : MusiciansFriend : USD479.99The multi-pattern GT-57 Studio FET Condenser Microphone is perhaps Groove Tubes's most versatile large capsule mic. An ultra-thin 3 micron gold evaporated Mylar diaphragm is uniquely hand-built into the mic. GT exclusive Disk Resonator naturally extends high frequencies to improve detail and depth., The GT-57 microphone is the perfect choice for both vocal and instrument recordings. The 3 popular polar patterns give the recording engineer complete flexibility for all applications. Exclusive FET Class A electronics are so smooth and warm you might even think it's a tube mic!With the same specs as the Groove Tubes GT-55 mic, but built with a dual sided capsule and pattern selection switch to provide optional Omni and figure 8 polar patterns. All of the features of the high-end multi pattern Groove Tubes GT-67, with FET circuitry replacing the tube for an excellent all around large diaphram microphone at a modest price.Requires phantom power. |
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Groove Tube GT-67 Studio Tube Condensor Microphone Multi Pattern : MusiciansFriend : USD719.99The multi-pattern FET Condenser GT-67 Studio Microphone is perhaps Groove Tubes'most versatile large capsule tube mic. Unique hand built uUltra-thin 3 micron gold evaporated Mylar diaphragm. GT exclusive Disk Resonator naturally extends high frequencies to improve detail and depth. The perfect choice for both vocal and instrument recordings. The 4 popular polar patterns give the recording engineer complete flexibility for all applications...and the GT legendary low noise GT6205M tube in a Class A triode circuit design provides warmth with detail, adding new dimension to vocal and instrument recording. Requires phantom power. |
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Sterling Audio ST77 Large Diaphragm Studio Condenser Mic : MusiciansFriend : USD499.99Certain vintage and modern German mics are lusted after for their ability to produce full-bodied vocals with a unique sheen that has come to be known as "air." Of course they also come with a throat-clogging price tag (and that's just the modern ones, vintage market prices bring you closer to cardiac arrest). However, Sterling Audio has found a way to bring you that vintage FET sound without the mind-numbing price tag — the Sterling ST77 large-diaphragm condenser. Sterling designed the ST77 condenser mic around a Class-A discrete FET mic amp specially chosen to match its cardioid, large diaphragm capsule. The capsule itself has been sized and tuned to provide a silky and airy top end with a full, warm mid-range reminiscent of vintage microphones. Hand-selected internal components create a sound that flatters vocals and instruments.Requires phantom power. |
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M-Audio Pulsar II Small-Diaphragm Studio Condenser Microphone Matched Pair : MusiciansFriend : USD299.0The redesigned Pulsar II small-diaphragm cardioid condenser microphone takes M-Audio's pencil condenser technology to an even higher level. Designed in the U.S.A. by veteran engineers and hand-assembled to exacting standards, the Pulsar II mics exhibit quality comparable to that of vintage classics. Features like -10dB pad and 80Hz high-pass filter switches, higher SPL than the original ,and a redesigned solid-brass backplate deliver smooth, accurate sound in the studio and on stage. The Pulsar II condenser microphones have many applications including drum overheads, acoustic guitar, piano, close-miking strings and woodwinds, room miking, and more.The Pulsar II easily adapts to many recording and live situations. The 12dB/octave 80Hz high-pass filter reduces low-frequency rumble and the potential for overloading mic preamps with low-frequency signals. The -10dB switchable attenuation pad and thermal diaphragm treatment also allow it to handle high SPLs for its class. And the included T-shaped stereo mounting bracket facilitates XY and ORTF recording right out of the box.Requires phantom power. |
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Rode Microphones SM1 Shockmount : MusiciansFriend : USD29.0The ideal shockmount designed specifically for the RDE NT1-A microphone. |
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Rode Microphones NT3 Hypercardioid Condenser Microphone : MusiciansFriend : USD269.0Stylish and modern, the R0DE NT3 Microphone is an externally biased, true condenser mic with hypercardioid polar response. This R0DE microphone features transformerless output; heavy-duty cast-satin nickel body; high immunity to RF interference; a high-strength, welded and heat-treated mesh head; internal capsule shock mounting; battery or phantom power; and a battery status LED. |
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Rode Microphones NT1000 Microphone : MusiciansFriend : USD329.0The RDE NT1000 Mic has a large capsule, ultralow noise and transformerless circuitry for astounding clarity and dynamic range. Internal capsule shockmounting, satin nickel body, welded mesh head for stability and durability. Full frequency response. Requires phantom power. |
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Rode Microphones NTK Microphone : MusiciansFriend : USD529.0The RDE NTK Mic is a tube microphone designed exclusively for recording professionals who want only the best. Large capsule gold-plate membrane with hand-selected and graded twin triode tubes for wide dynamic range, ultralow noise, and fantastic presence and warmth. Requires phantom power. |
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Rode Microphones Classic II Microphone with Flight Case : MusiciansFriend : USD2099.0The RDE Classic II tube microphone is a classic from its custom-designed Jensen transformer to the dual pressure-gradient transducer. Machined from solid brass, hand polished, glass bead-blasted, and coated in satin nickel, The RDE Classic II has Class A valve circuitry that gives unmatched warmth, clarity, and sensitivity when critical vocal and instrument recording is required. Requires phantom power. |
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Rode Microphones Broadcaster Microphone : MusiciansFriend : USD419.0The RDE Broadcaster Microphone was specifically designed for on-air applications where wide frequency response and low distortion are demanded. The RDE Broadcaster mic was the winner of the Radio World/US National Association of Broadcasters (NAB) What's Cool' award in 1998. Utilizing an Australian designed and manufactured RDE 1" externally biased condenser transducers, the Broadcaster microphone features a switchable high pass filter to remove low frequency rumble. A unique ON-AIR' LED indicator can be switched on or off by shorting contacts on the 5-pin audio connector. This feature allows console operators to warn the talent that the mic is live.Requires phantom power. |
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Rode Microphones Shockmount for NTK/NT1000/Classic II/NTV : MusiciansFriend : USD39.0This R›de microphone shockmount is what you want, if you're in an active studio using good microphones. R›de makes one of the best and least expensive studio shockmounts. Total elastic suspension prevents sonic explosions from clumsy musicians and protects all of your equipment. Rugged, durable construction will last through years of hard use. |
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Rode Microphones Large Diaphragm Wind Screen : MusiciansFriend : USD13.49Foam wind screen from R0de for your large diaphragm microphone also reduces plosives and provides some protection against drops and weather. Fits large-diaphragm mics. |
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Rode Microphones NT3 Wind Screen : MusiciansFriend : USD11.99Custom wind protection for your RDE NT3 microphone. |
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Rode Microphones Matched Pair of NT5 Microphones : MusiciansFriend : USD429.0The RDE Matched Pair of NT5 Mics are very sensitive and will give you very accurate sound reproduction. The NT5 is a true condenser mic specifically designed for optimum instrument recording. It performs well on all instruments including guitar, flute, violin, saxophone, drums, etc. Its compact size and design allow for effective and subtle positioning, which is crucial when close miking. NT5's are supplied as closely matched pairs. The package is shipped as a matched pair and includes a custom case, 2 RM5 standmounts, and 2 WS5 windscreens. |
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Rode Microphones NT4 Dual-Element Stereo Microphone : MusiciansFriend : USD529.0The RDE NT4 Dual-Element Stereo Microphone is a small-diaphragm condenser microphone specifically designed for stereo recording. It features dual heads in a 90° XY configuration — great for acoustic guitar, live concerts, and when mono-compatibility is an issue. Its compact size and design allows for effective and subtle positioning which is crucial when close miking. The NT4 is supplied with a custom case, stereo breakout cable, stand mount, and windscreen.Requires phantom power. |
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Rode Microphones NT1-A Anniversary Model Microphone : MusiciansFriend : USD229.0The RDE NT1-A Anniversary Model Microphone is a complete redesign of the now legendary classic NT1 studio microphone. From the nickel-plated body to the state-of-the-art surface-mount electronic circuitry, you'll love using it. With a self-noise figure of 5dB, the NT1A is one of the lowest noise studio microphones in the world, regardless of cost. Unrivaled low distortion, higher SPL capability, and extended dynamic range make it well-suited for even the most demanding digital recording applications. Includes shockmount. Requires phantom power. |
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Rode Microphones K2 Variable-Pattern Tube Microphone : MusiciansFriend : USD699.0The RDE K2 Variable-Pattern Tube Mic delivers richly detailed tube sound with super-low 10dBA self-noise, huge 162dBA SPL, and a mega-wide dynamic range of 150dB. Totally variable polar pattern control makes it flexible enough for just about any studio task. Coupled with RDE's high-output tube circuitry, the K2 brings out every nuance while handling the loudest sources from cranked-up stacks to screaming vocals. Includes plastic molded travel case, power supply with 30' cable, and SM2 shockmount.Requires phantom power. |
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Rode Microphones NT2000 Variable Pattern Condenser Microphone : MusiciansFriend : USD599.0The RDE NT2000 is a condenser micophone that offers you total control and superlative audio characteristics. In fact, the RDE NT2000 is one of the most versatile condenser mics you'll ever encounter. Continuously variable controls on the microphone body let you dial in virtually any polar pattern, totally variable high-pass filtering, and pad values. 20Hz-20kHz frequency response. Includes plastic molded travel case and SM2 shockmount. Requires phantom power. |
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Rode Microphones S1 Pro Vocal Condenser Microphone : MusiciansFriend : USD329.0The RDE S1 Pro Vocal Condenser Mic is a professional-quality microphone, specifically designed for live vocal performance. It employs a true condenser transducer for optimal sound reproduction. The frequency response is tailored to ensure clear vocals while reducing handling noise. The unidirectional (super cardioid) pickup pattern limits background noise and reduces the susceptibility to feedback. The 5-piece mesh head provides filtering of breath, wind, and plosive noises while not interfering with the RDE S1's sensitivity or frequency response. The hardened mesh head also protects the precision condenser transducer from airborne contaminants and possible impact during performance and transit.The ergonomic design of the S1 also makes it extremely comfortable to hold and control during performance. The S1 mic requires P48V phantom supply and will work with most professional mixing consoles that incorporate this standard. The high-level output of the S1 is electronically balanced to reduce loss over long cable runs with the additional benefit of high-level rejection of electromagnetic interference. |
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Rode Microphones NT2-A Large-Capsule Studio Condenser Microphone : MusiciansFriend : USD399.0The RDE NT2-A Large-Capsule Studio Condenser Microphone is a professional, one-inch condenser microphone with variable pick-up patterns, high-pass filter, and pad. 3 - 3-position switches located on the mic body provide selection of figure 8, cardioid, or omni polar pick-up patterns; from a flat response to either 80Hz or 40Hz high-pass filter; and pad adjustments of 0dB, -5dB, or -10dB attenuation. The heart of the NT2-A is the Australian-designed and manufactured Type HF1 dual-diaphragm capsule. The frequency and transient response of this new transducer has been voiced to complement today's modern recording techniques and yet still evoke the silky smooth character of the legendary microphones of the '50s and '60s. Includes a soft pouch and clip.The RDE NT2-A represents an uncommon technical achievement. Many mics today look similar, with 1" capsules, a mesh head, and a cylindrical body. It is only when you look a little deeper and listen carefully that the major differences become apparent. If there weren't differences, we would all buy $50.00 mics, and be very happy! Many microphones in the same category sell for thousands of dollars. The difference is that the costlier mics are made with the best parts and precision engineered. While these mics are superb, their smaller production volume makes them expensive. They're hand assembled with parts bought in small quantitiesRDE has changed the industry by pioneering high quality volume production, investing in more design and tooling using the very finest components and capsules. RDE still offers the NT2-A at a price that would be impossible using older techniques and technologies.Designed and manufactured at RDE's new $10,000,000.00 facility in Sydney, the NT2-A incorporates the latest innovations in transducer design, coupled to RDE's surface mount electronics, offering pure signal quality and the lowest noise levels of any microphones with the same features. RDE is so proud of the NT2-A that they now offer a full 10-year parts And labor guarantee.Requires phantom power. |
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Rode Microphones VideoMic Shotgun Condenser Microphone : MusiciansFriend : USD149.0The RDE VideoMic is a professional-grade shotgun condenser microphone. Based on the latest film industry technology, the RDE VideoMic is designed specifically for use with high-quality digital video cameras. The microphone offers low noise and has an unusually wide bandwidth for its size. It is ultralightweight, yet rugged as a result of its ABS construction. Powered by a standard 9V battery with a low-battery LED-status indicator and switchable high-pass filter to reduce unwanted low-frequency rumble. The RDE VideoMic attaches to any camcorder that has a standard hot-shoe fitting and has a stereo mini jack for audio output.PowerThe VideoMic is designed by RDE to operate with a 9V battery. The battery is conveniently located within the support arm of the microphone. A fully removable access cover and an insertion mechanism enables easy loading. The battery will provide more than 100 hours of continuous use because of the mic's low power consumption of only 5.0 mA.Output impedanceThis RDE video shotgun microphone will operate satisfactorily into a load impedance as low as 1 kOhms. If a load below this is used, the output signal level will be reduced. Requires phantom power. |
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Shure Beta 87C Cardioid Condenser Microphone : MusiciansFriend : USD249.0The Shure Beta 87C Condenser Microphone features the same superb accuracy, detail, and rich vocal production and its uniform cardioid polar pattern effectively rejects unwanted sounds. It also offers minimal off-axis tone coloration. A low-frequency roll-off compensates for proximity effect. A 3-stage pop filter minimizes breath noise. Frequency response: 50Hz-20kHz. Requires phantom power. |
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Nady CBM 40X Boundary Microphone : MusiciansFriend : USD49.95The Nady CBM 40X boundary microphone is a wide-range back electret condenser mic with a cardioid polar pattern. The new CBM 40X mic is smaller and more compact and has better response than the original CBM 40X. The 48V phantom power adapter circuit is now inside the mic eliminating the need for a separate mini-xlr-to-standard-XLR phantom power adapter. The cable is terminated on one end with mini-XLR that is jacked into the mic and the other end has a standard XLR that connects directly to the mixer. The Nady CBM 40X is enclosed in a heavy-duty die cast case on rubber padding to minimize mechanical coupling of surface vibrations to the microphone.This Nady boundary mic is very useful in a variety of surface-mounted applications such as high quality sound reinforcement, professional recording, and many other demanding sound pickup situations. |
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Numark PHX Headphones : MusiciansFriend : USD99.95Numark PHX Headphones use an isolating, closed-ear design centered around high-output 50mm neodymium magnet drivers that results in accurate sound and maximum volume. A special 2-part ear cup design incorporates a rubber/silicone casing for a comfortable and secure fit when resting between ear and shoulder while cueing. 2 styles of interchangeable ear pads (soft velour, durable leather) and 3 types of cables (long, short, coiled) give you comfort and convenience in any situation. Numark PHX Headphones are foldable and come with a carrying bag. |
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Nady USB-24M USB Microphone : MusiciansFriend : USD24.95The Nady USB-24M makes it easier for you to record your music, podcast, or any audio source to your preferred recording software. Just plug the USB mic cable into your computer's USB port and launch your software. The microphone features a dynamic neodymium element and a 24-bit/96kHz digital audio conversion rate to capture sounds with extreme precision and offers plug-and-play operation with most recording applications. |
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Blue Dragonfly Microphone Package : MusiciansFriend : USD799.99Includes a Blue Dragonfly microphone, an On-Stage Stands SMS7650 hex-base studio boom stand, and a Stedman Pro-screen XL pop filter.Blue Dragonfly Microphone Like its insect cousin, the Dragonfly is fast, maneuverable, and beautifully engineered. The Dragonfly employs an innovative design that offers fine tuning and precise placement to please the most discerning recordist, combined with an ease of use that is without equal among contemporary microphones — and at a price that's considerably less than anything in its class. Winner of both the 2001 TEC Award and an Electronic Musician's 2001 Editor's Choice award, the Dragonfly is a unique pressure-gradient cardioid condenser microphone, employing the Blue's hand-built, single membrane, large-diaphragm capsule coated with a 6-micron mylar film of pure gold and aluminum. Enclosed within a rotating spherical grille, the capsule can be positioned and adjusted in the smallest spaces. Complete with an integrated elastic shockmount, the microphone's electronics are based on a class A discrete circuit, with a transformerless output. Its sonic character gives flight to everything from vocals to percussion, electric guitar and bass, as well as more "difficult" sources such as saxophones and stringed instruments.On-Stage Stands SMS7650 Hex-Base Studio Boom Stand Designed with professional recording musicians in mind, the SMS7650 is equipped with two straight boom shafts that can be attached for studio recording. Or, remove the front boom and use the back boom for project studio work. The boom arm slides effortlessly through the 1" square housing and locks with a tension knob. Boom angle adjusts with a 40-tooth clutch. The 17-lb. patented base is a step above the rest as it provides a low center of gravity, giving it stability even when moved. Also includes removable casters. Stedman Proscreen XL Professional advanced pop filter for all vocal applications. Made from an exclusive patented material that eliminates pops far more effectively than fabric filters, the Proscreen XL allows unobstructed passage of high frequencies helping to maintain the important detail in vocal recordings. In addition to its sonic advantages, it can be easily washed between sessions. Signal levels can be maximized without the risk of clipping caused by bursts (extremely important with digital formats). The Proscreen XL has a large 6" diameter screen with rubber bezel and includes a 13" flexible gooseneck with an extended adjustable clamp to allow easy adjustment and placement.How it works: The angle of the large louvered openings in the Proscreen XL material allows sound to pass while diverting air bursts from vocal pops in a downward direction out of the back of the screen. Even extremely dynamic close vocal work will not allow bursts to reach the microphone. Requires phantom power. |
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Neumann KM 184 Small Diaphragm Condenser Microphone Matte Black : MusiciansFriend : USD849.0The Neumann KM 184 Small Diaphram Cardioid Microphone has become the classic high-quality miniature microphone. The pressure gradient transducer used in the KM 184 features very smooth frequency response not only for the 0ø axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0ø frequency response: The KM 184 has a gentle rise at about 9 kHz (which brings out the sizzle in cymbals), a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances.With the same transformerless circuitry as is used in the KM 100 system, the KM 184 has excellent technical specifications. Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB. The KM 184 mic will operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. The output is balanced and phantom (48V) powered.The KM 184 is a good economical alternative choice for users looking for a high-quality miniature microphone. You don't have to give up the electroacoustic features you expect from a Neumann microphone! |
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Neumann KM 184 Small Diaphragm Condenser Microphone Satin Nickel : MusiciansFriend : USD849.0The Neumann KM 184 Small Diaphram Cardioid Microphone has become the classic high-quality miniature microphone. The pressure gradient transducer used in the KM 184 features very smooth frequency response not only for the 0ø axis, but also for lateral (off-axis) sound incidence. In typical usage, there is no coloration of sound over a wide pickup angle. Although the KM 184 has the same capsule as the KM 84, the microphone differs slightly on the 0ø frequency response: The KM 184 has a gentle rise at about 9 kHz (which brings out the sizzle in cymbals), a characteristic that was introduced very successfully with the KM 140. The result is a tonal balance that is fresher and livelier when compared to the KM 84 with its flat frequency response in that band. This difference was achieved with just a slight change of the capsule's rear opening, and is not due to resonances.With the same transformerless circuitry as is used in the KM 100 system, the KM 184 has excellent technical specifications. Compared to the KM 84 the dynamic range of the KM 184 increased by 24 dB mainly through the reduction of self-noise level to only 22 dB (CCIR) and an increased sound pressure handling capability of up to 138 dB. The KM 184 mic will operate without any problems, even if the input of following equipment happens to be unbalanced, for example as in some DAT recorders. The output is balanced and phantom (48V) powered.The KM 184 is a good economical alternative choice for users looking for a high-quality miniature microphone. You don't have to give up the electroacoustic features you expect from a Neumann microphone! |
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Beyerdynamic DJX-1 Professional Closed DJ Headphones : MusiciansFriend : USD189.0Beyerdynamic DJX-1 headphones feature excellent balanced sound and powerful bass response. Due to its total flexibility the DJX-1 headphones are a must-have for every DJ. It can be folded to half its size and the ear cups swivel to the side. The headband is padded for comfort and the single-sided cable ensures more freedom of movement. |
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Beyerdynamic DT 231 Pro Professional Closed Headphones : MusiciansFriend : USD49.99Beyerdynamic DT 231 headphones are professional lightweight, closed-backed headphones that feature a powerful bass reflex system and comfortable, exchangeable ear pads. |
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Beyerdynamic DT 250-80 Professional Closed Headphones - 80 Ohms : MusiciansFriend : USD219.0Beyerdynamic DT 250-80 Professional Closed Headphones feature neodymium magnet systems for accurate sound reproduction and very good ambient noise attenuation. The headphones' compact, lightweight low-profile design features modular construction for easy servicing; soft, circumaural ear pads and advanced ear cushion systems; and a detachable single-sided cable. |
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Beyerdynamic DT 770 M Monitoring Headphones for Drummers : MusiciansFriend : USD289.0Beyerdynamic DT 770 M Monitoring Headphones for Drummers feature excellent ambient noise attenuation, superb audio quality with high sound pressure level handling, and extended frequency range for realistic, dynamic sound. A single-sided cable with volume control, high long-term wearing comfort, and replaceable softskin earpads make these effective and ergonomic headphones for monitoring. 80 ohms. Includes leather carrying case. |
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Beyerdynamic DT 770 PRO Closed Studio Headphones - 250 Ohms : MusiciansFriend : USD249.0Beyerdynamic DT 770 PRO closed dynamic headphones were specially designed for critical music and sound monitoring in an open environment. The DT 770 PRO features a bass-reflex system to give low-frequency response down to 5 Hz and is equalized to the diffuse sound field. The weight of the diaphragm and moving coil of this headphone is approx. 20% compared to other current models. As a result, DT 770 PRO headphones offes similar pulse characteristics as electrostatic headphones. The cushion systems and light weight allow DT 770 PRO headphones to be used in complete comfort for long periods. |
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Beyerdynamic DT 770 Pro-80 Closed Studio Headphones : MusiciansFriend : USD199.99The DTG 770 Pro-80 Studio Headphones are closed back, diffuse-field headphones featuring bass reflex technology for improved bass response and clinically accurate high and mid-range reproduction. Rugged headband construction. Single-sided cable. |
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Beyerdynamic DT 990 PRO Open Studio Headphones 250 Ohms : MusiciansFriend : USD259.0Beyerdynamic DT 990 PRO open dynamic headphones are suitable for the most demanding professional and audiophile applications. The reduced weight of the diaphragm and moving coil result in a similar pulse characteristic as electrostatic headphones and, in combination with a carefully tailored frequency response, offer a natural and balanced sound.Soft ear pads and adjustable, sliding earpieces together with a very flexible coiled cable ensure that DT 990 headphones give you listening comfort during extended periods of use. |
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Beyerdynamic M 130 Dynamic Double Ribbon Microphone - Figure Eight Pattern : MusiciansFriend : USD699.0Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. One of them is the legendary M 130. The M 130's unique double ribbon element has a superb transient response, creating a highly detailed sound with unequaled accuracy and transparency. The bidirectional figure eight polar pattern effectively suppresses unwanted interference from the sides. The M 130's balanced, uncolored sound handles a wide variety of applications. In conjunction with the hypercardioid M 160, the M 130 is ideal for creating an authentic stereo image through the use of the MS (Mid-Side) technique.The M 130 gives excellent results when the Mid-Side technique is used to record or broadcast a true stereo image. Its rugged Design handles the demands of remote recording/broadcast sessions as easily as those of the studio. Alone, the M 130 allows the recording of background audience noise and concert hall ambience without unwanted resonances. In the recording studio it is effective with backing vocal groups, percussion and mounted toms. |
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Beyerdynamic M 160 Dynamic Double Ribbon Microphone : MusiciansFriend : USD699.0Beyerdynamic is one of few microphone manufacturers worldwide that still produce ribbon microphones. The M 160 dynamic double ribbon mic brings you the sonic characteristics of classic ribbon mics with a modern twist. Thanks to the double-ribbon design, the M 160 has an ultra-fast transient response, which gives you superior detail while maintaining the smooth highs that ribbons are famous for. The M 160 is an outstanding microphone that's very effective for all types of remote and in-studio vocal reproduction. In the recording studio, the M 160 is recommended for miking string instruments such as violins, violas, cellos and for pianos, saxophones as well as for hi-hat and toms. It can effectively handle sound sources from pianissimo to mezzo forte. The non-glare black surface of the M 160 and its small dimensions allow unobtrusive use in TV or film studios. When used in conjunction with the Beyerdynamic M 130 figure-8, double ribbon mic, the M 160's matched sound and hypercardioid polar pattern (side attenuation of 25dB at 110 degrees) makes it an ideal "mid" mic for recording in stereo with the M-S (Mid-Side) technique. |
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Beyerdynamic M 201 TG Dynamic Directional Microphone : MusiciansFriend : USD299.0The M 201 TG mic preserves its place in history through sheer performance and reliability and we are proud that it has come to feature here with the classics. A truly sensitive dynamic microphone with a range of applications spanning instruments to vocals, being particularly effective when the microphone has to be placed at a distance from the sound source. It incorporates a hum-buck coil that rejects mains borne interference introduced when using the microphone close to video monitors or other mains powered devices. |
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Beyerdynamic M 260 Dynamic Ribbon Microphone - Hypercardioid Pattern : MusiciansFriend : USD439.0The Beyerdynamic M 260 microphone is a dynamic ribbon microphone used for vocals and miking instruments at broadcast, recording and film studios. The M 260 mic's flat frequency response and natural, warm ribbon sonic profile make it a highly effective element of the digital recording process. The hypercardioid polar pattern provides an extremely high gain-before-feedback and elimination of lateral noise (maximum at 115 degrees). The M 260 is equipped with a built-in high-pass-filter, which compensates the close miking effect, when the microphone is applied very close to an instrument. The microphone also features a high insensitivity towards magnetic stray fields and extreme temperatures. The rugged grille protects the microphone system against accidental hits and kicks. |
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Beyerdynamic M 58 Dynamic Omnidirectional ENG/EFP Microphone : MusiciansFriend : USD259.0The Beyerdynamic M 58 Omnidirectional Microphone has been specifically designed to satisfy the demands of Electric News Gathering (ENG) and Electronic Field Production (EFP) applications. It's sophisticated internal shockmount dramatically reduces handling noise, while the microphone's frequency response has been tailored to provide broadcasters with a very accurate and intelligible sound. The M 58's weight-balanced design provides journalists with a high degree of comfort during lengthy interviews. The M 58 mic's rugged construction enables the microphone to withstand physical and environmental punishment typically encountered during field production operations. The M 58's slim profile and non-glare finish result in a low profile on camera. |
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Beyerdynamic M 69 TG Dynamic Microphone : MusiciansFriend : USD299.0The Beyerdynamic M 69 TG is a classic all-around microphone with superb response characteristics that make the human voice sound real whether speaking, singing, chanting, or shouting. The M 69 mic's unique shape and sound, coupled with its high SPL capability, make it a natural choice for miking brass instruments and guitar cabs as well as vocals. |
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Beyerdynamic M 88 TG Dynamic Directional Microphone : MusiciansFriend : USD449.0The Beyerdynamic M 88 Dynamic Microphone has been a classic mic since it was introduced in the 1960s. Incorporating a new low mass diaphragm element, the directional M 88 TG mic has earned its place in the history of recording the kick drum. Sound engineers have found that the lightening fast response of the microphone reproduces the complex sound patterns of the drum, resulting in a tight "thump" without the need for complex signal processing. This characteristic works equally well on other instruments especially where intricate low frequencies and their harmonics need to be captured. The Beyerdynamic M 88 TG is one of the microphones most frequently specified by sound engineers worldwide. |
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Beyerdynamic M 99 Dynamic Microphone : MusiciansFriend : USD599.0The Beyerdynamic M 99 is a studio quality dynamic moving coil microphone. The tailored frequency response suits many applications from instrument miking to on-air broadcasting. The Beyerdynamic TG-X technology used in the M 99 features a strong neodymium magnet system and a mass reduced special Mylar diaphragm to give the microphone a powerful reproduction with excellent transient characteristics. The frequency response is extremely linear and guarantees audio quality which has, until now, only been achieved by using high quality condenser microphones. The frequency select switch at the base of the microphone allows three settings of equalization, linear and two optimized settings for vocals and instrument miking. A second switch is for presence accentuation. This allows further adjustment for close miking techniques or kick drum miking. The hypercardioid polar pattern helps to eliminate feedback in live applications and allows a good separation between different instruments. The microphone can operate at very high sound pressure levels without loss of sound quality and virtually no distortion. The M 99's die cast casing is made of aircraft grade aluminum and finished with an attractive metallic varnish. Applications include vocals, radio announcers, instruments, and kick drum. |
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Beyerdynamic MC 834 Studio Condenser Microphone : MusiciansFriend : USD1299.0The Beyerdynamic MC 834 condenser microphone features an extremely linear frequency curve and a frequency response of 20 to 20,000Hz. Due to its cardioid polar pattern, the MC 834 mic has a high gain-before-feedback. Without pre-attenuation the microphone has a SPL capability of 130dB, with pre-attenuation up to 150dB. The MC 834 offers a dynamic that cannot be reached by any digital recording system. The microphone has a balanced output and can be powered by phantom power between 12 and 52 V. The MC 834 is a universal studio microphone to be used for digital recording, both lead and backup vocals, voice-overs, miking of pianos, strings, and brass instruments. It is also suited to the home recording artist. |
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Beyerdynamic MC 840 Studio Condenser Microphone : MusiciansFriend : USD1599.0The MC 840 is a extremely compact large diaphragm studio microphone with a gold vaporised double diaphragm and 5 selectable polar patterns (omnidirectional, wide cardioid, cardioid, hypercardioid, figure-eight). On the basis of the MC 740 microphone capsule this new microphone has been equipped with an improved low-noise pre-amplifier and an impedance transformer without transducer. Due to a two-stage roll-off filter (80 and 160 Hz) compensating the close miking effect and a two-stage pre-attenuation (-10 and -20 dB) the MC 840 is a superior microphone for any recording application. It has been designed without compromise to capture every sound detail with absolute clarity and purity. Applications for the MC 840 include recording orchestras resulting in a superb transparent sound Requires phantom power. |
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Beyerdynamic MC 930 Small Diaphragm Condenser Microphone : MusiciansFriend : USD599.0The high-quality Beyerdynamic MC 930 universal condenser microphone features an exceptional price/performance ratio. Features of the MC 930 mic are the wide frequency response of 40 - 20,000 Hz and a signal-to-noise ratio of 71 dB. The MC 930 is suitable for miking choirs, orchestras and solo instruments. Due to the switchable pre-attenuation of 15 dB it provides excellent performance at high sound pressure levels. The switchable bass roll-off filter with 6 dB/Octave at 250 Hz compensates for proximity effects. With the WS 101 wind screen the MC 930 can be used for vocal applications and speech. The MC 930 is phantom powered (11 - 52 V) and is suitable for live applications and installations. Due to its cardioid polar pattern, the MC 930 has a high-gain-before feedback and eliminates noise from the rear. It is not only a first-class tool for studios, but also for sound contracting systems, where excellent sound and maximum gain-before-feedback is required. |
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Beyerdynamic MCE 58 Electret Omnidirectional Condenser Microphone for ENG/EFP : MusiciansFriend : USD389.0The MCE 58 condenser microphone has a very high unbalanced output that allows direct connection to mobile DAT and MD-recorders. The elasticated suspension of the transducer element eliminates unwanted handling noise and built-in active filters suppress unwanted low-frequency noise such as traffic rumble. The MCE 58 has a frequency response curve which has been optimized for excellent speech intelligibility The non-glare surface is scratch-resistant and will withstand the rough use often associated with news gathering events. Requires phantom power. |
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Beyerdynamic MCE 72 Stereo Electret Condenser Microphone : MusiciansFriend : USD389.0The Beyerdynamic MCE 72 Stereo Electret Condenser Microphone is suitable for stereo recording in home studio applications, concert recordings with DAT or MD, film, video and interviewing. For musicians the MCE 72 is an excellent microphone for assessing performance in rehearsals, production, and concerts. For stereo ambient sound recording, the microphone is suitable for direct connection to most camcorders, DAT and MD recorders. The MCE 72 has two microphone capsules that are mounted in an angle of ±60 degrees to the microphone axis to achieve a wide recording range and an accurate reproduction of the sound source.The optional EA 19/25 elastic suspension suppresses footfall sound effectively. Using the optional special EA 86 elastic suspension with a flash holder, the MCE 72 can be mounted onto the "hot shoe" of a camcorder directly but remains isolated from noise caused by the video head and the drive. The MCE 72 is powered by a standard 1.5 V battery (AA-size). An LED indicates when the battery needs to be replaced. The plug in cable enables the connectors on the MCE 72 to be changed quickly.Requires phantom power. |
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Beyerdynamic MCE 72 CAM Stereo Microphone with Special Video Accessories : MusiciansFriend : USD419.0The Beyerdynamic MCE 72 CAM Stereo Microphone is suitable for stereo recording in home studio applications, concert recordings with DAT or MD, film, video, and interviewing. For musicians the MCE 72 is an excellent microphone for assessing performance in rehearsals, production and concerts. For stereo ambient sound recording, the microphone is suitable for direct connection to most camcorders, DAT and MD recorders. The MCE 72 has two microphone capsules that are mounted in an angle of ±60 degrees to the microphone axis to achieve a wide recording range and an accurate reproduction of the sound source. Using the optional special EA 86 elastic suspension with a flash holder, the MCE 72 can be mounted onto the hot shoe of a camcorder directly but remains isolated from noise caused by the video head and the drive.The MCE 72 is powered by a standard 1.5 V battery (AA-size). An LED indicates when the battery needs to be replaced. The plug in cable enables the connectors on the MCE 72 to be changed quickly. Operating time with by a standard 1.5 V battery (AA-size). An LED indicates when the battery needs to be replaced. The plug in cable enables the connectors on the MCE 72 to be changed quickly. Requires phantom power. |
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Beyerdynamic MCE 82 Stereo Condenser Microphone : MusiciansFriend : USD649.0The MCE 82 Stereo Microphone has 2 condenser capsules with cardioid polar patterns, which are mounted at an angle of ± 45 degrees of the mic axis. This allows a wide recording range and an accurate reproduction of the sound source. The MCE 82 has a flat linear frequency response for neutral miking with the highest sound quality.Due to its compact and rugged metal housing, the Beyerdynamic MCE 82 is an ideal microphone for mobile applications. The elastic suspension of the condenser capsules suppress handling and cable noise. A switchable bass filter eliminates wind noise and rumble.The MCE 82 can be operated with any phantom supply between 12 and 48 V. If phantom supply is not available, the MCE 82 can also be powered by a 1.5 V battery. A LED indicates battery condition. |
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Beyerdynamic MCE 86 II Electret Condenser Shotgun Microphone : MusiciansFriend : USD379.0The Beyerdynamic MCE 86 II shotgun microphone can be used for video recordings, lecterns or theater applications. MCE 86II mics are extremely light and rugged and therefore ideal for mounting on to cameras or camcorders. These Beyerdynamic mics can be used for outdoor applications and in studios with fish pole booms or as handheld microphones.The electrostatic transducer element and the hypercardioid/lobe polar pattern result in an excellent polar pattern with high sensitivity. Due to its construction and integrated active filter the microphone is insensitive toward wind and vibrations caused by zoom motors. Each sound source is reproduced absolute clearly.The MCE 86 II can be powered from balanced phantom source. If phantom power is not available the MCE 86 II S version should be used. This microphone can be phantom powered or battery powered with an integrated 1.5 V battery. |
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Beyerdynamic MCE 86 S II Condenser Shotgun Microphone : MusiciansFriend : USD469.0The MCE 86 II shotgun microphones can be used for video recordings, lecterns or theatre applications. The microphones are extremely light and rugged and therefore ideal for mounting onto cameras or camcorders. They can be used for outdoor applications and in studios with fish pole booms or as handhelds.The electrostatic transducer element and the hypercardioid/lobe polar pattern result in an excellent polar pattern with high sensitivity. Due to its construction and integrated active filter the microphone is insensitive towards wind and vibrations caused by zoom motors. Each sound source is reproduced absolute clearly. The MCE 86 II can be powered from balanced phantom source. If phantom power is not available the MCE 86 II S version should be used. This microphone can be phantom powered or battery powered with an integrated 1.5 V battery. |
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Beyerdynamic MM 1 Measurement Microphone : MusiciansFriend : USD219.99The Beyerdynamic MM 1 is a measurement microphone designed specifically for measuring sound reinforcement and PA systems. It is designed to work with spectrum analyzers for measuring frequency response and sound pressure levels of loud speaker systems. The MM 1 is the ideal microphone for the measurements of audio signals in the research, development, for reverberation testing and other applications.The MM 1 mic's narrow tubular construction ensures that the microphone has negligible influence on the sound field so that an increase in pressure level is avoided due to the linear frequency response.Requires phantom power. |
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Beyerdynamic Opus 88 Condenser Clip-On Microphone : MusiciansFriend : USD199.0The Beyerdynamic Opus 88 condenser microphone is a perfect choice for close miking toms and snare drums, and is designed to excel at professional sound reinforcement or recording. The snare drum is hit most often, the hardest, and produces a very complex sound pattern. The Opus 88 mic has been optimized for the snare, both electrically and physically, to capture a precise sound. With its patented microphone clamp with integrated preamplifier and 3-pin XLR plug the Opus 88 can easily and quickly be mounted to the rim. The short flexible gooseneck and the horizontal swivel joint ensures optimal positioning. Requires phantom power. |
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Beyerdynamic TG-X 47 Dynamic Vocal Microphone : MusiciansFriend : USD99.0The TG-X 47 Dynamic Vocal Microphone is ruggedly constructed for years of road use and will convince you with its typical warm and clear Beyerdynamic sound. The TG-X 47 supercardioid microphone has the ability to give a wide, transparent frequency response and is suitable for a variety of instrument applications, especially for guitar amplifiers and snare drums. The TG-X 47 comes with a microphone clamp and pouch. |
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Beyerdynamic TG-X 48 Dynamic Vocal Microphone : MusiciansFriend : USD99.0The Beyerdynamic TG-X 48 is a dynamic vocal microphone that is ruggedly constructed for years of road use. Delivers the signature warm and clear Beyerdynamic sound. Vocalists who are in the hunt for a good value everyday microphone should consider the TG-X 48. It is excellent in the top end and you can really crank the gain before feedback problems arise. The TG-X 48 mic comes with a microphone clamp and pouch. |
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Beyerdynamic TG-X 60 Dynamic Lead Vocal Microphone : MusiciansFriend : USD279.0With its Neodymium magnetic structure to provide greater output level and lighter weight, the Beyerdynamic TG-X 60 has emerged as a firm favorite with vocalists, providing a superb level of purity within a well defined hypercardioid response pattern. At just 217g the TG-X 60 handles like a dream and its performance assures its status as a Beyerdynamic classic. |
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Beyerdynamic TG-X 80 Dynamic Lead Vocal Microphone : MusiciansFriend : USD329.0The Beyerdynamic TG-X 80 is a highly sensitive and accurate lead vocal microphone suitable for performers that can really benefit from the outstanding dynamic range and the mic's wide frequency response. The TG-X 80 is the ultimate in dynamic microphone design and comes at a price worthy of the technology. |
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Neumann TLM 103 Anniversary Stereo Microphone Pair Satin Nickel : MusiciansFriend : USD2499.0The Neumann TLM 103 Anniversary Stereo Microphone Set includes 2 matched TLM 103 Microphones and 2 EA 1 Elastic Suspension Shockmounts in a sturdy metal travel case.The Neumann TLM 103 large diaphram microphone is new standard for home recording and the music industry. By utilizing the tried and true transformerless circuit found in numerous Neumann microphones, the TLM 103 features yet unattained low self-noise and the highest sound pressure level transmission. The capsule, derived from that used in the U 87, has a cardioid pattern, is acoustically well-balanced and provides extraordinary attenuation of signals from the rear. The TLM 103 is the ideal large diaphragm microphone for all professional and semi-professional applications requiring the utmost in sound quality on a limited budget.Polar pattern The TLM 103 is equipped with a large diaphragm capsule with cardioid pattern. By focusing on this pattern used in most recording situations the attenuation of unwanted rear sound has been optimized. Off-axis sounds are rendered naturally while isolation is increased. This also leads to a high feedback suppression when the microphone is used in live situations or where loudspeaker playback is a factor.Acoustic features The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones. The capsule has a flat frequency response up to about 5 kHz, and above that, a wide flat 4 dB presence boost. The large wire mesh headgrille protects the capsule from plosive sounds and effectively prevents pop noises. These characteristics are achieved without resorting to corrective resonance effects. Therefore, the microphone maintains an excellent impulse response and reproduces the finest details of music and speech without coloration.Electrical features With just 7 dB-A / 17.5 dB CCIR the self-noise level of the TLM 103 is so reduced that even the smallest signals are reproduced basically noise-free. As it is capable of handling sound pressure levels up to 138 dB without distortion, the TLM 103 provides a dynamic range of 131 dB, according to DIN/IEC 651.The letters TLM stand for "transformerless microphone". With TLM technology the usual output transformer is replaced by an electronic circuit. As with traditional transformers, it ensures good common mode rejection, and prevents RF interference that may influence the balanced audio signal.Operational safety The entire internal construction is elastically mounted to attenuate any structure borne noise that could interfere with the TLM 103's operation. The frequency range reaches below 20 Hz and thus even very low bass signals are reproduced without coloration. The included elastic suspension EA 1 shockmounts will further reduce structural borne interference due low frequency extension and wind noise. |
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Sennheiser e838 Dynamic Microphone : MusiciansFriend : USD139.99The Sennheiser e838 Microphone from the evolution 800 Series has been engineered for the vocalist that needs the vocals to cut through the band. Due to its excellent acoustic properties, the E 838 mic delivers a high signal output to cut through high on-stage sound levels with ease. A gentle presence boost to even tonal response ensures vocal clarity and projection. The balanced frequency response maintains signal quality when moving on and off axis during performance. The minimal proximity effect provides for consistently clear bass-end performance when singing closer to, or further from the microphone. The cardioid pick-up pattern provides excellent feedback rejection and good isolation from incidental rear noise. The rugged metal construction and internal damping isolates handling noise. |
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CAD e70 Modular Dual-Capsule Condenser Microphone : MusiciansFriend : USD99.99The CAD e70 Modular Dual-Capsule Condenser Microphone has an omnidirectional capsule for flat near-field and ambience pick up, and a cardioid capsule for proximity boost and off-axis rejection. The complement of the CAD e60 and the second of virtuoso Al Dimeola's 2 favorite mics for acoustic guitar, you can use the CAD e70 mic to capture your instrumentation with exacting detail. As well as being an ideal acoustic guitar mic, the e70 is excellent for capturing other stringed instruments and as an overhead cymbal mic. Features include field-effect detection, transformerless drive, a dual-frequency hi-pass filter and 2-position attenuator. CAD includes an elastic shock mount, stand clamp, and a windscreen with the e70 modular microphone. 48V phantom power required. |
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Heil Sound The Fin Dynamic Microphone White : MusiciansFriend : USD196.0The Fin Dynamic Mic captures remarkably natural, clear sound and is designed for live sound, recording, and broadcast applications. The exceptional performance is achieved thanks to a special magnet structure with a large 1-1/18" aluminum low mass voice coil assembly similar to the Heil PR 20. The frequency response is 60 Hz - 18 kHz with that traditional Heil Sound mid range "bouquet" at 4 kHz, presenting incredible brilliance and presence. The Heil Fin exhibits a tight linear cardioid pattern. The chrome finish is a special "showchrome," where the steel body is copper-plated and then double chrome-plated, producing a deep chrome finish. A blue molded internal foam windscreen inside the grill covers the large diameter Heil dynamic microphone element mounted in a specially tooled Sorbothane shock mount.The fun part of The Fin is the four L.E.D. lamps mounted inside. These can only be illuminated when using The Fin into one of the 3-pin balanced XLR inputs of a professional mixing console that supplies a +48 volt DC phantom voltage down the balanced mic line. A small slide switch on the bottom of The Fin microphone must be switched to "ON."Standard 5/8" 27-thread connection allows The Fin to be mounted on booms or floor stands.The Fin mic from Heil Sound is terrific for vocals, instrument amplifiers, harmonica, and speech, and puts the fun back into the dynamic microphone. |
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Heil Sound The Fin Dynamic Microphone Blue : MusiciansFriend : USD196.0The Fin Dynamic Mic captures remarkably natural, clear sound and is designed for live sound, recording, and broadcast applications. The exceptional performance is achieved thanks to a special magnet structure with a large 1-1/18" aluminum low mass voice coil assembly similar to the Heil PR 20. The frequency response is 60 Hz - 18 kHz with that traditional Heil Sound mid range "bouquet" at 4 kHz, presenting incredible brilliance and presence. The Heil Fin exhibits a tight linear cardioid pattern. The chrome finish is a special "showchrome," where the steel body is copper-plated and then double chrome-plated, producing a deep chrome finish. A blue molded internal foam windscreen inside the grill covers the large diameter Heil dynamic microphone element mounted in a specially tooled Sorbothane shock mount.The fun part of The Fin is the four L.E.D. lamps mounted inside. These can only be illuminated when using The Fin into one of the 3-pin balanced XLR inputs of a professional mixing console that supplies a +48 volt DC phantom voltage down the balanced mic line. A small slide switch on the bottom of The Fin microphone must be switched to "ON."Standard 5/8" 27-thread connection allows The Fin to be mounted on booms or floor stands.The Fin mic from Heil Sound is terrific for vocals, instrument amplifiers, harmonica, and speech, and puts the fun back into the dynamic microphone. |
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Heil Sound The Fin Dynamic Microphone Red : MusiciansFriend : USD216.0The Fin Dynamic Mic captures remarkably natural, clear sound and is designed for live sound, recording, and broadcast applications. The exceptional performance is achieved thanks to a special magnet structure with a large 1-1/18" aluminum low mass voice coil assembly similar to the Heil PR 20. The frequency response is 60 Hz - 18 kHz with that traditional Heil Sound mid range "bouquet" at 4 kHz, presenting incredible brilliance and presence. The Heil Fin exhibits a tight linear cardioid pattern. The chrome finish is a special "showchrome," where the steel body is copper-plated and then double chrome-plated, producing a deep chrome finish. A blue molded internal foam windscreen inside the grill covers the large diameter Heil dynamic microphone element mounted in a specially tooled Sorbothane shock mount.The fun part of The Fin is the four L.E.D. lamps mounted inside. These can only be illuminated when using The Fin into one of the 3-pin balanced XLR inputs of a professional mixing console that supplies a +48 volt DC phantom voltage down the balanced mic line. A small slide switch on the bottom of The Fin microphone must be switched to "ON."Standard 5/8" 27-thread connection allows The Fin to be mounted on booms or floor stands.The Fin mic from Heil Sound is terrific for vocals, instrument amplifiers, harmonica, and speech, and puts the fun back into the dynamic microphone. |
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Electro-Voice PL DK4 Drum Mic Pack : MusiciansFriend : USD379.0The Electro-Voice PL DK4 is a ready-for-the-gig microphone solution for a 4-piece drum kit containing 1 PL33 dynamic supercardioid kick drum mic and 3 PL35 dynamic supercardioid tom/snare mics, all packaged in a high-quality firm-exterior 600 Denier nylon gig bag with shoulder strap. The PL33 dynamic supercardioid kick drum mic delivers tight, low end and punctuation for kick drums and low frequency instruments, and the PL35 dynamic supercardioid tom & snare mic, with its unique body design, integrated swivel and drum rim clamp is voiced for exceptionally natural tom and snare sounds. |
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Electro-Voice PL DK5 Drum Mic Pack : MusiciansFriend : USD459.0The Electro-Voice PL DK5 is a ready-for-the-gig microphone solution for a 5-piece drum kit containing 1 PL33 dynamic supercardioid kick drum mic and 4 PL35 dynamic supercardioid tom/snare mics, all packaged in a high-quality firm-exterior 600 Denier nylon gig bag with shoulder strap. The EV PL33 dynamic supercardioid kick drum mic delivers tight, low-end and punctuation for kick drums and low frequency instruments, and the PL35 dynamic supercardioid tom and snare microphone, with its unique body design, integrated swivel and drum rim clamp is voiced for exceptionally natural tom and snare drum sounds. |
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Electro-Voice PL DK7 Drum Mic Pack : MusiciansFriend : USD649.0The Electro-Voice PL DK7 is a ready-for-the-gig microphone solution for a 5-piece drum kit containing 1 PL33 dynamic supercardioid kick drum mic, 4 PL35 dynamic supercardioid tom/snare mics, and 2 PL37 condenser cardioid overhead/hi-hat mics, all packaged in a high-quality firm-exterior 600 Denier nylon gig bag with shoulder strap. The PL33 dynamic supercardioid kick drum mic delivers tight low-end and punctuation for kick drums and low frequency instruments. The EV PL35 dynamic supercardioid tom and snare mic, with its unique body design, integrated swivel and drum rim clamp is voiced for exceptionally natural tom and snare sounds. And the PL37 condenser cardioid overhead mic is designed and voiced for overhead drums, cymbals, hi-hats and percussion, and crisply captures all the performance nuances with superior transient response. |
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Audio-Technica AT2020 USB Condenser Microphone : MusiciansFriend : USD149.0The Audio-Technica AT2020 USB is a condenser microphone that offers you studio-quality articulation and intelligibility while plugging right into your computer's USB port and functioning seamlessly with your favorite recording software. Equipped with a USB digital output, the AT2020 USB microphone is perfect for home studio recording, field recording, podcasting, and voiceover use. The AT2020 USB is based on the design of Audio-Technica's critically acclaimed AT2020 cardioid condenser microphone. Like the AT2020, it features a low-mass diaphragm, custom-engineered for extended frequency response and superior transient response.With low self-noise, the Audio-Technica AT2020 USB is a mic perfectly suited for sophisticated digital recording equipment. Audio-Technica's state-of-the-art design and manufacturing techniques ensure that the AT2020 USB microphone complies with the company's renowned consistency and reliability standards. Requires phantom power. |
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Neumann M 147 Tube Condenser Microphone Nickel : MusiciansFriend : USD2679.0The Neumann M 147 Tube is a vacuum tube condenser microphone with cardioid characteristic. At the heart of this microphone is the K 47 dual diaphragm capsule, inherited from this model's now legendary predecessors, the U 47 and the M 49. Following the capsule is a tube that functions as an impedance converter. The next stage is an efficient, transformerless output circuit, that guarantees an extremely low self-noise level. Note: This innovative combination of current tube technology with the most advanced solid-state circuitry was decisive in awarding the 1997 TEC Award to the related M 149 Tube mic. The M 147 Tube mic can feed extremely long microphone cables without affecting the quality of the audio signal. Like all Neumann tube microphones, the M 147 Tube comes with an elegant satin nickel finish. The microphone is delivered as a complete set in a high-quality aluminum case. Included with the microphone are a microphone cable, a metal swivel mount for a mic stand, and a compact universal power supply for standard mains socket-all at a very attractive price.Applications The famous capsule, together with complimenting tube characteristics, makes the M 147 Tube especially well suited as a vocal mic. In addition, it is a superb spot mic for all types of musical instruments. The extremely low self-noise of its tube circuitry makes the mic perfectly suited for use in modern recording chains, analog and digital.Acoustic features The M 147 Tube is addressed from the side. The capsule is equivalent to the one used in the U 47, and is the deciding factor in determining the mic's sound characteristics. It has a flat frequency response to the upper midrange, and a boost of up to 3 dB above 2 kHz. The headgrille design is a smaller version of the U 47. It protects the capsule effectively against popping and wind noise.Polar pattern The Neumann M147 Tube has a cardioid characteristic, leaning more toward super-cardioid due to its distinctive capsule design. At higher frequencies the pattern becomes more directional. This is very similar to the model after which this new tube microphone was patterned, the U 47 and the successor, the U 47 fet.Electrical features When compared to other microphones, the impedance converter used in the M 147 Tube is distinguished by its extremely low self-noise level of only 12 dB-A / 24 dB CCIR weighted.Similar to the recently introduced M 149 Tube, the new M 147 Tube combines a specifically selected vacuum tube (triode) with modern circuitry. This technique takes full advantage of the special transfer characteristics of the tube and passes the processed audio signal of the capsule to the microphone output without any coloration or unwanted side effects.The tube amplifies the capsule's signal by approximately 10dB, thus preventing any possible influences from subsequent electronics. The M 147 Tube delivers a high output voltage, and therefore can feed microphone cables up to 300 m length without signal degradat |
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Audio-Technica PRO 92cW Wireless Headset Microphone : MusiciansFriend : USD129.0The Audio-Technica PRO 92cW is an omnidirectional wireless headworn microphone that offers you natural, smooth frequency response optimized for vocal articulation. The PRO 92cW mic features a small condenser capsule; a lightweight, contoured earpiece; and a flexible boom that is easily repositioned for a comfortable fit. Terminated to fit Audio-Technica wireless systems, the PRO 92cW is a great headworn mic. |
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Audio-Technica PRO 92cW-TH Wireless Headset Microphone : MusiciansFriend : USD129.0The Audio-Technica PRO 92cW is a wireless headworn microphone that offers you natural smooth frequency response optimized for vocal articulation. The omnidirectional mic features a small condenser capsule; a lightweight, contoured earpiece; and a flexible boom that is easily repositioned for a comfortable fit. Terminated to fit Audio-Technica wireless systems, the PRO 92cW-TH is a great headworn mic. |
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Audio-Technica ATW-251/H92 Wireless System T2 : MusiciansFriend : USD199.95The Audio Technica ATW-251/H 92 includes: a ATW-R250 receiver, ATW-T201 transmitter, and a PRO 92cW headworn black microphone.Audio-Technica's Freeway 200 Series Wireless Systems are designed to provide reliable performance, easy setup and clear, natural sound quality. Each 200 Series professional VHF wireless system includes a receiver and either a bodypack transmitter or a handheld microphone/transmitter on a specific crystal-controlled frequency. A novel dipole antenna system on the receiver improves operation by providing a ground element in addition to the usual signal element.The ATW-R250 receiver is a compact wireless receiver for the 200 series Freeway system. The surface mounted unit features 8 selectable VHF frequencies, and diversity switching antennas. The combination of VHF, diversity operation results in fewer drop outs and noise. The rear provides both balanced and unbalanced output connections for further flexibility. It comes with a unique space saving power supply, perfect when multiple AC power supplies are employed as part of a system. The ATW-R250 also offers squelch and volume controls, 1/4 output jack, along with AF Peak, RF and Power indicator lights.The ATW-T201 Body Pack Transmitter is a VHF bodypack transmitter for the Freeway 200 series wireless microphone system also. The transmitter accommodates compatible lavalier and head-worn microphones as well as instrument cables. Additional features include switchable RF power settings for increasing range whenever necessary.The PRO 92cW wireless omnidirectional condenser headworn microphone offers a natural, smooth frequency response optimized for vocal articulation. The mic features a small condenser capsule; a lightweight, contoured earpiece; and a flexible boom that is easily repositioned for a comfortable fit. Terminated to fit Audio-Technica wireless systems, the PRO 92cW is a great headworn mic. |
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Audio-Technica ATW-251/H92 Wireless System T3 : MusiciansFriend : USD199.95The Audio Technica ATW-251/H 92 includes: a ATW-R250 receiver, ATW-T201 transmitter, and a PRO 92cW headworn black microphone.Audio-Technica's Freeway 200 Series Wireless Systems are designed to provide reliable performance, easy setup and clear, natural sound quality. Each 200 Series professional VHF wireless system includes a receiver and either a bodypack transmitter or a handheld microphone/transmitter on a specific crystal-controlled frequency. A novel dipole antenna system on the receiver improves operation by providing a ground element in addition to the usual signal element.The ATW-R250 receiver is a compact wireless receiver for the 200 series Freeway system. The surface mounted unit features 8 selectable VHF frequencies, and diversity switching antennas. The combination of VHF, diversity operation results in fewer drop outs and noise. The rear provides both balanced and unbalanced output connections for further flexibility. It comes with a unique space saving power supply, perfect when multiple AC power supplies are employed as part of a system. The ATW-R250 also offers squelch and volume controls, 1/4 output jack, along with AF Peak, RF and Power indicator lights.The ATW-T201 Body Pack Transmitter is a VHF bodypack transmitter for the Freeway 200 series wireless microphone system also. The transmitter accommodates compatible lavalier and head-worn microphones as well as instrument cables. Additional features include switchable RF power settings for increasing range whenever necessary.The PRO 92cW wireless omnidirectional condenser headworn microphone offers a natural, smooth frequency response optimized for vocal articulation. The mic features a small condenser capsule; a lightweight, contoured earpiece; and a flexible boom that is easily repositioned for a comfortable fit. Terminated to fit Audio-Technica wireless systems, the PRO 92cW is a great headworn mic. |
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Audio-Technica ATW-251/H92 Wireless System T8 : MusiciansFriend : USD199.95The Audio Technica ATW-251/H 92 includes: a ATW-R250 receiver, ATW-T201 transmitter, and a PRO 92cW headworn black microphone.Audio-Technica's Freeway 200 Series Wireless Systems are designed to provide reliable performance, easy setup and clear, natural sound quality. Each 200 Series professional VHF wireless system includes a receiver and either a bodypack transmitter or a handheld microphone/transmitter on a specific crystal-controlled frequency. A novel dipole antenna system on the receiver improves operation by providing a ground element in addition to the usual signal element.The ATW-R250 receiver is a compact wireless receiver for the 200 series Freeway system. The surface mounted unit features 8 selectable VHF frequencies, and diversity switching antennas. The combination of VHF, diversity operation results in fewer drop outs and noise. The rear provides both balanced and unbalanced output connections for further flexibility. It comes with a unique space saving power supply, perfect when multiple AC power supplies are employed as part of a system. The ATW-R250 also offers squelch and volume controls, 1/4 output jack, along with AF Peak, RF and Power indicator lights.The ATW-T201 Body Pack Transmitter is a VHF bodypack transmitter for the Freeway 200 series wireless microphone system also. The transmitter accommodates compatible lavalier and head-worn microphones as well as instrument cables. Additional features include switchable RF power settings for increasing range whenever necessary.The PRO 92cW wireless omnidirectional condenser headworn microphone offers a natural, smooth frequency response optimized for vocal articulation. The mic features a small condenser capsule; a lightweight, contoured earpiece; and a flexible boom that is easily repositioned for a comfortable fit. Terminated to fit Audio-Technica wireless systems, the PRO 92cW is a great headworn mic. |
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Audio-Technica ATW-251/H92-TH Wireless System T2 : MusiciansFriend : USD199.95The Audio Technica ATW-251/H 92 includes: a ATW-R250 receiver, ATW-T201 transmitter, and a PRO 92cW headworn beige microphone.Audio-Technica's Freeway 200 Series Wireless Systems are designed to provide reliable performance, easy setup and clear, natural sound quality. Each 200 Series professional VHF wireless system includes a receiver and either a body-pack transmitter or a handheld microphone/transmitter on a specific crystal-controlled frequency. A novel dipole antenna system on the receiver improves operation by providing a ground element in addition to the usual signal element.The ATW-R250 receiver is a compact wireless receiver for the 200 series Freeway system. The surface mounted unit features 8 selectable VHF frequencies, and diversity switching antennas. The combination of VHF, diversity operation results in fewer drop outs and noise. The rear provides both balanced and unbalanced output connections for further flexibility. It comes with a unique space saving power supply, perfect when multiple AC power supplies are employed as part of a system. The ATW-R250 also offers squelch and volume controls, 1/4 output jack, along with AF Peak, RF and Power indicator lights.The ATW-T201 Body Pack Transmitter is a VHF bodypack transmitter for the Freeway 200 series wireless microphone system also. The transmitter accommodates compatible lavalier and head-worn microphones as well as instrument cables. Additional features include switchable RF power settings for increasing range whenever necessary.Thw PRO 92cW wireless omnidirectional condenser headworn microphone offers a natural, smooth frequency response optimized for vocal articulation. The mic features a small condenser capsule; a lightweight, contoured earpiece; and a flexible boom that is easily repositioned for a comfortable fit. Terminated to fit Audio-Technica wireless systems, the PRO 92cW is a great headworn mic. |
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Audio-Technica ATW-251/H92-TH Wireless System T3 : MusiciansFriend : USD199.95The Audio Technica ATW-251/H 92 includes: a ATW-R250 receiver, ATW-T201 transmitter, and a PRO 92cW headworn beige microphone.Audio-Technica's Freeway 200 Series Wireless Systems are designed to provide reliable performance, easy setup and clear, natural sound quality. Each 200 Series professional VHF wireless system includes a receiver and either a body-pack transmitter or a handheld microphone/transmitter on a specific crystal-controlled frequency. A novel dipole antenna system on the receiver improves operation by providing a ground element in addition to the usual signal element.The ATW-R250 receiver is a compact wireless receiver for the 200 series Freeway system. The surface mounted unit features 8 selectable VHF frequencies, and diversity switching antennas. The combination of VHF, diversity operation results in fewer drop outs and noise. The rear provides both balanced and unbalanced output connections for further flexibility. It comes with a unique space saving power supply, perfect when multiple AC power supplies are employed as part of a system. The ATW-R250 also offers squelch and volume controls, 1/4 output jack, along with AF Peak, RF and Power indicator lights.The ATW-T201 Body Pack Transmitter is a VHF bodypack transmitter for the Freeway 200 series wireless microphone system also. The transmitter accommodates compatible lavalier and head-worn microphones as well as instrument cables. Additional features include switchable RF power settings for increasing range whenever necessary.Thw PRO 92cW wireless omnidirectional condenser headworn microphone offers a natural, smooth frequency response optimized for vocal articulation. The mic features a small condenser capsule; a lightweight, contoured earpiece; and a flexible boom that is easily repositioned for a comfortable fit. Terminated to fit Audio-Technica wireless systems, the PRO 92cW is a great headworn mic. |
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Audio-Technica ATW-251/H92-TH Wireless System T8 : MusiciansFriend : USD199.95The Audio Technica ATW-251/H 92 includes: a ATW-R250 receiver, ATW-T201 transmitter, and a PRO 92cW headworn beige microphone.Audio-Technica's Freeway 200 Series Wireless Systems are designed to provide reliable performance, easy setup and clear, natural sound quality. Each 200 Series professional VHF wireless system includes a receiver and either a body-pack transmitter or a handheld microphone/transmitter on a specific crystal-controlled frequency. A novel dipole antenna system on the receiver improves operation by providing a ground element in addition to the usual signal element.The ATW-R250 receiver is a compact wireless receiver for the 200 series Freeway system. The surface mounted unit features 8 selectable VHF frequencies, and diversity switching antennas. The combination of VHF, diversity operation results in fewer drop outs and noise. The rear provides both balanced and unbalanced output connections for further flexibility. It comes with a unique space saving power supply, perfect when multiple AC power supplies are employed as part of a system. The ATW-R250 also offers squelch and volume controls, 1/4 output jack, along with AF Peak, RF and Power indicator lights.The ATW-T201 Body Pack Transmitter is a VHF bodypack transmitter for the Freeway 200 series wireless microphone system also. The transmitter accommodates compatible lavalier and head-worn microphones as well as instrument cables. Additional features include switchable RF power settings for increasing range whenever necessary.Thw PRO 92cW wireless omnidirectional condenser headworn microphone offers a natural, smooth frequency response optimized for vocal articulation. The mic features a small condenser capsule; a lightweight, contoured earpiece; and a flexible boom that is easily repositioned for a comfortable fit. Terminated to fit Audio-Technica wireless systems, the PRO 92cW is a great headworn mic. |
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Audio-Technica ATW-701/H92 Wireless System : MusiciansFriend : USD339.95The ATW-701/H92 includes: The ATW-R700 Receiver The ATW-T701 UniPak Transmitter The PRO 92cW Headworn Microphone (black)Audio-Technica's ATW-701/H92 Wireless Body pack System incorporates the 700 Series Freeway wireless system, which delivers professional features and sound quality unheard of in its class. These easy-to-use wireless systems feature eight selectable frequency-coordinated channels, diversity operation for increased range/reliability, automatic frequency scanning, Tone Lock squelch and more. |
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Audio-Technica ATW-701/H92-TH Wireless System : MusiciansFriend : USD339.95The ATW-701/H92 includes: The ATW-R700 Receiver The ATW-T701 UniPak Transmitter The PRO 92cW Headworn Microphone (beige)Audio-Technica's ATW-701/H92 Wireless Body pack System incorporates the 700 Series Freeway wireless system, which delivers professional features and sound quality unheard of in its class. These easy-to-use wireless systems feature eight selectable frequency-coordinated channels, diversity operation for increased range/reliability, automatic frequency scanning, Tone Lock squelch and more. |
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Audio-Technica AT4040SP Studio Microphone Pack : MusiciansFriend : USD499.0The Audio-Technica AT4040SP Studio Pack offers you two of A-T's renowned 40 Series studio condenser microphones: the AT4040 large-diaphragm side-address condenser mic and the AT4041 cardioid condenser. Each microphone is transformerless, resulting in exceptional transient response, and extremely clean output signals; each is engineered to meet the most critical acoustic requirements of professional recording, broadcast and live sound. Audio-Technica includes a shock mount, stand clamp and windscreen along with a protective wooden carrying case with this mic pack. Requires phantom power. |
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Audio-Technica AT4041SP Studio Microphone Pack : MusiciansFriend : USD499.0The Audio-Technica AT4041SP Studio Pack offers you a pair of AT4041 studio condenser microphones. Engineered to meet the most critical acoustic requirements of professional recording, broadcast and live sound, the AT4041 mic features a smooth, extended frequency response with a slight rise in the high-frequency region and a transformerless output for very high SPL-handling capability making them a great choice for drum overheads and cymbals. The element back plate holds a fixed charge and has been aged to provide energy stabilization. The surface of the back plate is precision milled to ensure maximum charge linearity, resulting in a reduction in both frequency response peaks and diaphragm breakup distortion. This Audio-Technica pack also includes 2 stand clamps, 2 windscreens, and a protective wooden storage case! Requires phantom power. |
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Audio-Technica ATW-2192 Wireless System : MusiciansFriend : USD529.0The Audio-Technica ATW-2192 Wireless System includes:ATW-R2100 receiver, ATW-T210 UniPak Transmitter, AT892cW Omnidirectional Condenser Headworn Microphone, element covers, windscreens, and clothing clip.Audio-Technica's innovative 2000 Series wireless delivers professional performance, unheard of in its class. With this breakthrough series, Audio-Technica makes easy setup, automatic scanning and other advanced wireless features affordable as never before.Automatic frequency scanning - standard on all 2000 Series wireless receivers - finds and sets the best available channel at the touch of a button. For those using multiple wireless systems simultaneously, the 2000 Series offers another ease-of-use standout: any of its 10 channels may be used together - eliminating confusing frequency groups and other frequency-coordination problems. |
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Audio-Technica ATW-2192-TH Wireless System : MusiciansFriend : USD529.0The Audio-Technica ATW-2192-TH is a wireless system that includes the ATW-R2100 receiver, ATW-T210 UniPak Transmitter, AT892cW-TH Omnidirectional Condenser Headworn Microphone (beige), element covers, windscreens, and clothing clip.Audio-Technica's innovative 2000 Series wireless delivers professional performance, unheard of in its class. With this breakthrough series, Audio-Technica makes easy setup, automatic scanning and other advanced wireless features affordable as never before.Automatic frequency scanning—standard on all 2000 Series wireless receivers—finds and sets the best available channel at the touch of a button. For those using multiple wireless systems simultaneously, the 2000 Series offers another ease-of-use standout: any of its 10 channels may be used together - eliminating confusing frequency groups and other frequency-coordination problems. |
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Audio-Technica ATW-3192A Wireless System Band C : MusiciansFriend : USD619.0The Audio-Technica ATW-3192A is a wireless system that includes:ATW-R3100 Receiver, ATW-T310 UniPak Transmitter, AT892cW Balck Omnidirectional Condenser Headworn Microphone, element covers, windscreens and clothing clip.With automatic frequency scanning to find and set the best available channel, 200 selectable UHF channels, true diversity protection from RF hits and dropouts, soft-touch controls, easy setup and great sound, the 3000 Series wireless delivers truly professional performance.The versatile UniPak body-pack transmitter features a secure 4-pin locking connector compatible with a wide range of microphones, as well as a guitar cable. A 3-position sliding cover on the transmitter's control panel prevents accidental shut-off or channel-switching.The 3000 Series is available with either a cardioid dynamic or cardioid condenser handheld transmitter featuring robust metal construction and slim ergonomic design. The ATW-T341 handheld transmitter includes the stage-proven Artist Elite AE4100 cardioid dynamic element, while the ATW-T371 handheld transmitter features the Artist Series ATM710 cardioid condenser element. |
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Audio-Technica ATW-3192A-TH Wireless System Band C : MusiciansFriend : USD619.0The Audio-Technica ATW-3192A Wireless System includes:ATW-R3100 Receiver, ATW-T310 UniPak Transmitter, AT892cW-TH Omnidirectional Condenser Headworn Microphone (beige), element covers, windscreens and clothing clip.With automatic frequency scanning to find and set the best available channel, 200 selectable UHF channels, true diversity protection from RF hits and dropouts, soft-touch controls, easy setup and great sound, the 3000 Series wireless delivers truly professional performance.The versatile UniPak body-pack transmitter features a secure 4-pin locking connector compatible with a wide range of microphones, as well as a guitar cable. A 3-position sliding cover on the transmitter's control panel prevents accidental shut-off or channel-switching.The 3000 Series is available with either a cardioid dynamic or cardioid condenser handheld transmitter featuring robust metal construction and slim ergonomic design. The ATW-T341 handheld transmitter includes the stage-proven Artist Elite AE4100 cardioid dynamic element, while the ATW-T371 handheld transmitter features the Artist Series ATM710 cardioid condenser element. |
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Audio-Technica ATW-3192A Wireless System Band D : MusiciansFriend : USD619.0The Audio-Technica ATW-3192A Wireless System includes:ATW-R3100 Receiver, ATW-T310 UniPak Transmitter, Black AT892cW Omnidirectional Condenser Headworn Microphone, element covers, windscreens and clothing clip.With automatic frequency scanning to find and set the best available channel, 200 selectable UHF channels, true diversity protection from RF hits and dropouts, soft-touch controls, easy setup and great sound, the 3000 Series wireless delivers truly professional performance.The versatile UniPak body-pack transmitter features a secure 4-pin locking connector compatible with a wide range of microphones, as well as a guitar cable. A 3-position sliding cover on the transmitter's control panel prevents accidental shut-off or channel-switching.The 3000 Series is available with either a cardioid dynamic or cardioid condenser handheld transmitter featuring robust metal construction and slim ergonomic design. The ATW-T341 handheld transmitter includes the stage-proven Artist Elite AE4100 cardioid dynamic element, while the ATW-T371 handheld transmitter features the Artist Series ATM710 cardioid condenser element. |
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Audio-Technica ATW-3192A-TH Wireless System Band D : MusiciansFriend : USD619.0The Audio-Technica ATW-3192A Wireless System includes:ATW-R3100 Receiver, ATW-T310 UniPak Transmitter, AT892cW-TH Omnidirectional Condenser Headworn Microphone (beige), element covers, windscreens and clothing clip.With automatic frequency scanning to find and set the best available channel, 200 selectable UHF channels, true diversity protection from RF hits and dropouts, soft-touch controls, easy setup and great sound, the 3000 Series wireless delivers truly professional performance.The versatile UniPak body-pack transmitter features a secure 4-pin locking connector compatible with a wide range of microphones, as well as a guitar cable. A 3-position sliding cover on the transmitter's control panel prevents accidental shut-off or channel-switching.The 3000 Series is available with either a cardioid dynamic or cardioid condenser handheld transmitter featuring robust metal construction and slim ergonomic design. The ATW-T341 handheld transmitter includes the stage-proven Artist Elite AE4100 cardioid dynamic element, while the ATW-T371 handheld transmitter features the Artist Series ATM710 cardioid condenser element. |
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Audio-Technica PRO24CM Camera Mount Stereo Condenser Microphone : MusiciansFriend : USD64.99The Audio-Technica PRO 24-CM camcorder microphone is a lightweight, compact stereo condenser mic that is ideal for digital recording with high-fidelity stereo sound. Equipped with an accessory shoe and permanently attached coiled cable, the PRO24CM microphone features a pair of cardioid elements in an X-Y configuration to provide the spatial impact and realism of a live sound field. This AT camera mount microphone is designed for either battery operation, or battery-free operation when used with camcorders that provide plug-in power at the mic input. Like all Audio-Technica mics, the PRO 24-CM is rugged. It's built to endure the rigors of field production. Requires phantom power. |
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MXL MXL 909 Condenser Microphone : MusiciansFriend : USD99.0The cardioid-pattern MXL 909 Condenser Microphone is a large, gold-sputtered 1" diaphragm, true Class A mic. It has a super-fast response, wide dynamic range, and a sweet, silky open sound that makes it perfect for recording vocals into both digital and analog devices. It requires phantom power. Includes shockmount and carrying case. |
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MXL MXL 960 Tube Condenser Microphone : MusiciansFriend : USD199.99The MXL 960 Tube Condenser Mic will keep you productive reliably and affordably. Professional-quality, large-diaphragm 1" capsule, tube condenser microphone has an extremely wide dynamic range and a crisp, airy sonic character. Well suited to either analog or digital recording. 20Hz-20kHz. Cardioid pattern. 135dB max SPL. Equivalent noise: 13dB, A-weighted. Requires phantom power. |
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MXL MXL V63MBP Computer Desktop Recording Kit : MusiciansFriend : USD99.99The MXL V63MBP Computer Desktop Recording Kit includes a large-diaphragm microphone with cable, adapters, and a desktop stand. It gives you an easy and inexpensive way to record into your computer. The MXL microphone included in the kit is battery powered rather than phantom powered, and it comes with the cable and adapters that allow it to plug directly into your PC as well as into mic preamplifiers, mixing consoles, or computer audio interfaces-any equipment using XLR, 1/4", or mini-plug connectors. Simply download some recording freeware, plug in your MXL microphone, and lay tracks.The MXL V63MBP Computer Desktop Recording Kit is perfect for recording vocals, instruments, and for voiceover commentary. Use it to liven home CD and DVD video recordings as well as for capturing location sound effects and field audio recordings with your laptop. |
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MXL MXL 990s Condenser Microphone : MusiciansFriend : USD69.99The MXL 990s Condenser Microphone is based on the hugely popular MXL990, this model adds a -10dB pad and 150Hz low-cut switch. The 990s is a true, phantom-powered, condenser microphone with a 6-micron, 20mm gold-sputtered diaphragm with high quality FET preamp and balanced output. |
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MXL V6 Silicon Valve Microphone : MusiciansFriend : USD299.99The MXL V6 Silicon Valve Microphone is a large diaphragm, pressure-gradient condenser microphone that delivers the warmth and clarity of sound that up to now has been available only with vintage tube microphones. The V6 is the premier offering in MXL's Silicon Valve product line, characterized by the use of the finest components and extreme attention to detail.The MXL V6 Silicon Valve large diaphragm cardioid condenser microphone provides the sound quality of a tube mic without the noise and hassle of multiple cables and external power supplies. The unique design employs solid-state FET amplifier techniques to simulate true tube ambience. The V6 comes complete with a microphone clip and wooden storage case. Requires phantom power. |
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MXL Desktop Recording Kit White PC : MusiciansFriend : USD69.95With the MXL Desktop Recording Kit, it only takes a few easy steps and your favorite software to start recording directly to your computer. This universal toolkit provides professional-sounding music and speech recordings into your PC. Includes a self-powered large-diaphragm condenser microphone, desktop stand, XLR mic cable, XLR to 1/8" cable adapter, 1/8" to 1/4" adapter, and recording guide. |
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MXL D.R.K. - MAC Desktop Recording Kit White MAC : MusiciansFriend : USD99.99All you need for professional-sounding recordings is your Macintosh computer or laptop and this all-in-one desktop recording kit from MXL. The D.R.K includes a self-powered large-diaphragm condenser microphone, desktop stand, microphone clip, XLR microphone cable, iBooster signal booster-adapter, XLR to mini-plug adapter cable, 3.5mm mini-plug to 1/4" adapter, 9V battery, and recording guide. Its perfect for recording vocals, instruments and for voice-over speech to liven home CD and DVD video recordings, location sound effects and podcasting.The MXL i.booster raises any low-level input signal, such as those of microphones and electric guitar, to the audio input level of Apple personal computers. This compact, affordable interface is an essential tool for Apple home recording and multimedia enthusiasts. The electric guitar and cardioid condenser microphones (the microphone type used in professional recording environments) output a relatively low level signal. They need to be amplified to a higher level to be used effectively with Apple Macintosh computers-both the iMac and the larger Power Mac tower systems. The MXL iboost is an inexpensive alternative to using expensive mic preamplifiers and guitar input devices. |
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MXL 3000 Large-Diaphragm Condenser Microphone : MusiciansFriend : USD149.99The MXL 3000 has a large gold-sputtered diaphragm and an FET preamplifier with premium components within the signal path. Its transformer-coupled output is very reminiscent of the circuit designs found in early British recording consoles. When used for recording vocals the microphone has amazing clarity and warmth. It is a stunningly detailed microphone that is also appropriate for instrument miking, especially of string and wind instruments. It comes in a rugged aluminum flight case and includes microphone mount. Requires phantom power. |
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MXL CUBE Condenser Microphone : MusiciansFriend : USD99.99The MXL CUBE is a custom-bodied microphone with the rich, full sound of larger, more expensive mics. Despite its compact size, the CUBE delivers powerful, clear, and detailed vocals and shimmers with acoustic instruments and percussion thanks to its 1" gold-sputtered, 6-micron diaphragm and internal Mogami high-definition wiring. Includes mic clip. Requires phantom power. |
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MXL 9090 Dual-Capsule Condenser Microphone : MusiciansFriend : USD69.99The MXL 9090 Microphone is like having two mics in one. A unique design with 2 selectable diaphragms: the front side has a warm, lush sound, and the microphone's back side simulates some of the brighter more airy sounding vintage capsule characteristics of early tube mics of the 60s. With the flip of a switch, you get a completely different sound from a single microphone. A bright red LED shines through the grill indicating which capsule is energized. The MXL 9090 mic is perfect for when you need several quality microphones on a limited budget.Requires phantom power. |
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MXL 190 Large Diaphragm Condenser Microphone : MusiciansFriend : USD149.99The MXL 190 is a premium large-capsule solid state condenser microphone featuring a low-noise FET design with a large, open-format grille cavity. The custom chamber has been tuned to complement the capsule's response, delivering an open, airy sound that is transparent without being overly bright. Internally wired with high-definition Mogami cable for pristine audio quality. Requires phantom power. |
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MXL MXL56 2001 Size Shockmount : MusiciansFriend : USD34.99The MXL56 is a microphone shockmount designed to be used with the MXL 2001, MXL 2003, and MXL V77 mics. |
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Marshall V67G Condenser Microphone : MusiciansFriend : USD119.95Old school tube mellow" is often used to describe the sound of the MXL V67G. Designed mainly for vocals, the V67G combines Class A FET circuitry and a transformer-coupled output for a smooth, open, and pure sound. The V67G comes through with killer vocals even in front of a busy mix and has great stage appeal with a gold-plated round grille and distinctive, vintage body. You'll be amazed by the sound this cleverly designed microphone provides and pleasantly pleased with the price.**Requires phantom power to operate.** |
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MXL MXL 57 1006 Shockmount : MusiciansFriend : USD34.95The MXL MXL 57 1006 Shockmount is a high isolation shockmount for the MXL 1006, MXL V67G, and other microphones with bodies greater than 1-7/8". |
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MXL 990 Condenser Microphone with Shockmount : MusiciansFriend : USD69.99The MXL 990 Condenser Microphone with Shockmount has a silky, sweet high end while retaining tight, solid low and midrange reproduction. The 3/4" gold-sputtered diaphragm creates a professional sound suited for digital and analog recording. Attractive vintage body style with champagne finish. 30Hz-20kHz frequency response. 130dB maximum SPL. Includes custom shockmount, mic stand adapter, and case. Requires phantom power. |
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MXL V63M Condenser Studio Microphone : MusiciansFriend : USD49.99The MXL V63M Condenser Studio Microphone has a 1" diameter, 6-micron-thick diaphragm that delivers high sensitivity and detailed recordings. Wired with Mogami wire for added clarity. With balanced, transformerless output for low noise. Encased in a heavy-duty brass enclosure. The MXL V63M has a cardioid pickup pattern and a frequency response of 30Hz- 20kHz. 48V phantom power required. |
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MXL V63M Studio Condenser Microphone : MusiciansFriend : USD79.99The MXL V63M is a condenser microphone with a 1" diameter, 6-micron-thick diaphragm that delivers high sensitivity and detailed recordings. Wired with Mogami wire for added clarity. Balanced, transformerless output for low noise. Encased in a heavy-duty brass enclosure. 30Hz-20kHz frequency response. Cardioid pickup pattern. Includes spider shockmount (also fits Neumann mics). Requires phantom power. |
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MXL MXL 992 Large-Diaphragm Condenser Microphone : MusiciansFriend : USD109.99The MXL 992 Large-Diaphragm Condenser Mic delivers the dynamic range required for the most demanding applications. It has an airy, open sound with low self-noise essential for accurate digital recording. 20Hz-20kHz range. 10dB switchable attenuation. Selectable -10dB low-frequency roll-off. Large brass enclosure. Includes deluxe carrying case and custom-designed shockmount. Requires phantom power. |
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MXL MXL-90 Microphone Shockmount : MusiciansFriend : USD34.95The MXL-90 is a high-isolation shockmount for MXL 770/990 and other wide body microphones (2-3/8" O.D. or greater). |
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MXL MXL-41S Microphone Shockmount : MusiciansFriend : USD34.95The MXL-41S microphone shockmount provides excellent isolation from mic stand noise. Designed for the MXL 600 and 603 mics. |
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MXL 990/MXL 991 Recording Microphone Package : MusiciansFriend : USD79.99The MXL 990/MXL 991 Recording Mic Package is a 2-microphone kit with the latest in MXL's range of studio condenser microphones. The 990 has silky, sweet high end and a tight solid bass, perfect for recording vocals. The 991 is a superior instrument microphone designed for recording acoustic guitar and drum overheads. Both have gold-sputtered diaphragms (20mm) creating a professional sound perfectly suited for digital and analog recording. The MXL 990/MXL 991 Recording Mic Package includes a high-impact carrying case and mic stand adapters. |
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MXL 2003/603S Microphone Pac Plus : MusiciansFriend : USD169.95The MXL 2003/603S Mic Pac Plus can get 'er done. The 603S is an excellent instrument and overhead mic with a 20mm gold-sputtered, 6-micron gold diaphragm and a wide cardioid pattern. The 2003 records vocals and instruments beautifully. Features a 1.06" (27mm) gold-sputtered 3-micron diaphragm, balanced transformerless output with bass cut and -10dB pad. Durable brass enclosure. Both mics include a clip and pouch. |
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MXL MXL 990/993 Studio Package : MusiciansFriend : USD149.99The MXL 990/993 Studio Package gives you a great value in a condenser and an instrument microphone pair. The MXL 990 is a true phantom-powered condenser mic with a 6-micron, 20mm gold-sputtered diaphragm. It has an FET preamp with balanced output for a silky-sweet high end with solid low and midrange vocal reproduction. 30Hz-20kHz frequency range. 130dB maximum SPL. It has the look and sound of a vintage vocal mic and includes a rugged carrying case, shockmount, and stand adapter.The MXL 993 is the latest in quality instrument microphones. Using transformerless FET circuitry and a gold diaphragm capsule, the 993 delivers the dynamic range required in the most demanding instrument microphone applications. It has a silky, open sound with a wide dynamic range essential for accurate instrument recording. With a 20Hz-20kHz frequency range, 10dB switchable attenuation, selectable -10dB low-frequency roll-off, and large brass enclosure, the MXL 993 is perfect for guitar and overhead drum miking. Includes a rugged carrying case, MXL 990 shockmount and stand adapter, and 993 mounting clip. |
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MXL MXL 993 Pencil Condenser Microphone : MusiciansFriend : USD149.99The MXL 993 Pencil Condenser Microphone is a quality instrument mic with transformerless FET circuitry and a gold diaphragm capsule design. The 993 delivers the dynamic range required in the most demanding instrument microphone applications. It has a silky, open sound with a wide dynamic range essential for accurate recording. With a 20Hz-20kHz frequency range, 10dB switchable attenuation, selectable -10dB low-frequency roll-off, and large brass enclosure, the MXL 993 mic is perfect for guitar and overhead drum miking. Includes deluxe carrying case and mounting clip. Requires phantom power. |
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MXL MXL 992/993 Studio Package : MusiciansFriend : USD299.99The MXL 992/993 Studio Package gives you a versatile microphone pair.The MXL 992 delivers the dynamic range required for the most demanding applications. It has an airy, open sound with low self-noise essential for accurate digital recording. 20Hz-20kHz frequency range. 10dB switchable attenuation. Selectable -10dB low-frequency roll-off. Large brass enclosure. Custom wired internally with premium Mogami cable. Includes deluxe carrying case and custom-designed shockmount.The MXL 993 is engineered with transformerless FET circuitry and a gold diaphragm capsule design to deliver the dynamic range required in the most demanding instrument microphone applications. It has a silky, open sound with a 20Hz-20kHz frequency range, 10dB switchable attenuation, selectable -10dB low-frequency roll-off, and large brass enclosure. It's perfect for guitar and overhead drum miking. Includes deluxe carrying case and mounting clip. Requires phantom power. |
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MXL 993 Condenser Microphones Stereo Pair : MusiciansFriend : USD179.99The MXL 993 Condenser Mics Stereo Pair includes the latest in quality instrument microphone technology. Using transformerless FET circuitry and a gold diaphragm capsule design, the 993 delivers the dynamic range required in the most demanding instrument microphone applications. It has a silky, open sound with a wide dynamic range essential for accurate, instrument recording. With a 20Hz-20kHz frequency range, 10dB switchable attenuation, selectable -10dB low-frequency roll-off, and sturdy brass enclosure, the MXL 993 is perfect for guitar and overhead drum miking. Includes deluxe carrying case and mounting clips. Requires phantom power. |
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MXL V900 Stage and Studio Condenser Microphone : MusiciansFriend : USD99.99The MXL V900 is a large diaphragm condenser microphone that is as comfortable to use and as effective on stage as it is in the studio. The heavy duty custom grille assembly has been carefully tuned to optimize the V900 microphone's premium condenser element. Internally shock mounted, the MXL V900 mic has a unique stand mounting design that isolates vibration and reduces handling noise. The MXL V900 microphone has a classic, vintage look that will complement your performance and stage presence. The V900 is a Class A microphone designed to exhibit a wide dynamic range and a low noise floor. The MXL V900 is also a perfect microphone for digital recording.Requires phantom power. |
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MXL MXLUSB-006 Powered Condenser Microphone : MusiciansFriend : USD139.95Designed with ease-of-use in mind, the MXL.006 USB / Cardioid Condenser Microphone features a large gold diaphragm that delivers a big, rich sound characteristic of studio and broadcast microphones. Unlike most studio condenser mics the MXL.006 is a USB (Universal Serial Bus) instrument that connects directly to your computer without the need for external mic preamps. Now, anyone requiring high quality, professional sound on their computer can record music or dialog by simply connecting to a standard USB port. Featuring support for USB 1.1 and 2.0, this exceptionally easy-to-use microphone even includes gain adjustment settings via the built-in three position attenuation switch.As a plug and play device for both Windows and Macintosh, it requires no special drivers whatsoever. Simply connect the microphone's USB cable to a computer's USB port, and installation is quick and effortless. In addition to recording instruments or voice for home recording applications, the new MXL.006 is the perfect microphone for podcasting or adding dialog to presentations and other multimedia projects. It is also the perfect solution capable of opening new possibilities for radio and news broadcasters and for location recording.Unlike electrets or dynamic microphones typically used for computer work, the MXL.006 has an extremely smooth, natural sound typical of what one would hear on a professionally produced CD or radio show. The analog section of the new MXL.006 microphone features a 20 Hz-20 kHz frequency response, a large gold diaphragm, pressure-gradient condenser capsule, and a 3-position, switchable attenuation pad with settings for Hi (0 dB), Medium (-5 dB), and Lo (-10 dB), making it easy to configure the microphone to virtually any sound source. The digital section features a 16-bit Delta Sigma A/D converter with a sampling rate of 44.1 kHz and 48 kHz. Protecting the instrument's capsule is a heavy-duty wire mesh grill with an integrated pop filter.To make recording a trouble-free process, the new MXL.006 features a red LED behind the protective grill. This LED informs the user that the microphone is active and correctly oriented toward the user. To complete this terrific package, the MXL.006 ships with a travel case, a desktop microphone stand, a 10-foot USB cable, windscreen, an owner's manual, and an applications guide. |
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MXL 9000 Tube Condenser Microphone : MusiciansFriend : USD199.95The MXL 9000 Tube Condenser Microphone is a large-diaphragm, cardiod-pattern design based around a 12AT7 tube. The tube circuitry delivers a characteristic warm-yet-transparent midrange response that gives a smooth emphasis to both voices and instruments. It is housed in a silver-finished metal housing and comes complete with hi-isolation shock mount, power supply, and 7-pin power cable. Requires phantom power. |
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MXL MXL604 Instrument Microphone : MusiciansFriend : USD99.0This is a large diaphragm condenser microphone that utilizes transformer-less FET circuitry and a 20mm gold diaphragm capsule design. It features; -10dB switchable attenuation; selectable low-frequency roll-off; and an interchangeable omnidirectional capsule making the the 604 perfect for acoustic guitar, ambient and overhead drum miking. The 604 exhibits low noise characteristics with a wide dynamic range. Includes a deluxe wooden storage case, mounting clip and foam windscreen. 20mm gold cardiod and omni-directional capsules. Requires phantom power. |
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B-Band DM-Pack 5 Piece Drum Microphone Set : MusiciansFriend : USD699.99The B-Band DM-Pack 5 Piece Drum Microphone Set consists of 1 B-Band DM-S, 1 B-Band DM—K, and 3 B-Band DM-T mics and their preamps.In keeping with the B-Band philosophy, the DM series mics are very lightweight and do not add any noticeable weight to the drum. They are unobtrusive and give your kit a sleek look without getting in the way during a performance. Yet, even with these values, these transducers are very durable and robust, and will endure rigorous touring.DM-S The B-Band DM-S XOM Drum Contact Mic for Snare drums is a remarkable way to get a great miked sound from your drum consistently, conveniently and with superior isolation. The system consists of the DM-S preamp, built with high-quality class A electronics and the DST Contact Mic for superb tone. The DM-S will work with any size snare drum. The DM-S has two 3.50 mm / 1/8" mini input jacks, one for the DST, the other for an auxiliary condenser or dynamic microphone.The DM-S preamp attaches quickly to the drum rim without the use of any tools, the DST mounts discreetly on the inside or the drum shell near the batter head while the DST lead is simply fed through the drum air hole to the DM-S preamp. When the aux mic input is used, the B-Band XOM (Cross-Over-Mix) circuit is activated and a 2 kHz low pass is applied, additionally the DST signal has a 2 kHz high pass applied to it. In this circuit the high frequencies above 2 kHz are from the DST and below 2 kHz are from the microphone. XOM provides a smooth and wider frequency range to the blended sound. Four mini switches on the preamp provide settings for the contour of tone and optional 9-volt phantom power supply to an extra condenser mic.Once in place you simply plug a standard XLR cable directly from the DM-S to the PA or mixer. The DM-S is powered by any 48 volt PA or mixer and has four mini switches for tone contouring and mic options: 1) DST -6 dB cut at 3.3 kHz; 2) DST +6 dB boost at 330 Hz; 3) Mic disable; 4) Mic power.DM-K The B-Band DM-K Drum Contact Mic for kick drums is a remarkable way to get a great miked sound from your drum consistently, conveniently and with superior isolation. The system consists of the DM-K preamp, built with high-quality class A electronics and the DST Contact Mic for superb tone. The DM-K will work with any size kick drum.The DM-K preamp attaches quickly to the drum rim without the use of any tools, the DST mounts discreetly on the inside or the drum shell near the batter head while the DST lead is simply fed through the drum air hole to the DM-K preamp.Once in place you simply plug a standard XLR cable directly from the DM-K to the PA or mixer, there are no positioning issues and because the contact mic stays in the drum the sound is consistent every time you use it. The DM-K is powered by any 48 volt PA or mixer and has four mini switches for tone contouring: 1) +6 dB bass boost; 2) +12 dB boost at 330 Hz; 3) -8 dB cut at 500 Hz; 4) +8 dB boost at 4 kHz.DM-T The B-Band DM-T Drum Contac |
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Audio-Technica AE3000 Instrument Condenser Microphone : MusiciansFriend : USD249.0The Artist Elite AE3000 is a cardioid condenser instrument mic that excels in applications such as guitar cabinets, toms, snare, timpani and overheads. Its large-diaphragm capsule combines with the open architecture of the head case to provide an extremely accurate and open sound. Its low-profile side-address design with tapered grille allows optimal microphone positioning. Requires phantom power. |
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Audio-Technica AEW-4110 Artist Elite UniPak Wireless System Band C : MusiciansFriend : USD769.0The Audio-Technica AEW-4110 Artist Elite UniPak Wireless System includes the AEW-R4100 receiver and AEW-T1000 UniPak transmitter. The AEW-4110 is frequency-agile and brings outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100 with 200 selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked and monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4110 Artist Elite UniPak Wireless System Band D : MusiciansFriend : USD769.0The Audio-Technica AEW-4110 Artist Elite UniPak Wireless System includes the AEW-R4100 receiver and AEW-T1000 UniPak transmitter. The AEW-4110 is frequency-agile and brings outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100 with 200 selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked and monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4230 Artist Elite Handheld Condenser Microphone System Band C : MusiciansFriend : USD949.0The Audio-Technica AEW-4230 Artist Elite Condenser Microphone System includes the AEW-R4100 receiver and handheld AEW-T3300 cardioid condenser microphone / transmitter.Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless microphone systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with 200 selectable channels offered in each of 2 available UHF bands. Receivers from both the 4000 and 5000 Series may be linked and monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4230 Artist Elite Handheld Condenser Microphone System Band D : MusiciansFriend : USD949.0The Audio-Technica AEW-4230 Artist Elite Condenser Microphone System includes the AEW-R4100 receiver and handheld AEW-T3300 cardioid condenser microphone / transmitter.Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless microphone systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with 200 selectable channels offered in each of 2 available UHF bands. Receivers from both the 4000 and 5000 Series may be linked and monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4240 Artist Elite Handheld Dynamic Microphone System Band C : MusiciansFriend : USD829.0The Audio-Technica AEW-4240 Artist Elite Handheld Cardioid Dynamic Mic System 275005 includes the AEW-R4100 receiver and AEW-T4100 Cardioid Dynamic Microphone / transmitter.Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless microphone systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4240 Artist Elite Handheld Dynamic Microphone System Band D : MusiciansFriend : USD829.0The Audio-Technica AEW-4240 Artist Elite Handheld Cardioid Dynamic Mic System 275005 includes the AEW-R4100 receiver and AEW-T4100 Cardioid Dynamic Microphone / transmitter.Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless microphone systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4250 Artist Elite Handheld Cardioid Condenser Mic System Band C : MusiciansFriend : USD1099.0The Audio Technica AEW-4250 Artist Elite Handheld Cardioid Condenser Mic System includes the AEW-R4100 receiver and the AEW-T5400 cardioid condenser microphone / transmitter Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless microphone systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4250 Artist Elite Handheld Cardioid Condenser Mic System Band D : MusiciansFriend : USD1099.0The Audio Technica AEW-4250 Artist Elite Handheld Cardioid Condenser Mic System includes the AEW-R4100 receiver and the AEW-T5400 cardioid condenser microphone / transmitter Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless microphone systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4260 Artist Elite Handheld Hypercardioid Dynamic Mic System Band C : MusiciansFriend : USD829.0The Audio Technica AEW-4260 Artist Elite Handheld Hypercardioid Dynamic Mic System includes the AEW-R4100 receiver and the AEW-T6100 hypercardioid dynamic microphone / transmitter. Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless microphone systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4260 Artist Elite Handheld Hypercardioid Dynamic Mic System Band D : MusiciansFriend : USD829.0The Audio Technica AEW-4260 Artist Elite Handheld Hypercardioid Dynamic Mic System includes the AEW-R4100 receiver and the AEW-T6100 hypercardioid dynamic microphone / transmitter. Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless microphone systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4313 Artist Elite Handheld Cardioid Condenser Mic and UniPak System Band C : MusiciansFriend : USD1259.0The Audio Technica AEW-4313 Artist Elite Handheld Cardioid Condenser Mic and UniPak System includes the AEW-R4100 receiver, AEW-T1000 Unipak transmitter, and the AEW-T3300 hypercardioid dynamic microphone / transmitter. Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless microphone systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4313 Artist Elite Handheld Cardioid Condenser Mic and UniPak System Band D : MusiciansFriend : USD1259.0The Audio Technica AEW-4313 Artist Elite Handheld Cardioid Condenser Mic and UniPak System includes the AEW-R4100 receiver, AEW-T1000 Unipak transmitter, and the AEW-T3300 hypercardioid dynamic microphone / transmitter. Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless microphone systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4314 Artist Elite Handheld Cardioid Dynamic Mic and UniPak System Band C : MusiciansFriend : USD1119.0The Audio-Technica AEW-4314 Artist Elite Wireless System includes the AEW-R4100 receiver, AEW-T1000 Unipak transmitter, and the AEW-T4100 hypercardioid dynamic microphone/transmitter. Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the AEW-4314 from the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4314 Artist Elite Handheld Cardioid Dynamic Mic and UniPak System Band D : MusiciansFriend : USD1119.0The Audio-Technica AEW-4314 Artist Elite Wireless System includes the AEW-R4100 receiver, AEW-T1000 Unipak transmitter, and the AEW-T4100 hypercardioid dynamic microphone/transmitter. Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the AEW-4314 from the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4315 Artist Elite Handheld Cardioid Condenser Mic and UniPak System Band C : MusiciansFriend : USD1399.0The Audio-Technica AEW-4315 Artist Elite Wireless System includes the AEW-R4100 receiver, AEW-T1000 Unipak transmitter, and the AEW-T5400 cardioid condenser microphone/transmitter. Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the AEW-4315 from the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4315 Artist Elite Handheld Cardioid Condenser Mic and UniPak System Band D : MusiciansFriend : USD1399.0The Audio-Technica AEW-4315 Artist Elite Wireless System includes the AEW-R4100 receiver, AEW-T1000 Unipak transmitter, and the AEW-T5400 cardioid condenser microphone/transmitter. Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the AEW-4315 from the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4316 Artist Elite Handheld Hypercardioid Dynamic Mic and UniPak System Band C : MusiciansFriend : USD1119.0The Audio-Technica AEW-4315 Artist Elite Wireless System includes the AEW-R4100 receiver, AEW-T1000 Unipak transmitter, and the AEW-T6100 Hypercardioid Dynamic microphone/transmitter. Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the AEW-4316 from the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-4316 Artist Elite Handheld Hypercardioid Dynamic Mic and UniPak System Band D : MusiciansFriend : USD1119.0The Audio-Technica AEW-4315 Artist Elite Wireless System includes the AEW-R4100 receiver, AEW-T1000 Unipak transmitter, and the AEW-T6100 Hypercardioid Dynamic microphone/transmitter. Audio-Technica's 4000 Series frequency-agile UHF body-pack and handheld wireless systems bring outstanding clarity and versatility to live performance, regional touring, fixed installations and more. At the heart of the AEW-4316 from the 4000 Series is a rugged True Diversity half-rack receiver, the AEW-R4100, with two hundred selectable channels offered in each of two available UHF bands. Receivers from both the 4000 and 5000 Series may be linked; they may be monitored by the 5000 Series system software. The included IntelliScan feature automatically determines and sets the best available frequencies on all linked receivers. Multiple system configurations are available, with handheld vocal microphone/transmitters and UniPak body-pack transmitters designed for use with lavalier, headworn and instrument microphones as well as electric guitars. |
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Audio-Technica AEW-5111 Artist Elite Dual Receiver UniPak Wireless System Band C : MusiciansFriend : USD2499.0The Audio-Technica AEW-5111 Artist Elite Wireless System includes the AEW-R5200 dual receiver and two AEW-T1000 UniPak transmitters. Designed for live audio use on professional tours, in stadiums, concert halls, houses of worship and other demanding sound environments, Audio-Technica's dual-receiver Artist Elite 5000 Series provides incredible audio quality and proven, critically acclaimed performance for artists, broadcasters and presenters worldwide. With two independent True Diversity receivers in a single full-rack housing, the AEW-5111 from the 5000 Series conserves rack space while providing outstandingly reliable and flexible performance. Two hundred selectable channels are offered in each of two available UHF bands. Receivers may be linked to form a complete system in which the built-in IntelliScan capability automatically determines and sets the best available frequencies on all linked receivers. Equipped with Ethernet ports, the 5000 Series receiver allows computer management and control (software included). Two independent synthesized UHF receiver channels in a full-rack 1U case. Its common power supply operates on 100 240V 50/60 Hz AC power worldwide with the appropriate IEC-type power input cordset. In addition, a pass-through AC outlet on each receiver with included AC jumper cable permits daisy-chaining of an entire AEW-R5200 receiver stack, freeing AC outlets for other equipment. |
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